1. Editorial
  2. The Editors
  3. p. 7
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  1. Dramatic Networks: Marginalized Economics and Labour in the Norwich Grocers’ Play
  2. Jeffery G. Stoyanoff
  3. pp. 9-27
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  1. Who Performed at Newington Butts in May 1586?
  2. Laurie Johnson
  3. pp. 29-48
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  1. Underemployed Elizabethans: Gabriel Harvey and Thomas Nashe in the Parnassus Plays
  2. P.B. Roberts
  3. pp. 49-69
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  1. Ovidian Retro-Metamorphosis on the Elizabethan Stage
  2. Lindsay Ann Reid
  3. pp. 71-90
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  1. How to Do Things with Organs: Moving Parts in The Duchess of Malfi
  2. Roya Biggie
  3. pp. 91-110
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  1. The Dating and Attribution of Alphonsus, Emperor of Germany
  2. Adrian Blamires
  3. pp. 111-119
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  1. Placing The Witch of Edmonton: Introduction: Histories and Contexts in The Witch of Edmonton
  2. David Dean, Susan D. Amussen, Kathryn Prince, Tim Stretton
  3. pp. 121-135
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  1. Women, Marriage, Property, and Law: Contextualizing The Witch of Edmonton
  2. Tim Stretton
  3. pp. 137-149
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  1. Blasphemy, Swearing, and Bad Behaviour in The Witch of Edmonton
  2. David Dean
  3. pp. 151-165
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  1. The Witch of Edmonton: Witchcraft, Inversion, and Social Criticism
  2. Susan D. Amussen
  3. pp. 167-179
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  1. Emotions in The Witch of Edmonton
  2. Kathryn Prince
  3. pp. 181-194
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