In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 37, Number 2, 2016Table of Contents
pp. 145-163
-
View Anna and The Antichrist: Nietzsche, Christian Symbolism, and Vedantic Philosophy in “Anna Christie”
-
Download
Anna and The Antichrist: Nietzsche, Christian Symbolism, and Vedantic Philosophy in “Anna Christie”
- Save Anna and The Antichrist: Nietzsche, Christian Symbolism, and Vedantic Philosophy in “Anna Christie”
pp. 165-167
pp. 239-255
pp. 273-275
pp. 276-279
-
View John Reed, Louise Bryant, and Eugene O’Neill in Provincetown: A Novel Based on a True Legendary Love Triangle . . . and a Well Kept Secret Never Before Revealed by Cynthia Gallant-Simpson (review)
-
Download
John Reed, Louise Bryant, and Eugene O’Neill in Provincetown: A Novel Based on a True Legendary Love Triangle . . . and a Well Kept Secret Never Before Revealed by Cynthia Gallant-Simpson (review)
- Save John Reed, Louise Bryant, and Eugene O’Neill in Provincetown: A Novel Based on a True Legendary Love Triangle . . . and a Well Kept Secret Never Before Revealed by Cynthia Gallant-Simpson (review)
Previous Issue
Next Issue
| ISSN | 2161-4318 |
|---|---|
| Print ISSN | 1040-9483 |
| Launched on MUSE | 2016-09-19 |
| Open Access | No |
