1. On Composing Place: An Analysis of "Clusters on a quadrilateral grid" by John Luther Adams
  2. Erik DeLuca
  3. pp. 5-68
  4. DOI: 10.1353/pnm.2014.0027
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  1. Learning to Perform Murail's Territoires de l'oubli: Suggestive Content in Synonymous Temporal Musical Notation
  2. William Fried
  3. pp. 69-92
  4. DOI: 10.1353/pnm.2014.0032
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  1. If on a Winter's Night a Composer Unfurling Music: A Conversation with Carlo Forlivesi
  2. Cristina Scuderi
  3. pp. 93-105
  4. DOI: 10.1353/pnm.2014.0011
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  1. (Graphic) Zen Garden: Nanzen-Ji 1975-1984
  2. Mary Henry
  3. p. 106
  4. DOI: 10.1353/pnm.2014.0016
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  1. Vignettes of Old Masters VIII: Two Pieces by Robert Morris (A Review and a Liner Note)
  2. Benjamin Boretz
  3. pp. 107-110
  4. DOI: 10.1353/pnm.2014.0013
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  1. Subterranean Blues: World Revolution and the Underground Violinists
  2. Dr. Adam Cadell
  3. pp. 111-140
  4. DOI: 10.1353/pnm.2014.0035
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  1. How to Imitate Nature in Her Manner of Operation: Between What John Cage Did and What He Said He Did
  2. You Nakai
  3. pp. 141-160
  4. DOI: 10.1353/pnm.2014.0029
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  1. Faux-Amis: Communication and Its Discontents
  2. Christopher Shultis
  3. pp. 161-183
  4. DOI: 10.1353/pnm.2014.0018
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  1. (Graphic) Zen Garden: Ryoan-Ji 1975-1984
  2. Mary Henry
  3. p. 184
  4. DOI: 10.1353/pnm.2014.0030
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  1. Gesang Dream: Functions of Faith in Stockhausen's Electric Mass
  2. Ross Wallace Chait
  3. pp. 185-196
  4. DOI: 10.1353/pnm.2014.0022
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  1. Permutational Thought: Mauricio Kagel's Antithese (1962) in Comparison to Umberto Eco's Serial Thought Theory
  2. Makoto Mikawa
  3. pp. 197-222
  4. DOI: 10.1353/pnm.2014.0020
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  1. Twelve-Tone Technique in Varèse's Sketches of Déserts
  2. Eveline Vernooij
  3. pp. 223-241
  4. DOI: 10.1353/pnm.2014.0024
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