In this Issue

Table of Contents

In This Issue

Benjamin Fraser
pp. 5-7
DOI: https://doi.org/10.1353/hcs.2011.0431
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About The Artists: Lee Jang Sub and Daniel Calleros

Benjamin Fraser, Eva Karene Romero
pp. 8-9
DOI: https://doi.org/10.1353/hcs.2011.0438
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An AJHCS Editorial Position Paper: A Modest Proposal Regarding Peer-Review

Benjamin Fraser, Malcolm Alan Compitello, Eva Karene Romero
pp. 11-22
DOI: https://doi.org/10.1353/hcs.2011.0445
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Suicidal Spaniards in Moody Portugal and Other Helpful Stereotypes: Imagology and Luso-Hispanic Cultural Studies

Julie M. Dahl
pp. 23-40
DOI: https://doi.org/10.1353/hcs.2011.0451
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Novela negra y estado de excepción en Argentina: Últimos días de la víctima de José Pablo Feinmann

Natalia Jacovkis
pp. 41-60
DOI: https://doi.org/10.1353/hcs.2011.0457
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Hispanic Cities on Film: Urban Theory in the Freshman Seminar

Susan Divine, Benjamin Jones
pp. 61-76
DOI: https://doi.org/10.1353/hcs.2011.0422
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Violence and the Latin American Imaginary: Preliminary Reflections

Paola Ehrmantraut, Dianna Niebylski
pp. 79-86
DOI: https://doi.org/10.1353/hcs.2011.0428
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At the Site of State Violence: Doris Salcedo’s and Julieta Hanono’s Memorial Aesthetics

Lori Cole
pp. 87-94
DOI: https://doi.org/10.1353/hcs.2011.0435
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Aftermath of Violence: Coming to Terms with the Legacy of the Malvinas/Falklands War (1982)

Paola Ehrmantraut
pp. 95-106
DOI: https://doi.org/10.1353/hcs.2011.0442
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Blood Tax: Violence and the Vampirized Body in Impuesto a la carne

Dianna Niebylski
pp. 107-121
DOI: https://doi.org/10.1353/hcs.2011.0449
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Systemic Violence in Claudia Piñeiro’s Las viudas de los jueves

Carolina Rocha
pp. 123-129
DOI: https://doi.org/10.1353/hcs.2011.0455
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Las circunstancias de la literatura de Guinea Ecuatorial. Entrevista con Justo Bolekia Boleká y Juan Tomás Ávila Laurel

Mischa G. Hendel
pp. 131-134
DOI: https://doi.org/10.1353/hcs.2011.0461
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Interview

Mischa G. Hendel
pp. 135-150
DOI: https://doi.org/10.1353/hcs.2011.0462
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Interviews

Mischa G. Hendel
pp. 151-163
DOI: https://doi.org/10.1353/hcs.2011.0463
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¿Cómo puedes ser tan negro?: Rap y racismo en España. Entrevistas con Frank T y El Chojín

Stuart Green
pp. 165-186
DOI: https://doi.org/10.1353/hcs.2011.0426
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Poéticas del microrrelato (review)

Ary Malaver
pp. 187-189
DOI: https://doi.org/10.1353/hcs.2011.0433
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Ventanas sobre el Atlántico: Estados Unidos-España durante el postfranquismo (1975–2008) (review)

Cristina Martínez-Carazo
pp. 189-192
DOI: https://doi.org/10.1353/hcs.2011.0440
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Cuban Currency: The Dollar and “Special Period” Fiction (review)

Rolando Pérez
pp. 192-195
DOI: https://doi.org/10.1353/hcs.2011.0447
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Argentina, cine y ciudad (review)

Agustín Cuadrado
pp. 195-197
DOI: https://doi.org/10.1353/hcs.2011.0453
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Creation, Publishing, and Criticism: The Advance of Women’s Writing (review)

Cristina Álvarez de Morales
pp. 197-198
DOI: https://doi.org/10.1353/hcs.2011.0459
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Artful Assassins: Murder as Art in Modern Mexico (review)

Susan Divine
pp. 198-199
DOI: https://doi.org/10.1353/hcs.2011.0424
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Narrar en la era de las blogoficciones: Literatura, cultura y sociedad de las redes en el siglo XIX (review)

