In this Issue

Table of Contents

Death, Creativity, and Voice in Jean Barraqué's Le temps restitué

Aaron Hayes
pp. 5-53
DOI: https://doi.org/10.1353/pnm.2015.0014
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NUN?! On the Idea of the Immanent-Sublime to the Minds of Jean-François Lyotard and Helmut Lachenmann

Livine van Eecke
pp. 55-64
DOI: https://doi.org/10.1353/pnm.2015.0015
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Improvisation, Orality, and Writing Revisited

Jean-Charles François
pp. 67-144
DOI: https://doi.org/10.1353/pnm.2015.0009
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Searching for Lost Time: Psychoanalytic Perspectives on Gavin Bryars's The Sinking of the Titanic

Sam Cleeve
pp. 145-176
DOI: https://doi.org/10.1353/pnm.2015.0011
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Between Freedom and Determination: Marios Joannou Elia's Music for Guitar

Vera Grund
pp. 177-188
DOI: https://doi.org/10.1353/pnm.2015.0010
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On a Logical Principle Useful in Music Theory

Roy Whelden
pp. 189-200
DOI: https://doi.org/10.1353/pnm.2015.0013
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Tonality, Musical Form, and Aesthetic Value

Walter Horn
pp. 201-235
DOI: https://doi.org/10.1353/pnm.2015.0012
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