From the ISAST Office

  1. Millennium III: An Invitation to Propose a Monument for A.D. 2001
  2. Anthony R. Michaelis, Roger F. Malina
  3. pp. 229-230
  4. restricted access contents

Editorial

  1. On Networking
  2. Ascott Roy
  3. pp. 231-232
  4. restricted access contents

Artist's Article

  1. Using the Supercomputer to Visualize Higher Dimensions: An Artist’s Contribution to Scientific Visualization
  2. Donna J. Cox
  3. pp. 233-242
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Artists' Notes

  1. Creation through a Machine: Kinetic Art
  2. Jaroslav Belik, Eva Belik
  3. pp. 243-246
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  1. Atomic Length — A Basic Unit in Physics — As a Visual Metaphor in Art
  2. Bettina Brendel
  3. pp. 247-250
  4. restricted access contents
  1. Painting with Gunpowder
  2. Cai Guo-Qiang, You Jindong
  3. pp. 251-254
  4. restricted access contents
  1. Detonography™: The Creation of Bas-Relief Sculpture by Explosives
  2. Evelyn Rosenberg
  3. pp. 255-259
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Sound, Music, Science and Technology

  1. Electroacoustic Percussion Boards: Sculptured Musical Instruments for Improvisation
  2. Tom Nunn
  3. pp. 261-265
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General Notes

  1. Radical Response to a ‘High-Tech’ World: Contemporary American Street Murals
  2. Tom Anderson
  3. pp. 267-271
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  1. Symmetry and the Organization of Form: A Review Article
  2. Rudolf Arnheim
  3. pp. 273-276
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Technical Article

  1. A Modular Network Perspective Model vs. Vectorial Models
  2. Tomás García Salgado
  3. pp. 277-284
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Technical Note

  1. A Betrayal of Material: Problems of Conservation in the Constructivist Sculpture of Naum Gabo and Antoine Pevsner
  2. Elizabeth Rankin
  3. pp. 285-290
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Historical Perspectives on the Arts, Sciences and Technology

  1. The Theories of Abbott H. Thayer: Father of Camouflage
  2. Roy R. Behrens
  3. pp. 291-296
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Theoretical Perspectives on the Arts, Sciences and Technology

  1. Anti-Illusionism in Modern and Postmodern Art
  2. Noël Carroll
  3. pp. 297-304
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  1. Informational and Affect Bases of Aesthetic Response
  2. Ronald W. Neperud, Douglas G. Marschalek
  3. pp. 305-312
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  1. Illustration
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Documents

  1. Cubism and Relativity with a Letter of Albert Einstein
  2. Paul M. Laporte, Rudolf Arnheim
  3. pp. 313-315
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  1. Henry Moore: The Greatest Living Sculptor
  2. Pierre Székely, Josephine de Linde
  3. pp. 316-317
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Art/Science Forum

  1. P.U.L.S.E. Exhibit, 1987
  2. Julie Wosk
  3. pp. 318-320
  4. restricted access contents
  1. The Art Com Electronic Network
  2. Carl Loeffler
  3. pp. 320-321
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Book Reviews

  1. The Beauty of Fractals: Images of Complex Dynamical Systems by Heinz Otto Peitgen, Peter Richter (review)
  2. Stephen Wilson
  3. pp. 327-328
  4. restricted access contents
  1. Land’s Polaroid—A Company and the Man Who Invented IT by Peter C. Wensberg (review)
  2. Richard I. Land
  3. p. 328
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  1. Artists’ Materials by Ian Hebblewhite (review)
  2. George A. Agoston
  3. pp. 328-329
  4. restricted access contents
  1. Exploratorium Cookbook III: A Construction Manual for the Exploratorium Exhibits by Ron Hipschman (review)
  2. Stephen Wilson
  3. p. 329
  4. restricted access contents
  1. Television Engineering Handbook ed. by K. Blair Benson et al. (review)
  2. Richard I. Land
  3. p. 329
  4. restricted access contents
  1. Computer Graphics: Siggraph ’87 Conference Proceedings ed. by Maureen C. Stone (review)
  2. Stephen Wilson
  3. pp. 329-330
  4. restricted access contents
  1. Peter Fischli, David Weiss by Katy Klein (review)
  2. David Pariser
  3. pp. 331-332
  4. restricted access contents
  1. The New Generation and Artistic Modernism in the Ukraine by Myroslava M. Mudrak (review)
  2. Leon Tsao
  3. pp. 332-333
  4. restricted access contents
  1. The Anthropic Cosmological Principle by John D. Barrow, Frank J. Tipler (review)
  2. James A. Goldman
  3. pp. 333-334
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  1. Short Reviews
  2. pp. 334-335
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  1. Books Received
  2. pp. 335-336
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  1. Publications
  2. pp. 336-338
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  1. Software Survey
  2. p. 338
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  1. Commentaries
  2. Edmond Couchot, Ernö Lendvai, Jean-Bernard Condat
  3. pp. 339-340
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