1. Illustration
  2. restricted access contents
  1. Millennium III: An Invitation to Propose a Monument for A.D. 2001
  2. Anthony R. Michaelis, Roger F. Malina
  3. pp. 229-230
  4. restricted access contents
  1. On Networking
  2. Ascott Roy
  3. pp. 231-232
  4. restricted access contents
  1. Using the Supercomputer to Visualize Higher Dimensions: An Artist’s Contribution to Scientific Visualization
  2. Donna J. Cox
  3. pp. 233-242
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  1. Creation through a Machine: Kinetic Art
  2. Jaroslav Belik, Eva Belik
  3. pp. 243-246
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  1. Atomic Length — A Basic Unit in Physics — As a Visual Metaphor in Art
  2. Bettina Brendel
  3. pp. 247-250
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  1. Painting with Gunpowder
  2. Cai Guo-Qiang, You Jindong
  3. pp. 251-254
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  1. Detonography™: The Creation of Bas-Relief Sculpture by Explosives
  2. Evelyn Rosenberg
  3. pp. 255-259
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  1. Electroacoustic Percussion Boards: Sculptured Musical Instruments for Improvisation
  2. Tom Nunn
  3. pp. 261-265
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  1. Radical Response to a ‘High-Tech’ World: Contemporary American Street Murals
  2. Tom Anderson
  3. pp. 267-271
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  1. Symmetry and the Organization of Form: A Review Article
  2. Rudolf Arnheim
  3. pp. 273-276
  4. restricted access contents
  1. A Modular Network Perspective Model vs. Vectorial Models
  2. Tomás García Salgado
  3. pp. 277-284
  4. restricted access contents
  1. A Betrayal of Material: Problems of Conservation in the Constructivist Sculpture of Naum Gabo and Antoine Pevsner
  2. Elizabeth Rankin
  3. pp. 285-290
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  1. The Theories of Abbott H. Thayer: Father of Camouflage
  2. Roy R. Behrens
  3. pp. 291-296
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  1. Anti-Illusionism in Modern and Postmodern Art
  2. Noël Carroll
  3. pp. 297-304
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  1. Informational and Affect Bases of Aesthetic Response
  2. Ronald W. Neperud, Douglas G. Marschalek
  3. pp. 305-312
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  1. Cubism and Relativity with a Letter of Albert Einstein
  2. Paul M. Laporte, Rudolf Arnheim
  3. pp. 313-315
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  1. Henry Moore: The Greatest Living Sculptor
  2. Pierre Székely, Josephine de Linde
  3. pp. 316-317
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  1. P.U.L.S.E. Exhibit, 1987
  2. Julie Wosk
  3. pp. 318-320
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  1. The Art Com Electronic Network
  2. Carl Loeffler
  3. pp. 320-321
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  1. The Beauty of Fractals: Images of Complex Dynamical Systems by Heinz Otto Peitgen, Peter Richter (review)
  2. Stephen Wilson
  3. pp. 327-328
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  1. Land’s Polaroid—A Company and the Man Who Invented IT by Peter C. Wensberg (review)
  2. Richard I. Land
  3. p. 328
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  1. Artists’ Materials by Ian Hebblewhite (review)
  2. George A. Agoston
  3. pp. 328-329
  4. restricted access contents
  1. Exploratorium Cookbook III: A Construction Manual for the Exploratorium Exhibits by Ron Hipschman (review)
  2. Stephen Wilson
  3. p. 329
  4. restricted access contents
  1. Television Engineering Handbook ed. by K. Blair Benson et al. (review)
  2. Richard I. Land
  3. p. 329
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  1. Computer Graphics: Siggraph ’87 Conference Proceedings ed. by Maureen C. Stone (review)
  2. Stephen Wilson
  3. pp. 329-330
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  1. Peter Fischli, David Weiss by Katy Klein (review)
  2. David Pariser
  3. pp. 331-332
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  1. The New Generation and Artistic Modernism in the Ukraine by Myroslava M. Mudrak (review)
  2. Leon Tsao
  3. pp. 332-333
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  1. The Anthropic Cosmological Principle by John D. Barrow, Frank J. Tipler (review)
  2. James A. Goldman
  3. pp. 333-334
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  1. Short Reviews
  2. pp. 334-335
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  1. Publications
  2. pp. 336-338
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  1. Software Survey
  2. p. 338
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  1. Commentaries
  2. Edmond Couchot, Ernö Lendvai, Jean-Bernard Condat
  3. pp. 339-340
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  1. Books Received
  2. pp. 335-336
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