In this Issue

Table of Contents

In This Issue

Benjamin Fraser
pp. 5-7
DOI: https://doi.org/10.1353/hcs.2012.0033
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About The Artists: Miguel Brieva and Norma Guzmán

Eva Karene Romero, Eduardo Bolívar Figueira
pp. 9-10
DOI: https://doi.org/10.1353/hcs.2012.0039
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Essays

Raphael and Spanish Popular Song: A Master Entertainer and/or Music for Maids

Duncan Wheeler
pp. 11-30
DOI: https://doi.org/10.1353/hcs.2012.0003
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Notes on Shame and Failure: Portrait/s of Queer Puerto Ricans

Irune del Río Gabiola
pp. 31-48
DOI: https://doi.org/10.1353/hcs.2012.0009
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Extrañamiento y subversión de la imagen en Dinero de Miguel Brieva

Steven L. Torres
pp. 49-66
DOI: https://doi.org/10.1353/hcs.2012.0016
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Special Section: Transnational Histories and Cultures of the Americas

Guest Editors: Araceli Masterson-Algar, Lessie Jo Frazier, Manuel Roberto Escobar, and Gladys Tzul Tzul

El Instituto Tepoztlán: Aproximaciones a la Nación como modelo transnacional por (des)armar

Araceli Masterson–Algar, Escobar C Manuel Roberto, Gladys Tzul Tzul
pp. 69-78
DOI: https://doi.org/10.1353/hcs.2012.0023
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Tupac in their Veins: Hip-Hop Alteño and the Semiotics of Urban Indigeneity

Karl Swinehart
pp. 79-96
DOI: https://doi.org/10.1353/hcs.2012.0030
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Reactions to Karl Swinehart’s “Tupac in their Veins: Hip-Hop Alteño and the Semiotics of Urban Indigeneity”

David Kazanjian
pp. 97-100
DOI: https://doi.org/10.1353/hcs.2012.0027
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From Highways to High-Rises: The Urbanization of Capital, Consciousness and Labor Struggle in Ken Loach’s Bread and Roses

Ricardo Andrés Guzmán
pp. 101-118
DOI: https://doi.org/10.1353/hcs.2012.0034
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Reaction to R. Andrés Guzmán’s “From Highways to High-Rises: The Urbanization of Capital, Consciousness and Labor Struggle in Ken Loach’s Bread and Roses”

Elliott Young
pp. 119-120
DOI: https://doi.org/10.1353/hcs.2012.0040
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Ausencia y ambivalencia en una acción ritual: Indios que celebran a San Esteban en Sumamao (Santiago del Estero, Argentina)

María G. Lugones, Mario Rufer
pp. 121-144
DOI: https://doi.org/10.1353/hcs.2012.0004
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Reaction to María G. Lugones and Mario Rufer’s “Ausencia y ambivalencia en una acción ritual: Indios que celebran a San Esteban en Sumanao.”

Gabriela Soto Laveaga
pp. 145-148
DOI: https://doi.org/10.1353/hcs.2012.0010
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¿Complejos o acomplejados?: Del Guacarock de la Malinche a Alármala de Tos, Botellita de Jerez y la metáfora de lo colonial

Guadalupe Caro Cocotle
pp. 149-160
DOI: https://doi.org/10.1353/hcs.2012.0017
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Reaction to Caro Cocotle’s “¿Complejos o acomplejados?: Del Guacarock de la Malinche a Alármala de Tos, Botellita de Jerez y la metáfora de lo colonial.”

Nora Gámez Torres
pp. 161-162
DOI: https://doi.org/10.1353/hcs.2012.0024
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El derecho de re-hacer: Signifyin(g) Blackness in Contemporary Mexican Political Cabaret

Laura G. Gutiérrez
pp. 163-176
DOI: https://doi.org/10.1353/hcs.2012.0031
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El derecho de responder: Reactions to Laura Gutierrez’s: “El derecho de re-hacer : Signifyin(g) Blackness in Contemporary Mexican Political Cabaret”

Ben Sifuentes-Jáuregui
pp. 177-180
DOI: https://doi.org/10.1353/hcs.2012.0037
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Re-haciendo el dolor del racismo: Queer Performativity and Audience Reception in Tepoztlán and Mexico City

Lawrence La Fountain-Stokes
pp. 181-182
DOI: https://doi.org/10.1353/hcs.2012.0001
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Interview

En Juárez la fotografía como tal muestra sus límites: una entrevista con el fotoperiodista Julián Cardona

Alice Driver
pp. 183-200
DOI: https://doi.org/10.1353/hcs.2012.0007
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Special Section: Temporalities in Latin American Film

