In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 37, Number 1, 2016Table of Contents

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View “The Meaning of What You Mean Now”: Domestic and Psychological Spaces in More Stately Mansions
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View Laying Ella’s Ghost: Sublimation of Incestuous Love in Eugene O’Neill’s Desire under the Elms and A Moon for the Misbegotten
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View Wandering about in the Moonless Darkness: The Plight of the Mother in Long Day’s Journey Into Night
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View The O’Neill: The Transformation of Modern American Theater by Jeffrey Sweet and Preston Whiteway (review)
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View Long Day’s Journey Into Night dir. by Christopher Liam Moore, and: The Count of Monte Cristo dir. by Marcela Lorca (review)
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ISSN | 2161-4318 |
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Print ISSN | 1040-9483 |
Launched on MUSE | 2016-02-26 |
Open Access | No |