In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 38, Numbers 1-2, 2017Editorial Board
Editor
Judith E. Barlow, University at Albany, SUNY, emerita
Book Review Editor
J. Chris Westgate, California State University Fullerton
Performance Review Editor
Katie N. Johnson, Miami University
Editorial Assistants
Eric Jorgensen, University of California, Santa Barbara
Ryder Thornton, University of California, Santa Barbara
Editorial Board
Judith E. Barlow, University at Albany, SUNY, emerita
Stephen A. Black, Simon Fraser University, emeritus
Steven F. Bloom, Lasell College
Zander Brietzke, Columbia University
Patrick Chura, University of Akron
Robert M. Dowling, Central Connecticut State University
Kurt Eisen, Tennessee Tech University
Drew Eisenhauer, Lycée International Bossuet de Meaux
Eileen J. Herrman, Dominican University
Bette Mandl, Suffolk University, emerita
Brenda Murphy, University of Connecticut
Laurin Porter, University of Texas, Arlington, emerita
Erika Rundle, Mt. Holyoke College