In this Issue

Table of Contents

Desiring-Machines: In between Difference and Repetition, Performer and Conductor, Cyclones and Physicality, Structure and Notation

Einar Torfi Einarsson
pp. 5-30
DOI: https://doi.org/10.1353/pnm.2015.0006
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The Theoretical Improvisation of (and within) Possible Worlds

Michael C. Gardiner
pp. 31-76
DOI: https://doi.org/10.1353/pnm.2015.0008
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From Quotation, through Collage, to Parody: Postmodernism's Relationship with Its Past

Sam L. Richards
pp. 77-97
DOI: https://doi.org/10.1353/pnm.2015.0005
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New Notational Strategies for New Interpretative Paradigms: Revisiting the Scores of Anestis Logothetis (1921-1994)

Michael McInerney
pp. 99-120
DOI: https://doi.org/10.1353/pnm.2015.0001
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Analysis as Improvisation: A Phenomenology of Otomo Yoshihide's Anode 2

Scott Gleason
pp. 121-141
DOI: https://doi.org/10.1353/pnm.2015.0002
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Music Analysis as Poetry

Hyunree Cho
pp. 143-187
DOI: https://doi.org/10.1353/pnm.2015.0007
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Split Centers: Gamelan Fusion Post-Multiculturalism

Pete Steele
pp. 189-217
DOI: https://doi.org/10.1353/pnm.2015.0004
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Becoming-Composer

Brian Hulse
pp. 219-237
DOI: https://doi.org/10.1353/pnm.2015.0000
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Graphics

Heather Hutchison, Brian Borrello, Stuart Buehler, Brad Johnson, Cyrilla Mozenter
pp. 500-550
DOI: https://doi.org/10.1353/pnm.2015.0003
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