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In this Issue

Table of Contents

  1. In This Issue
  2. Benjamin Fraser
  3. pp. 5-7
  4. DOI: https://doi.org/10.1353/hcs.2012.0033
  5. restricted access
  1. About The Artists: Miguel Brieva and Norma Guzmán
  2. Eva Karene Romero, Eduardo Bolívar Figueira
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/hcs.2012.0039
  5. restricted access
  1. Raphael and Spanish Popular Song: A Master Entertainer and/or Music for Maids
  2. Duncan Wheeler
  3. pp. 11-30
  4. DOI: https://doi.org/10.1353/hcs.2012.0003
  5. restricted access
  1. Notes on Shame and Failure: Portrait/s of Queer Puerto Ricans
  2. Irune del Río Gabiola
  3. pp. 31-48
  4. DOI: https://doi.org/10.1353/hcs.2012.0009
  5. restricted access
  1. Extrañamiento y subversión de la imagen en Dinero de Miguel Brieva
  2. Steven L. Torres
  3. pp. 49-66
  4. DOI: https://doi.org/10.1353/hcs.2012.0016
  5. restricted access
  1. El Instituto Tepoztlán: Aproximaciones a la Nación como modelo transnacional por (des)armar
  2. Araceli Masterson–Algar, Escobar C Manuel Roberto, Gladys Tzul Tzul
  3. pp. 69-78
  4. DOI: https://doi.org/10.1353/hcs.2012.0023
  5. restricted access
  1. Tupac in their Veins: Hip-Hop Alteño and the Semiotics of Urban Indigeneity
  2. Karl Swinehart
  3. pp. 79-96
  4. DOI: https://doi.org/10.1353/hcs.2012.0030
  5. restricted access
  1. Reactions to Karl Swinehart’s “Tupac in their Veins: Hip-Hop Alteño and the Semiotics of Urban Indigeneity”
  2. David Kazanjian
  3. pp. 97-100
  4. DOI: https://doi.org/10.1353/hcs.2012.0027
  5. restricted access
  1. From Highways to High-Rises: The Urbanization of Capital, Consciousness and Labor Struggle in Ken Loach’s Bread and Roses
  2. Ricardo Andrés Guzmán
  3. pp. 101-118
  4. DOI: https://doi.org/10.1353/hcs.2012.0034
  5. restricted access
  1. Reaction to R. Andrés Guzmán’s “From Highways to High-Rises: The Urbanization of Capital, Consciousness and Labor Struggle in Ken Loach’s Bread and Roses”
  2. Elliott Young
  3. pp. 119-120
  4. DOI: https://doi.org/10.1353/hcs.2012.0040
  5. restricted access
  1. Ausencia y ambivalencia en una acción ritual: Indios que celebran a San Esteban en Sumamao (Santiago del Estero, Argentina)
  2. María G. Lugones, Mario Rufer
  3. pp. 121-144
  4. DOI: https://doi.org/10.1353/hcs.2012.0004
  5. restricted access
  1. Reaction to María G. Lugones and Mario Rufer’s “Ausencia y ambivalencia en una acción ritual: Indios que celebran a San Esteban en Sumanao.”
  2. Gabriela Soto Laveaga
  3. pp. 145-148
  4. DOI: https://doi.org/10.1353/hcs.2012.0010
  5. restricted access
  1. ¿Complejos o acomplejados?: Del Guacarock de la Malinche a Alármala de Tos, Botellita de Jerez y la metáfora de lo colonial
  2. Guadalupe Caro Cocotle
  3. pp. 149-160
  4. DOI: https://doi.org/10.1353/hcs.2012.0017
  5. restricted access
  1. Reaction to Caro Cocotle’s “¿Complejos o acomplejados?: Del Guacarock de la Malinche a Alármala de Tos, Botellita de Jerez y la metáfora de lo colonial.”
  2. Nora Gámez Torres
  3. pp. 161-162
  4. DOI: https://doi.org/10.1353/hcs.2012.0024
  5. restricted access
  1. El derecho de re-hacer: Signifyin(g) Blackness in Contemporary Mexican Political Cabaret
  2. Laura G. Gutiérrez
  3. pp. 163-176
  4. DOI: https://doi.org/10.1353/hcs.2012.0031
  5. restricted access
  1. El derecho de responder: Reactions to Laura Gutierrez’s: “El derecho de re-hacer : Signifyin(g) Blackness in Contemporary Mexican Political Cabaret”
  2. Ben Sifuentes-Jáuregui
  3. pp. 177-180
  4. DOI: https://doi.org/10.1353/hcs.2012.0037
  5. restricted access
  1. Re-haciendo el dolor del racismo: Queer Performativity and Audience Reception in Tepoztlán and Mexico City
  2. Lawrence La Fountain-Stokes
  3. pp. 181-182
  4. DOI: https://doi.org/10.1353/hcs.2012.0001
  5. restricted access
  1. En Juárez la fotografía como tal muestra sus límites: una entrevista con el fotoperiodista Julián Cardona
  2. Alice Driver
  3. pp. 183-200
  4. DOI: https://doi.org/10.1353/hcs.2012.0007
  5. restricted access
  1. Temporalities in Latin American Film
  2. Joanna Page, Ignacio M. Sánchez Prado
  3. pp. 203-210
  4. DOI: https://doi.org/10.1353/hcs.2012.0014
  5. restricted access
  1. Sounding Out Temporality in the Argentine Film Musical of the 1930s
  2. Nicolas Poppe
  3. pp. 211-226
  4. DOI: https://doi.org/10.1353/hcs.2012.0021