Abigaíl Martínez-Sotelo
pp. 200-201
DOI: https://doi.org/10.1353/hcs.2011.0430
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Los discursos de la modernidad: Nación, imperio y estética en el fin del siglo español (1895–1924) (review)

Hyon Kim
pp. 201-202
DOI: https://doi.org/10.1353/hcs.2011.0437
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Twilight Zone: Reality and Fantasy in the Narrative Art of Julio Cortázar (review)

Alberto Chamorro
pp. 202-203
DOI: https://doi.org/10.1353/hcs.2011.0444
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Africans in Europe: The Culture of Exile and Emigration from Equatorial Guinea to Spain (review)

Ellen Bounds Vujasinović
pp. 203-205
DOI: https://doi.org/10.1353/hcs.2011.0450
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Magic Lens: The Transformation of the Visual Arts in the Narrative World of Carlos Fuentes (review)

Wasilia Yapur
pp. 205-206
DOI: https://doi.org/10.1353/hcs.2011.0456
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The Other Side of the Water: The Journey of a Haitian Rara Band in Brooklyn (review)

Erin Durban-Albrecht
pp. 206-208
DOI: https://doi.org/10.1353/hcs.2011.0421
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Security, Risk and the Biometric State: Governing Borders and Bodies (review)

Maria Alessandra Woolson
pp. 208-209
DOI: https://doi.org/10.1353/hcs.2011.0427
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Global Indigenous Media: Cultures, Poetics, and Politics (review)

Juliana Luna Freire
pp. 209-211
DOI: https://doi.org/10.1353/hcs.2011.0434
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Mundos narrativos: relato literario y relato fílmico (review)

Jorge Gonzalez del Pozo
pp. 211-212
DOI: https://doi.org/10.1353/hcs.2011.0441
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Journey of Five Capuchin Nuns (review)

Eliud Chuffe
pp. 212-214
DOI: https://doi.org/10.1353/hcs.2011.0448
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La cámara y el cálamo: ansiedades cinematográficas en la narrativa hispánica de vanguardia (review)

Susan Larson
pp. 214-215
DOI: https://doi.org/10.1353/hcs.2011.0454
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New World Gold: Cultural Anxiety and Monetary Disorder in Early Modern Spain (review)

Judith G. Caballero
pp. 215-216
DOI: https://doi.org/10.1353/hcs.2011.0460
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Errant Modernism: The Ethos of Photography in Mexico and Brazil (review)

Carlos Daniel Preciado
pp. 216-217
DOI: https://doi.org/10.1353/hcs.2011.0425
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Violence in Argentine Literature and Film (1989–2005) (review)

Sandy Paola Calahorrano
p. 218
DOI: https://doi.org/10.1353/hcs.2011.0432
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Cultures of the City: Mediating Identities in Urban Latin/o America (review)

Andrew C. Rajca
pp. 219-220
DOI: https://doi.org/10.1353/hcs.2011.0439
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Performing Mexicanidad: Vendidas y cabareteras on the Transnational Stage (review)

Jessica Lynam
pp. 220-221
DOI: https://doi.org/10.1353/hcs.2011.0446
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Médicos escritores en España, 1885–1955: Santiago Ramón y Cajal, Pío Baroja, Gregorio Marañón y Antonio Vallejo Nágera (review)

Ryan A. Davis
pp. 221-222
DOI: https://doi.org/10.1353/hcs.2011.0452
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La Calle: Spatial Conflicts and Urban Renewal in a Southwest City (review)

Adam Schwartz
pp. 223-224
DOI: https://doi.org/10.1353/hcs.2011.0458
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The World of Lucha Libre: Secrets, Revelations, and Mexican National Identity (review)

Tabea Huth
pp. 224-225
DOI: https://doi.org/10.1353/hcs.2011.0423
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The Lazarillo Phenomenon: Essays on the Adventures of a Classic Text (review)

Judith G. Caballero
pp. 225-226
DOI: https://doi.org/10.1353/hcs.2011.0429
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Cristina Rivera Garza: Ningún crítico cuenta esto… (review)

Valerie Hecht
pp. 227-228
DOI: https://doi.org/10.1353/hcs.2011.0436
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La imaginación novelesca: Bernal Díaz entre géneros y épocas (review)

Manuel Prendes Guardiola
pp. 228-230
DOI: https://doi.org/10.1353/hcs.2011.0443
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