1. Illustration
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  1. The Arts and Science and Technology: Problems and Prospects
  2. David Carrier
  3. pp. 341-342
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  1. Sculpting with Computer Graphics: An Approach to the Design and Fabrication of Abstract Sculpture
  2. Michael O’Rourke
  3. pp. 343-350
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  1. Drawing Conclusions: A Syntactic Approach toward Understanding Reality
  2. Anne Vitale
  3. pp. 351-359
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  1. Art and Context: A Personal View
  2. Daria Dorosh
  3. pp. 361-366
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  1. Language as Still Life: From Video to Painting
  2. Beryl Korot
  3. pp. 367-370
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  1. OK Research, OK Genetic Engineering, Bad Information: Information Art Describes Technology
  2. Judy Malloy
  3. pp. 371-375
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  1. Wilderness as Reentrant Form: Thoughts on the Future of Electronic Art and Nature
  2. David Dunn
  3. pp. 377-382
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  1. The Fire of Prometheus: Music-Kinetic Art Experiments in the USSR
  2. Bulat M. Galeyev
  3. pp. 383-391
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  1. Instruments to Perform Color-Music: Two Centuries of Technological Experimentation
  2. Kenneth Peacock
  3. pp. 397-406
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  1. Skinner on Creativity: A Critical Commentary
  2. Jock Abra
  3. pp. 407-412
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  1. The Game-as-Art Form: Historic Roots and Recent Trends
  2. Michael J. Thomas
  3. pp. 421-423
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  1. The Bubbled Plastic Print: A New Approach to Printmaking
  2. Su Liehsi
  3. pp. 425-428
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  1. An Apparent Conflict between Art and Science: The Case of Aleksandr Porfir’evich Borodin (1833–1887)
  2. George B. Kauffman, Kathryn Bumpass
  3. pp. 429-436
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  1. The Anatomy of Painting Style: Description with Computer Rules
  2. Joan L. Kirsch, Russell A. Kirsch
  3. pp. 437-444
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  1. A Rule System for Analysis in the Visual Arts
  2. Raymond Guido Lauzzana, Lynn Pocock-Williams
  3. pp. 445-452
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  1. Modern Organic Materials Meeting
  2. Clare Meredith
  3. p. 453
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  1. Computational Musicology in Italy
  2. Lelio Camilleri
  3. pp. 454-456
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  1. Fearful Symmetry. The Search for Beauty in Modern Physics by A. Zee (review)
  2. Rudolf Arnheim
  3. pp. 457-458
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  1. Hazardous Chemicals Desk Reference by N. Irving Sax, Richard J. Lewis, Sr. (review)
  2. Joy Turner Luke
  3. p. 458
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  1. Labyrinth of Images by Itsuo Sakane (review)
  2. Vladimir Tamari, Koji Miyazaki
  3. pp. 458-459
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  1. Afrikanische Saiteninstrumente by Ulrich Wegner (review)
  2. Jean-Bernard Condat
  3. pp. 459-460
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  1. Sound Recording Practice ed. by John Borwick (review)
  2. A. John Mallinckrodt
  3. p. 460
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  1. Colour: Some Philosophical Problems from Wittgenstein by Jonathan Westphal (review)
  2. Alan Lee
  3. pp. 460-461
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  1. Sound and Semblance: Reflexions on Musical Representation by Peter Kivy (review)
  2. Jean-Bernard Condat
  3. pp. 461-462
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  1. Proceedings of the 9th Annual Conference of the National Computer Graphics Association, 1988, 3 vols (review)
  2. Roger F. Malina
  3. p. 462
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  1. The Guests go in to Supper ed. by Melody Sumner, Kathleen Burch, Michael Sumner (review)
  2. Mitchell Gass
  3. pp. 462-463
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  1. Art (review)
  2. Makepeace Tsao
  3. p. 463
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  1. Comment by Shao Dazhen, Editor Of Art
  2. pp. 463-464
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  1. Short Reviews
  2. pp. 464-465
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  1. Publications
  2. pp. 465-467
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  1. Commentaries
  2. Stephen B. Cox, Eleanor Munro, Tadeusz Pawlowski
  3. pp. 469-470
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  1. Half-Brained Ideas about Education: Thinking and Learning with Both the Left and Right Brain in a Visual Culture
  2. Lawrence E. Murr, James B. Williams
  3. pp. 413-419
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  1. Books Received
  2. p. 465
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