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Table of Contents

  1. Desiring-Machines: In between Difference and Repetition, Performer and Conductor, Cyclones and Physicality, Structure and Notation
  2. Einar Torfi Einarsson
  3. pp. 5-30
  4. DOI: https://doi.org/10.1353/pnm.2015.0006
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  1. The Theoretical Improvisation of (and within) Possible Worlds
  2. Michael C. Gardiner
  3. pp. 31-76
  4. DOI: https://doi.org/10.1353/pnm.2015.0008
  5. restricted access
  1. From Quotation, through Collage, to Parody: Postmodernism's Relationship with Its Past
  2. Sam L. Richards
  3. pp. 77-97
  4. DOI: https://doi.org/10.1353/pnm.2015.0005
  5. restricted access
  1. New Notational Strategies for New Interpretative Paradigms: Revisiting the Scores of Anestis Logothetis (1921-1994)
  2. Michael McInerney
  3. pp. 99-120
  4. DOI: https://doi.org/10.1353/pnm.2015.0001
  5. restricted access
  1. Analysis as Improvisation: A Phenomenology of Otomo Yoshihide's Anode 2
  2. Scott Gleason
  3. pp. 121-141
  4. DOI: https://doi.org/10.1353/pnm.2015.0002
  5. restricted access
  1. Music Analysis as Poetry
  2. Hyunree Cho
  3. pp. 143-187
  4. DOI: https://doi.org/10.1353/pnm.2015.0007
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  1. Split Centers: Gamelan Fusion Post-Multiculturalism
  2. Pete Steele
  3. pp. 189-217
  4. DOI: https://doi.org/10.1353/pnm.2015.0004
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  1. Becoming-Composer
  2. Brian Hulse
  3. pp. 219-237
  4. DOI: https://doi.org/10.1353/pnm.2015.0000
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  1. Graphics
  2. Heather Hutchison, Brian Borrello, Stuart Buehler, Brad Johnson, Cyrilla Mozenter
  3. pp. 500-550
  4. DOI: https://doi.org/10.1353/pnm.2015.0003
  5. restricted access