In this Issue

Table of Contents

On Composing Place: An Analysis of "Clusters on a quadrilateral grid" by John Luther Adams

Erik DeLuca
pp. 5-68
DOI: https://doi.org/10.1353/pnm.2014.0027
restricted access

Learning to Perform Murail's Territoires de l'oubli: Suggestive Content in Synonymous Temporal Musical Notation

William Fried
pp. 69-92
DOI: https://doi.org/10.1353/pnm.2014.0032
restricted access

If on a Winter's Night a Composer Unfurling Music: A Conversation with Carlo Forlivesi

Cristina Scuderi
pp. 93-105
DOI: https://doi.org/10.1353/pnm.2014.0011
restricted access

(Graphic) Zen Garden: Nanzen-Ji 1975-1984

Mary Henry
p. 106
DOI: https://doi.org/10.1353/pnm.2014.0016
restricted access

Vignettes of Old Masters VIII: Two Pieces by Robert Morris (A Review and a Liner Note)

Benjamin Boretz
pp. 107-110
DOI: https://doi.org/10.1353/pnm.2014.0013
restricted access

Subterranean Blues: World Revolution and the Underground Violinists

Dr. Adam Cadell
pp. 111-140
DOI: https://doi.org/10.1353/pnm.2014.0035
restricted access

How to Imitate Nature in Her Manner of Operation: Between What John Cage Did and What He Said He Did

You Nakai
pp. 141-160
DOI: https://doi.org/10.1353/pnm.2014.0029
restricted access

Faux-Amis: Communication and Its Discontents

Christopher Shultis
pp. 161-183
DOI: https://doi.org/10.1353/pnm.2014.0018
restricted access

(Graphic) Zen Garden: Ryoan-Ji 1975-1984

Mary Henry
p. 184
DOI: https://doi.org/10.1353/pnm.2014.0030
restricted access

Gesang Dream: Functions of Faith in Stockhausen's Electric Mass

Ross Wallace Chait
pp. 185-196
DOI: https://doi.org/10.1353/pnm.2014.0022
restricted access

Permutational Thought: Mauricio Kagel's Antithese (1962) in Comparison to Umberto Eco's Serial Thought Theory

Makoto Mikawa
pp. 197-222
DOI: https://doi.org/10.1353/pnm.2014.0020
restricted access

Twelve-Tone Technique in Varèse's Sketches of Déserts

Eveline Vernooij
pp. 223-241
DOI: https://doi.org/10.1353/pnm.2014.0024
restricted access