Guest Editors: Joanna Page and Ignacio M. Sánchez Prado

Temporalities in Latin American Film

Joanna Page, Ignacio M. Sánchez Prado
pp. 203-210
DOI: https://doi.org/10.1353/hcs.2012.0014
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Sounding Out Temporality in the Argentine Film Musical of the 1930s

Nicolas Poppe
pp. 211-226
DOI: https://doi.org/10.1353/hcs.2012.0021
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Retrofuturism and Reflexivity in Argentine Science Fiction Film: The Construction of Cinematic Time

Joanna Page
pp. 227-244
DOI: https://doi.org/10.1353/hcs.2012.0028
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Even the Rain: A Confluence of Cinematic and Historical Temporalities

Fabrizio Cilento
pp. 245-258
DOI: https://doi.org/10.1353/hcs.2012.0035
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Heterotemporal Mise-en-scène in the Films of Luis Estrada

Brian L. Price
pp. 259-274
DOI: https://doi.org/10.1353/hcs.2012.0041
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Mythic Time and Slow Time: The Construction of the Viewer in El violín

Victoria L. Garrett
pp. 277-292
DOI: https://doi.org/10.1353/hcs.2012.0005
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El sublime neoliberal: amor y temporalidad en el cine mexicano del capitalismo tardío

Ignacio M. Sánchez Prado
pp. 293-310
DOI: https://doi.org/10.1353/hcs.2012.0012
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Hamaca Paraguaya (2006): Temporal Resistance and Its Impossibility

Eva Karene Romero
pp. 311-330
DOI: https://doi.org/10.1353/hcs.2012.0019
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Reviews

Spanish Fiction in the Digital Age: Generation X Remixed by Christine Henseler (review)

Roberta Johnson
pp. 331-332
DOI: https://doi.org/10.1353/hcs.2012.0020
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Teatro y fascismo en España. El itinerario de Felipe Lluch by Víctor García Ruiz (review)

David Rodríguez-Solás
pp. 332-333
DOI: https://doi.org/10.1353/hcs.2012.0013
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Constructing Spain: The Re-Imagination of Space and Place in Fiction and Film, 1953–2003 by Por Nathan Richardson (review)

Agustín Cuadrado
pp. 333-335
DOI: https://doi.org/10.1353/hcs.2012.0006
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Masculinities in Contemporary Argentine Popular Cinema by Carolina Rocha (review)

María José Punte
pp. 335-336
DOI: https://doi.org/10.1353/hcs.2012.0000
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Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles by Claudia Calirman (review)

Megan Lorraine Debin
pp. 336-337
DOI: https://doi.org/10.1353/hcs.2012.0036
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The Mobile Nation. España cambia de piel (1954–1964) by Tatjana Pavlović (review)

Jorge Pérez
pp. 337-338
DOI: https://doi.org/10.1353/hcs.2012.0029
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La reinvención de Latinoamérica: Enfoques interdisciplinarios desde las dos orillas ed. by Ana Luengo, Sabine Schlickers (review)

Daniel Noemi V
pp. 338-340
DOI: https://doi.org/10.1353/hcs.2012.0022
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Radical Justice: Spain and the Southern Cone beyond Market and State by Luis Martín-Cabrera (review)

Eduardo Matos-Martín
pp. 340-341
DOI: https://doi.org/10.1353/hcs.2012.0015
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Baroque New Worlds: Representation, Transculturation, Counterconquest ed. by Lois Parkinson-Zamora, Monika Kaup (review)

Francisco Fernández de Alba
pp. 341-343
DOI: https://doi.org/10.1353/hcs.2012.0008
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Latin Americanism after 9/11 by John Beverley (review)

Abraham Acosta
pp. 343-344
DOI: https://doi.org/10.1353/hcs.2012.0002
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War, Exile, Justice, and Everyday Life, 1936–1946 ed. by Sandra Ott (review)

Iker González-Allende
pp. 344-345
DOI: https://doi.org/10.1353/hcs.2012.0038
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Un hispanismo para el siglo XXI. Ensayos de crítica cultural ed. by Rosalía Cornejo Parriego, Alberto Villamandos (review)

Pablo Guerra
pp. 345-346
DOI: https://doi.org/10.1353/hcs.2012.0032
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Marginal Subjects: Gender and Deviance in Fin de siècle Spain by Akiko Tsuchiya (review)

Harriet S. Turner
pp. 346-348
DOI: https://doi.org/10.1353/hcs.2012.0025
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La imaginación novelesca. Bernal Díaz entre géneros y épocas by Oswaldo Estrada (review)

Manuel Prendes Guardiola
pp. 348-349
DOI: https://doi.org/10.1353/hcs.2012.0018
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Cristina Rivera Garza. Ningún crítico cuenta esto... ed. by Oswaldo Estrada (review)

Valerie Hecht
pp. 349-351
DOI: https://doi.org/10.1353/hcs.2012.0011
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