1. Editorial
  2. p. 9
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  1. 'By consent of the whole chapter': Lincoln Cathedral's Rewards for Touring Players and School Comedies, 1561–1593
  2. Jason Burg
  3. pp. 11-31
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  1. Putting On and Removing the Mask: Layers of Performance Pretence
  2. Philip Butterworth
  3. pp. 33-58
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  1. The Hamlet First Quarto (1603) & the Play of Typography
  2. Erika Boeckeler
  3. pp. 59-86
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  1. 'Untruss a Point'—Interiority, Sword Combat, and Gender in The Roaring Girl
  2. Matt Carter
  3. pp. 87-106
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  1. '[N]or bear I in this breast / So much cold spirit to be called a woman': The Queerness of Female Revenge in The Maid's Tragedy
  2. Katherine M. Graham
  3. pp. 107-126
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  1. 'Look What Market She Hath Made': Women, Commerce, and Power in A Chaste Maid in Cheapside and Bartholomew Fair
  2. Keri Sanburn Behre
  3. pp. 127-144
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  1. The City and the Parish: Drama in York and Beyond by Alexandra Johnston (review)
  2. Katie Normington
  3. pp. 145-147
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  1. Staging Harmony: Music and Religious Change in Late Medieval and Early Modern English Drama by Katherine Steele Brokaw (review)
  2. Maggie Vinter
  3. pp. 149-152
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  1. Edward II: A Critical Reader ed. by Kirk Melnikoff (review)
  2. Bethany Packard
  3. pp. 153-156
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  1. Shakespeare and the Admiral's Men: Reading Across Repertories on the London Stage, 1594–1600 by Tom Rutter (review)
  2. Donna B. Hamilton
  3. pp. 157-160
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  1. Childhood, Education and the Stage in Early Modern England ed. by Richard Preiss and Deanne Williams (review)
  2. Harry R. McCarthy
  3. pp. 161-164
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  1. Child Actors on the London Stage, Circa 1600: Their Education, Recruitment and Theatrical Success by Julie Ackroyd (review)
  2. Edel Lamb
  3. pp. 165-167
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  1. Early Modern Actors & Shakespeare's Theatre: Thinking with the Body by Evelyn Tribble (review)
  2. Paul Menzer
  3. pp. 169-171
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  1. Shakespeare's Acts of Will: Law, Testament and the Properties of Performance by Gary Watt (review)
  2. Subha Mukherji
  3. pp. 173-176
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  1. Shakespeare, Revenge Tragedy and Early Modern Law: Vindictive Justice by Derek Dunne (review)
  2. Jessica Apolloni
  3. pp. 177-179
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  1. Shakespeare's Legal Ecologies: Law and Distributed Selfhood by Kevin Curran (review)
  2. Derek Dunne
  3. pp. 181-183
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  1. Community-Making in Early Stuart Theatres: Stage and Audience ed. by Roger D. Sell, Anthony W. Johnson, and Helen Wilcox (review)
  2. Mark Bayer
  3. pp. 185-188
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  1. Shakespeare, Popularity, and the Public Sphere by Jeffrey S. Doty (review)
  2. Emma Smith
  3. pp. 189-191
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  1. Site Unscene: The Offstage in English Renaissance Drama by Jonathan Walker (review)
  2. Emily Ruth Isaacson
  3. pp. 193-196
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  1. Shakespeare and Hospitality: Ethics, Politics, and Exchange ed. by David B. Goldstein and Julia Reinhard Lupton (review)
  2. Sarah O'Malley
  3. pp. 197-200
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  1. James Shirley and Early Modern Theatre: New Critical Perspectives ed. by Barbara Ravelhofer (review)
  2. Catherine Clifford
  3. pp. 201-203
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  1. Shakespeare, Music and Performance ed. by Bill Barclay and David Lindley (review)
  2. Jennifer Moss Waghorn
  3. pp. 205-208
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  1. Poverty and Charity in Early Modern Theater and Performance by Robert Henke (review)
  2. Pavel Drábek
  3. pp. 209-211
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