1. Editor's Foreword: Ireland and O' Neill
  2. Audrey McNamara, Nelson O'Ceallaigh Ritschel
  3. pp. v-vii
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  1. Losing Ireland, Inventing America: O'Neill and After
  2. Declan Kiberd
  3. pp. 1-16
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  1. Eugene O'Neill's Irish "Con" Man: Charles Lever
  2. William Davies King
  3. pp. 17-32
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  1. "A Different Kind of the Same Thing": The Early One-Act Plays of Susan Glaspell and J. M. Synge
  2. Linda Ben-Zvi
  3. pp. 33-47
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  1. Irish-American Identity in Eugene O'Neill's Early Plays
  2. David Clare
  3. pp. 48-57
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  1. "A Clannish Pride": Eugene O'Neill's Eventual Embrace of His Irish Heritage
  2. Herman Daniel Farrell III
  3. pp. 58-71
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  1. Hairy Apes and Quare Fellows: The Legacy of Eugene O'Neill in the Work of Brendan Behan
  2. Deirdre McMahon
  3. pp. 72-94
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  1. "In Ireland He's Considered an Irish-American Playwright": Eugene O'Neill, A Touch of the Poet, and the Irish Play
  2. J. Chris Westgate
  3. pp. 95-113
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  1. An American Futurism?: Corporeal History in O'Neill's The Hairy Ape and Santell's Film Adaptation
  2. Daniel Murphy
  3. pp. 114-133
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  1. How O'Neill's Irishness Translates for the Chinese
  2. Shiyan Xu
  3. pp. 134-139
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  1. Eugene O'Neill's Place in Irish Theater Today: Interviews with Irish Theater Scholars
  2. Dan McGovern
  3. pp. 140-162
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  1. Voces Contra la Mediocridad: La Vanguardia Teatral de los Provincetown Players, 1915–1922 by Noelia Hernando-Real (review)
  2. Ramón Espejo Romero
  3. pp. 174-178
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  1. Eugene O'Neill Remembered eds. by Brenda Murphy and George Monteiro Monteiro (review)
  2. Kurt Eisen
  3. pp. 179-182
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  1. Strange Interlude by Jack Cummings III (review)
  2. Sheila Hickey Garvey
  3. pp. 183-186
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  1. Ah, Wilderness dir. by Steve Scott (review)
  2. Jeff Kennedy
  3. pp. 187-189
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  1. A Touch of the Poet dir. by Eric Fraisher Hayeseugene, and: The Playboy of the Western World by John Millington Synge (review)
  2. William Davies King
  3. pp. 190-195
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