In this Issue

Table of Contents

“The Meaning of What You Mean Now”: Domestic and Psychological Spaces in More Stately Mansions

E. Andrew Lee
pp. 1-20
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Desire under Dylan: Robert Falls, Bob Dylan, and the Domestic Tragedy of Eugene O’Neill

Patrick Maley
pp. 21-40
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Laying Ella’s Ghost: Sublimation of Incestuous Love in Eugene O’Neill’s Desire under the Elms and A Moon for the Misbegotten

Rupendra Guha Majumdar
pp. 41-56
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Wandering about in the Moonless Darkness: The Plight of the Mother in Long Day’s Journey Into Night

Yuji Omori
pp. 57-70
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Quotidian Matters: Reading the Diary of Eugene O’Neill

William Davies King
pp. 71-88
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“Give my regards …”: A Touch of the Poet on Broadway

Laura Shea
pp. 89-107
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Eugene O’Neill: Le génie illégitime de Broadway by Gwenola Le Bastard (review)

Drew Eisenhauer, Julie de Faramond
pp. 108-111
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The O’Neill: The Transformation of Modern American Theater by Jeffrey Sweet and Preston Whiteway (review)

Sheila Hickey Garvey
pp. 112-115
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Long Day’s Journey Into Night dir. by Christopher Liam Moore, and: The Count of Monte Cristo dir. by Marcela Lorca (review)

Eric Levin
pp. 119-130
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A Wife for a life and Recklessness dir. by Saburo Ouchi (review)

Yuji Omori
pp. 131-134
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Ah, Wilderness! dir. by Natalie Abrahami (review)

Polly L. Heinkel
pp. 135-138
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A Moon for the Misbegotten dir. by Gordon Edelstein (review)

Zander Brietzke
pp. 139-143
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Editor’s Foreword

William Davies King
pp. V-VIII
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Editor’s Foreword “Staging Archaeological Digs”

Katie N. Johnson
pp. 116-118
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