  5. restricted access
  1. Retrofuturism and Reflexivity in Argentine Science Fiction Film: The Construction of Cinematic Time
  2. Joanna Page
  3. pp. 227-244
  4. DOI: https://doi.org/10.1353/hcs.2012.0028
  5. restricted access
  1. Even the Rain: A Confluence of Cinematic and Historical Temporalities
  2. Fabrizio Cilento
  3. pp. 245-258
  4. DOI: https://doi.org/10.1353/hcs.2012.0035
  5. restricted access
  1. Heterotemporal Mise-en-scène in the Films of Luis Estrada
  2. Brian L. Price
  3. pp. 259-274
  4. DOI: https://doi.org/10.1353/hcs.2012.0041
  5. restricted access
  1. Mythic Time and Slow Time: The Construction of the Viewer in El violín
  2. Victoria L. Garrett
  3. pp. 277-292
  4. DOI: https://doi.org/10.1353/hcs.2012.0005
  5. restricted access
  1. El sublime neoliberal: amor y temporalidad en el cine mexicano del capitalismo tardío
  2. Ignacio M. Sánchez Prado
  3. pp. 293-310
  4. DOI: https://doi.org/10.1353/hcs.2012.0012
  5. restricted access
  1. Hamaca Paraguaya (2006): Temporal Resistance and Its Impossibility
  2. Eva Karene Romero
  3. pp. 311-330
  4. DOI: https://doi.org/10.1353/hcs.2012.0019
  5. restricted access
  1. Spanish Fiction in the Digital Age: Generation X Remixed by Christine Henseler (review)
  2. Roberta Johnson
  3. pp. 331-332
  4. DOI: https://doi.org/10.1353/hcs.2012.0020
  5. restricted access
  1. Teatro y fascismo en España. El itinerario de Felipe Lluch by Víctor García Ruiz (review)
  2. David Rodríguez-Solás
  3. pp. 332-333
  4. DOI: https://doi.org/10.1353/hcs.2012.0013
  5. restricted access
  1. Constructing Spain: The Re-Imagination of Space and Place in Fiction and Film, 1953–2003 by Por Nathan Richardson (review)
  2. Agustín Cuadrado
  3. pp. 333-335
  4. DOI: https://doi.org/10.1353/hcs.2012.0006
  5. restricted access
  1. Masculinities in Contemporary Argentine Popular Cinema by Carolina Rocha (review)
  2. María José Punte
  3. pp. 335-336
  4. DOI: https://doi.org/10.1353/hcs.2012.0000
  5. restricted access
  1. Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles by Claudia Calirman (review)
  2. Megan Lorraine Debin
  3. pp. 336-337
  4. DOI: https://doi.org/10.1353/hcs.2012.0036
  5. restricted access
  1. The Mobile Nation. España cambia de piel (1954–1964) by Tatjana Pavlović (review)
  2. Jorge Pérez
  3. pp. 337-338
  4. DOI: https://doi.org/10.1353/hcs.2012.0029
  5. restricted access
  1. La reinvención de Latinoamérica: Enfoques interdisciplinarios desde las dos orillas ed. by Ana Luengo, Sabine Schlickers (review)
  2. Daniel Noemi V
  3. pp. 338-340
  4. DOI: https://doi.org/10.1353/hcs.2012.0022
  5. restricted access
  1. Radical Justice: Spain and the Southern Cone beyond Market and State by Luis Martín-Cabrera (review)
  2. Eduardo Matos-Martín
  3. pp. 340-341
  4. DOI: https://doi.org/10.1353/hcs.2012.0015
  5. restricted access
  1. Baroque New Worlds: Representation, Transculturation, Counterconquest ed. by Lois Parkinson-Zamora, Monika Kaup (review)
  2. Francisco Fernández de Alba
  3. pp. 341-343
  4. DOI: https://doi.org/10.1353/hcs.2012.0008
  5. restricted access
  1. Latin Americanism after 9/11 by John Beverley (review)
  2. Abraham Acosta
  3. pp. 343-344
  4. DOI: https://doi.org/10.1353/hcs.2012.0002
  5. restricted access
  1. War, Exile, Justice, and Everyday Life, 1936–1946 ed. by Sandra Ott (review)
  2. Iker González-Allende
  3. pp. 344-345
  4. DOI: https://doi.org/10.1353/hcs.2012.0038
  5. restricted access
  1. Un hispanismo para el siglo XXI. Ensayos de crítica cultural ed. by Rosalía Cornejo Parriego, Alberto Villamandos (review)
  2. Pablo Guerra
  3. pp. 345-346
  4. DOI: https://doi.org/10.1353/hcs.2012.0032
  5. restricted access
  1. Marginal Subjects: Gender and Deviance in Fin de siècle Spain by Akiko Tsuchiya (review)
  2. Harriet S. Turner
  3. pp. 346-348
  4. DOI: https://doi.org/10.1353/hcs.2012.0025
  5. restricted access
  1. La imaginación novelesca. Bernal Díaz entre géneros y épocas by Oswaldo Estrada (review)
  2. Manuel Prendes Guardiola
  3. pp. 348-349
  4. DOI: https://doi.org/10.1353/hcs.2012.0018
  5. restricted access
  1. Cristina Rivera Garza. Ningún crítico cuenta esto... ed. by Oswaldo Estrada (review)
  2. Valerie Hecht
  3. pp. 349-351
  4. DOI: https://doi.org/10.1353/hcs.2012.0011
  5. restricted access

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