1. Four Kinds of Time: Using Brush, Camera, Copier and Computer
  2. Sonia Landy Sheridan
  3. pp. 111-113
  4. restricted access contents
  1. Towards a Dynamic, Generative Computer Art
  2. Henry R. Clauser
  3. pp. 115-122
  4. restricted access contents
  1. Touching the Sky: Artworks using Natural Phenomena, Earth, Sky and Connections to Astronomy
  2. Janet Saad-Cook, Charles Ross, Nancy Holt, James Turrell
  3. pp. 123-134
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  1. Porcelain Enamel Fired on Steel Panels and Hammered Relief Shapes
  2. Rita Deanin Abbey
  3. pp. 135-139
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  1. Site-Specific Sculpture or the Mythology of Place
  2. Helen Escobedo
  3. pp. 141-144
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  1. The Kinetichrome and Its Use of Polarized Light
  2. Albert Friscia
  3. pp. 145-149
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  1. Concrete Elements and Abstract Thought: Problems in Non-Mimetic Composition of Pictorial Elements in Paintings and Drawings
  2. Grzegorz Sztabinski
  3. pp. 155-160
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  1. The Aesthetics of Viruses
  2. A.S. Koch, T. Tarnai
  3. pp. 161-166
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  1. Cognitive Processes in Artistic Creation: Toward the Realization of a Creative Machine
  2. Charles Albert Tijus
  3. pp. 167-172
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  1. Mathematics and Beauty: A Sampling of Spirals and ‘Strange’ Spirals in Science, Nature and Art
  2. Clifford A. Pickover
  3. pp. 173-181
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  1. Art, Mathematics and Nature in the Interdisciplinary Classroom
  2. Martha Boles, Rochelle Newman
  3. pp. 182-186
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  1. A European Eye on Luminescence: Fluorescent and Phosphorescent Colours for the Visual Artist
  2. M. G. Martindill
  3. pp. 187-190
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  1. Mnemesthetics: Art as the Revivification of Significant Consciousness Events
  2. Robert Emmett Mueller
  3. pp. 191-194
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  1. Heaven and Earth Reconciled: The Common Vision of Renaissance Art and Science
  2. George J. Grinnell
  3. pp. 195-199
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  1. Sculpting with Light
  2. Beverly Reiser
  3. pp. 200-201
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  1. Art and Science in Italy: Recent Events
  2. Michele Emmer
  3. pp. 202-203
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  1. The Cognitive Computer: On Language, Learning, and Artificial Intelligence by Roger C. Schank, Peter Childers (review)
  2. Stephen Wilson
  3. p. 210
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  1. Electronic and Computer Music by Peter Manning (review)
  2. A. John Mallinckrodt
  3. pp. 210-211
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  1. Imagery in Scientific Thought by Arthur I. Miller (review)
  2. Makepeace Tsao
  3. p. 211
  4. restricted access contents
  1. Artlink, Special Issue “Art and Technology” (review)
  2. Roger Malina
  3. pp. 211-212
  4. restricted access contents
  1. Scientific Discovery—Computational Explorations of the Creative Process by Pat Langley, et al. (review)
  2. George Rzevski
  3. pp. 212-213
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  1. The Light of Early Italian Painting by Paul Hills (review)
  2. David Carrier
  3. p. 213
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  1. The Meaning of Language by Robert M. Martin (review)
  2. Donald Brook
  3. p. 214
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  1. Perspective, Optics, and Delft Artists Around 1650 by Arthur K. Wheelock, Jr. (review)
  2. David G. Stork
  3. pp. 214-215
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  1. Color for the Hand Paper-Maker by Elaine Koretsky (review)
  2. Joy Turner Luke
  3. p. 215
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  1. The Arts at Black Mountain College by Mary Emma Harris (review)
  2. Harry Rand
  3. pp. 215-216
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  1. Theory of Art in the Encyclopédie by Amy Cohen Simowitz (review)
  2. Elmer H. Duncan
  3. p. 216
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  1. Traditional Woodblock Prints of Taiwan by the Council for Cultural Planning and Development, Republic of China (review)
  2. Sean O’Driscoll
  3. p. 216
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  1. Vaulting Ambition by Philip Kitchener (review)
  2. Donald Brook
  3. pp. 216-217
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  1. The Workshop of Bartók and Kodály by Ernő Lendvai (review)
  2. Jean-Bernard Condat
  3. pp. 217-218
  4. restricted access contents
  1. International Biennial Print Exhibit by the Council for Cultural Planning and Development, Republic of China (review)
  2. Sean O’ Driscoll
  3. p. 218
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  1. Short Reviews
  2. pp. 218-219
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  1. Publications
  2. pp. 220-222
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  1. Software Survey
  2. p. 222
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  1. Commentaries
  2. Georg Nees, Herbert W. Franke, David Tafler, Connie Coleman, Peter C. Dodwell, Bela Petheo, Rudolf Arnheim, Rena Grant, Samia A. Halaby, H. J. McWhinnie
  3. pp. 223-227
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  1. Illustrations
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  1. Books Received
  2. pp. 219-220
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