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In this Issue

Table of Contents

  1. Introduction
  2. Jim Hicks
  3. pp. 409-411
  4. DOI: https://doi.org/10.1353/mar.2022.0057
  5. restricted access
  1. Ancestral Line
  2. Kassy Lee
  3. p. 412
  4. DOI: https://doi.org/10.1353/mar.2022.0058
  5. restricted access
  1. Water in Green Bottles
  2. Olufunke Ogundimu
  3. pp. 413-420
  4. DOI: https://doi.org/10.1353/mar.2022.0059
  5. restricted access
  1. Triptych
  2. Mee Ok Icaro
  3. p. 421
  4. DOI: https://doi.org/10.1353/mar.2022.0060
  5. restricted access
  1. A Meadowlark in Arrow Rock, Mo
  2. G. C. Waldrep
  3. pp. 422-425
  4. DOI: https://doi.org/10.1353/mar.2022.0061
  5. restricted access
  1. Graceless
  2. Samwai Lam, Natascha Bruce
  3. pp. 426-434
  4. DOI: https://doi.org/10.1353/mar.2022.0062
  5. restricted access
  1. Philly
  2. Hilary Plum
  3. pp. 435-437
  4. DOI: https://doi.org/10.1353/mar.2022.0063
  5. restricted access
  1. Didn’t We Have It All
  2. Golden
  3. pp. 438-439
  4. DOI: https://doi.org/10.1353/mar.2022.0064
  5. restricted access
  1. On Racially Conscious Literary Criticism
  2. Emily Bernard, Erik Gleibermann
  3. pp. 440-445
  4. DOI: https://doi.org/10.1353/mar.2022.0065
  5. restricted access
  1. On the Need for More BIPOC Literary Critics & Reviewers
  2. David Mura
  3. pp. 446-449
  4. DOI: https://doi.org/10.1353/mar.2022.0066
  5. restricted access
  1. Steal Away I-IV and A Bell Is a Messenger of Time
  2. Alison C. Rollins
  3. pp. 450-455
  4. DOI: https://doi.org/10.1353/mar.2022.0067
  5. restricted access
  1. Sargasso
  2. Erica Cassidy Dubois
  3. pp. 456-464
  4. DOI: https://doi.org/10.1353/mar.2022.0068
  5. restricted access
  1. Parastoo Anoushahpour
  2. Mario Ontiveros, Parastoo Anoushahpour
  3. pp. 465-479
  4. DOI: https://doi.org/10.1353/mar.2022.0069
  5. restricted access
  1. Rozeal / Bubble Sisters
  2. Courtney Faye Taylor
  3. pp. 481-482
  4. DOI: https://doi.org/10.1353/mar.2022.0070
  5. restricted access
  1. Ku Klux Klan Robe and Hood, Circa 1925, and: Clare West Designs, and: Hydra
  2. Tommye Blount
  3. pp. 483-485
  4. DOI: https://doi.org/10.1353/mar.2022.0071
  5. restricted access
  1. Tanker
  2. J Brooke
  3. pp. 486-490
  4. DOI: https://doi.org/10.1353/mar.2022.0072
  5. restricted access
  1. In Morning and Get Lost Serenade
  2. Rebecca Lehmann
  3. pp. 491-493
  4. DOI: https://doi.org/10.1353/mar.2022.0073
  5. restricted access
  1. It’s About the Grub, Man
  2. Sylva Fischerová, Deborah Garfinkle
  3. pp. 494-504
  4. DOI: https://doi.org/10.1353/mar.2022.0074
  5. restricted access
  1. It’s Never Just a Snake
  2. Ashley Kunsa
  3. pp. 505-506
  4. DOI: https://doi.org/10.1353/mar.2022.0075
  5. restricted access
  1. The Inspection Tea Party
  2. Ambreen Hai
  3. pp. 507-528
  4. DOI: https://doi.org/10.1353/mar.2022.0076
  5. restricted access
  1. It’s More Afraid of You Than You Are of It
  2. Kieran Mundy
  3. pp. 529-540
  4. DOI: https://doi.org/10.1353/mar.2022.0077
  5. restricted access
  1. February Stabbings
  2. Martha Rhodes
  3. pp. 541-542
  4. DOI: https://doi.org/10.1353/mar.2022.0078
  5. restricted access
  1. Nour, 1947: Third Night
  2. Raharimanana, Allison M. Charette
  3. pp. 543-552
  4. DOI: https://doi.org/10.1353/mar.2022.0079
  5. restricted access
  1. An Artist’s Ego
  2. Shagufta Sharmeen Tania, Torsa Ghosal
  3. pp. 553-564
  4. DOI: https://doi.org/10.1353/mar.2022.0080
  5. restricted access
  1. Because Her Hour Is Come
  2. Mary Ann McGuigan
  3. pp. 565-576
  4. DOI: https://doi.org/10.1353/mar.2022.0081
  5. restricted access
  1. The Solitude of a Ladybug
  2. Mohammad Tolouei, Farzaneh Doosti
  3. pp. 577-586
  4. DOI: https://doi.org/10.1353/mar.2022.0082
  5. restricted access
  1. I was not koi in a water garden
  2. Kassy Lee
  3. p. 587
  4. DOI: https://doi.org/10.1353/mar.2022.0083
  5. restricted access
  1. Notes on Contributors
  3. pp. 588-592
  4. DOI: https://doi.org/10.1353/mar.2022.0084
  5. restricted access