In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 37, Number 2, 2016Table of Contents
- O’Neill on the Musical Theater Stage
- pp. 168-171
- The Gelbs’ Lifelong Journey with O’Neill
- pp. 175-179
- Et in Arcadia E.G.O.
- pp. 180-184
- O’Neill In and Out of the Classroom
- pp. 185-188
- The Second Girl
- pp. 189-238
-
Journey (an excerpt from a three-act play) - pp. 256-266
- Boy with a Book
- pp. 267-270
- Pausing at Tao House
- pp. 271-272
-
The Hairy Ape dir. by Richard Jones (review) - pp. 280-285
-
Hughie dir. by Michael Grandage (review) - pp. 310-314
- Editor’s Foreword
- pp. v-vi
- Introduction
- p. 164
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Additional Information
ISSN
2161-4318
Print ISSN
1040-9483
Launched on MUSE
2016-09-19
Open Access
No
