In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 39, Number 1, 2018Table of Contents

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View "A Different Kind of the Same Thing": The Early One-Act Plays of Susan Glaspell and J. M. Synge
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View "In Ireland He's Considered an Irish-American Playwright": Eugene O'Neill, A Touch of the Poet, and the Irish Play
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Download "In Ireland He's Considered an Irish-American Playwright": Eugene O'Neill, A Touch of the Poet, and the Irish Play
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View An American Futurism?: Corporeal History in O'Neill's The Hairy Ape and Santell's Film Adaptation
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View Reflecting on the Irishness of Eugene O'Neill: Speech at the Eugene O'Neill Society Gala Dinner National University of Ireland, Galway, Friday, July 21, 2017
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View Voces Contra la Mediocridad: La Vanguardia Teatral de los Provincetown Players, 1915–1922 by Noelia Hernando-Real (review)
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View A Touch of the Poet dir. by Eric Fraisher Hayeseugene, and: The Playboy of the Western World by John Millington Synge (review)
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ISSN | 2161-4318 |
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Print ISSN | 1040-9483 |
Launched on MUSE | 2018-04-24 |
Open Access | No |