1. Editorial
  2. p. 9
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  1. The Towneley 'First Shepherds' Play': Its 'Grotesque' Feast Revisited
  2. Ernst Gerhardt
  3. pp. 11-36
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  1. The York Bakers and Their Play of the Last Supper
  2. Leanne Groeneveld
  3. pp. 37-69
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  1. Marlowe and Shakespeare Cross Borders: Malta and Venice in the Early Modern World
  2. Shormishtha Panja
  3. pp. 71-91
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  1. '[A]dore my topless villainy': Metatheatrical Rivalry in John Marston's Antonio's Revenge
  2. Mitchell Macrae
  3. pp. 93-117
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  1. The Insatiate Countess, William Barksted's Hiren, the Fair Greek, and the Children of the King's Revels
  2. Charles Cathcart
  3. pp. 119-139
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  1. Thereby Hangs a Tail: Jonson's The Devil Is an Ass and Stage Representations of Devil-Servants
  2. Tom Harrison
  3. pp. 141-162
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  1. Reading Drama in Tudor England by Tamara Atkin (review)
  2. Claire M.L. Bourne
  3. pp. 163-166
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  1. Medieval Theatre Performance: Actors, Dancers, Automata and Their Audiences ed. by Philip Butterworth and Katie Normington (review)
  2. Sarah Brazil
  3. pp. 167-170
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  1. Shadow and Substance: Eucharistic Controversy and English Drama Across the Reformation Divide by Jay Zysk (review)
  2. Tamara Atkin
  3. pp. 171-173
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  1. 'The Best Pairt of our Play': Essays Presented to John J. McGavin. Medieval English Theatre ed. by Sarah Carpenter et al. (review)
  2. Sheila Christie
  3. pp. 175-178
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  1. Producing Early Modern London: A Comedy of Urban Space, 1598–1616 by Kelly J. Stage (review)
  2. Matteo Pangallo
  3. pp. 179-182
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  1. Dramatic Geography: Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama by Laurence Publicover (review)
  2. Nandini Das
  3. pp. 187-190
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  1. Playwriting Playgoers in Shakespeare's Theater by Matteo A. Pangallo (review)
  2. Laurie Ellinghausen
  3. pp. 191-194
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  1. Stage Directions and Shakespearean Theatre by Sarah Dustagheer and Gillian Woods (review)
  2. Leslie Thomson
  3. pp. 195-198
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  1. Some Other Note: The Lost Songs of English Renaissance Comedy by Ross W. Duffin (review)
  2. David McInnis
  3. pp. 199-202
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  1. Shakespeare and the Politics of Commoners: Digesting the New Social History ed. by Chris Fitter (review)
  2. Ben Haworth
  3. pp. 203-205
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  1. A Woman Killed with Kindness ed. by Margaret Jane Kidnie (review)
  2. Eleanor Lowe
  3. pp. 207-210
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  1. Temporality, Genre and Experience in the Age of Shakespeare: Forms of Time by Lauren Shohet (review)
  2. Adam Railton
  3. pp. 211-214
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  1. Greek Tragic Women on Shakespearean Stages by Tanya Pollard (review)
  2. Carla Suthren
  3. pp. 215-217
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  1. Twins in Early Modern English Drama and Shakespeare by Daisy Murray (review)
  2. Jess Hamlet
  3. pp. 219-221
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  1. Queer Shakespeare: Desire and Sexuality ed. by Goran Stanivukovic (review)
  2. Emer McHugh
  3. pp. 223-225
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  1. John Bale's King John (Cultures of Performance in Medieval and Early Modern Europe) by John Bale's
  2. Jessica Winston
  3. pp. 227-230
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