1. Four Kinds of Time: Using Brush, Camera, Copier and Computer
  2. Sonia Landy Sheridan
  3. pp. 111-113
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  1. Towards a Dynamic, Generative Computer Art
  2. Henry R. Clauser
  3. pp. 115-122
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  1. Touching the Sky: Artworks using Natural Phenomena, Earth, Sky and Connections to Astronomy
  2. Janet Saad-Cook, Charles Ross, Nancy Holt, James Turrell
  3. pp. 123-134
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  1. Porcelain Enamel Fired on Steel Panels and Hammered Relief Shapes
  2. Rita Deanin Abbey
  3. pp. 135-139
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  1. Site-Specific Sculpture or the Mythology of Place
  2. Helen Escobedo
  3. pp. 141-144
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  1. The Kinetichrome and Its Use of Polarized Light
  2. Albert Friscia
  3. pp. 145-149
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  1. Concrete Elements and Abstract Thought: Problems in Non-Mimetic Composition of Pictorial Elements in Paintings and Drawings
  2. Grzegorz Sztabinski
  3. pp. 155-160
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  1. The Aesthetics of Viruses
  2. A.S. Koch, T. Tarnai
  3. pp. 161-166
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  1. Cognitive Processes in Artistic Creation: Toward the Realization of a Creative Machine
  2. Charles Albert Tijus
  3. pp. 167-172
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  1. Mathematics and Beauty: A Sampling of Spirals and ‘Strange’ Spirals in Science, Nature and Art
  2. Clifford A. Pickover
  3. pp. 173-181
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  1. Art, Mathematics and Nature in the Interdisciplinary Classroom
  2. Martha Boles, Rochelle Newman
  3. pp. 182-186
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  1. A European Eye on Luminescence: Fluorescent and Phosphorescent Colours for the Visual Artist
  2. M. G. Martindill
  3. pp. 187-190
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  1. Mnemesthetics: Art as the Revivification of Significant Consciousness Events
  2. Robert Emmett Mueller
  3. pp. 191-194
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  1. Heaven and Earth Reconciled: The Common Vision of Renaissance Art and Science
  2. George J. Grinnell
  3. pp. 195-199
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  1. Sculpting with Light
  2. Beverly Reiser
  3. pp. 200-201
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  1. Art and Science in Italy: Recent Events
  2. Michele Emmer
  3. pp. 202-203
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  1. The Cognitive Computer: On Language, Learning, and Artificial Intelligence by Roger C. Schank, Peter Childers (review)
  2. Stephen Wilson
  3. p. 210
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  1. Electronic and Computer Music by Peter Manning (review)
  2. A. John Mallinckrodt
  3. pp. 210-211
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  1. Imagery in Scientific Thought by Arthur I. Miller (review)
  2. Makepeace Tsao
  3. p. 211
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  1. Artlink, Special Issue “Art and Technology” (review)
  2. Roger Malina
  3. pp. 211-212
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  1. Scientific Discovery—Computational Explorations of the Creative Process by Pat Langley, et al. (review)
  2. George Rzevski
  3. pp. 212-213
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  1. The Light of Early Italian Painting by Paul Hills (review)
  2. David Carrier
  3. p. 213
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  1. The Meaning of Language by Robert M. Martin (review)
  2. Donald Brook
  3. p. 214
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  1. Perspective, Optics, and Delft Artists Around 1650 by Arthur K. Wheelock, Jr. (review)
  2. David G. Stork
  3. pp. 214-215
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  1. Color for the Hand Paper-Maker by Elaine Koretsky (review)
  2. Joy Turner Luke
  3. p. 215
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  1. The Arts at Black Mountain College by Mary Emma Harris (review)
  2. Harry Rand
  3. pp. 215-216
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  1. Theory of Art in the Encyclopédie by Amy Cohen Simowitz (review)
  2. Elmer H. Duncan
  3. p. 216
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  1. Traditional Woodblock Prints of Taiwan by the Council for Cultural Planning and Development, Republic of China (review)
  2. Sean O’Driscoll
  3. p. 216
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  1. Vaulting Ambition by Philip Kitchener (review)
  2. Donald Brook
  3. pp. 216-217
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  1. The Workshop of Bartók and Kodály by Ernő Lendvai (review)
  2. Jean-Bernard Condat
  3. pp. 217-218
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  1. International Biennial Print Exhibit by the Council for Cultural Planning and Development, Republic of China (review)
  2. Sean O’ Driscoll
  3. p. 218
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  1. Short Reviews
  2. pp. 218-219
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  1. Publications
  2. pp. 220-222
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  1. Software Survey
  2. p. 222
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  1. Commentaries
  2. Georg Nees, Herbert W. Franke, David Tafler, Connie Coleman, Peter C. Dodwell, Bela Petheo, Rudolf Arnheim, Rena Grant, Samia A. Halaby, H. J. McWhinnie
  3. pp. 223-227
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  1. Illustrations
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  1. Books Received
  2. pp. 219-220
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