1. Death, Creativity, and Voice in Jean Barraqué's Le temps restitué
  2. Aaron Hayes
  3. pp. 5-53
  4. DOI: 10.1353/pnm.2015.0014
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  1. NUN?! On the Idea of the Immanent-Sublime to the Minds of Jean-François Lyotard and Helmut Lachenmann
  2. Livine van Eecke
  3. pp. 55-64
  4. DOI: 10.1353/pnm.2015.0015
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  1. Improvisation, Orality, and Writing Revisited
  2. Jean-Charles François
  3. pp. 67-144
  4. DOI: 10.1353/pnm.2015.0009
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  1. Searching for Lost Time: Psychoanalytic Perspectives on Gavin Bryars's The Sinking of the Titanic
  2. Sam Cleeve
  3. pp. 145-176
  4. DOI: 10.1353/pnm.2015.0011
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  1. Between Freedom and Determination: Marios Joannou Elia's Music for Guitar
  2. Vera Grund
  3. pp. 177-188
  4. DOI: 10.1353/pnm.2015.0010
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  1. On a Logical Principle Useful in Music Theory
  2. Roy Whelden
  3. pp. 189-200
  4. DOI: 10.1353/pnm.2015.0013
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  1. Tonality, Musical Form, and Aesthetic Value
  2. Walter Horn
  3. pp. 201-235
  4. DOI: 10.1353/pnm.2015.0012
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