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In this Issue

Table of Contents

  1. Introduction
  2. Jim Hicks
  3. pp. 204-205
  4. DOI: https://doi.org/10.1353/mar.2022.0029
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  1. In This Small Place
  2. Akhim Alexis
  3. pp. 206-207
  4. DOI: https://doi.org/10.1353/mar.2022.0030
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  1. The Writing Life
  2. John Balaban
  3. pp. 208-216
  4. DOI: https://doi.org/10.1353/mar.2022.0031
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  1. Dissent, the Nixon Doctrine, and Our Covert Empire
  2. Daniel Ellsberg
  3. pp. 217-231
  4. DOI: https://doi.org/10.1353/mar.2022.0032
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  1. Mass Shootings Are Actually Pretty Rare, But Here’s What to Do If You’re Ever in One, and: Planet Fitness
  2. Matt Donovan
  3. pp. 232-234
  4. DOI: https://doi.org/10.1353/mar.2022.0033
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  1. Sometimes It Seemed We Were Walking in a Kind of Waking Dream
  2. Robert Dow
  3. pp. 235-237
  4. DOI: https://doi.org/10.1353/mar.2022.0034
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  1. Twilight Hour
  2. Kathrin Schmidt, Sue Vickerman
  3. pp. 238-245
  4. DOI: https://doi.org/10.1353/mar.2022.0035
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  1. Cordelia Lear, a Fable
  2. Len Berkman
  3. pp. 246-255
  4. DOI: https://doi.org/10.1353/mar.2022.0036
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  1. Tidal
  2. Anamyn Turowski
  3. pp. 256-258
  4. DOI: https://doi.org/10.1353/mar.2022.0037
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  1. on Survivor’s Guilt, ending with “Ruff Ryders’ Anthem” by DMX
  2. Anthony Thomas Lombardi
  3. pp. 259-260
  4. DOI: https://doi.org/10.1353/mar.2022.0038
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  1. In conversation with Mario Ontiveros
  2. Damali Abrams
  3. pp. 262-272
  4. DOI: https://doi.org/10.1353/mar.2022.0039
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  1. My Education, and: Simile, and: Villanelle
  2. Diane Seuss
  3. pp. 273-278
  4. DOI: https://doi.org/10.1353/mar.2022.0040
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  1. Vampire
  2. Matthew Denton-Edmundson
  3. pp. 279-297
  4. DOI: https://doi.org/10.1353/mar.2022.0041
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  1. Chiaroscuro after Caravaggio’s Paul, and: Wild Swans
  2. Megan Pinto
  3. pp. 298-299
  4. DOI: https://doi.org/10.1353/mar.2022.0042
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  1. The Milkmaid
  2. Jessi Lewis
  3. pp. 300-315
  4. DOI: https://doi.org/10.1353/mar.2022.0043
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  1. Factories at Clichy: For L. B. (1960–2018)
  2. Heather Treseler
  3. p. 316
  4. DOI: https://doi.org/10.1353/mar.2022.0044
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  1. Skin Walking
  2. Ryan Habermeyer
  3. pp. 317-327
  4. DOI: https://doi.org/10.1353/mar.2022.0045
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  1. Any Given Son
  2. Eduardo Halfon
  3. pp. 328-329
  4. DOI: https://doi.org/10.1353/mar.2022.0046
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  1. Down Deep
  2. Luís Miguel Nava, Alexis Levitin, Ricardo Vasconcelos
  3. p. 330
  4. DOI: https://doi.org/10.1353/mar.2022.0047
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  1. If You Love Me, You Have Nothing to Fear
  2. Ah Zi
  3. pp. 331-343
  4. DOI: https://doi.org/10.1353/mar.2022.0048
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  1. Stuttgart Revisited
  2. Carol Moldaw
  3. p. 344
  4. DOI: https://doi.org/10.1353/mar.2022.0049
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  1. Evelina and the Fairies
  2. Simona Baldelli, Oonagh Stransky, Enrica Maria Ferrara
  3. pp. 345-353
  4. DOI: https://doi.org/10.1353/mar.2022.0050
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  1. Diary Entry #5: Self-Portrait as Revelations, and: A Hundred and Then None
  2. Diannely Antigua
  3. pp. 354-355
  4. DOI: https://doi.org/10.1353/mar.2022.0051
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  1. City of Strangers: Barcelona, 1998
  2. Matthew Raymond
  3. pp. 356-371
  4. DOI: https://doi.org/10.1353/mar.2022.0052
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  1. Middle-Aged Sonnet
  2. Rebecca Hazelton
  3. p. 372
  4. DOI: https://doi.org/10.1353/mar.2022.0053
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  1. The Masked Baron’s Louvre
  2. Philippe Sollers, Armine Kotin Mortimer
  3. pp. 373-392
  4. DOI: https://doi.org/10.1353/mar.2022.0054
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  1. The Scavengers: Houston, February 2021
  2. Amanda Auchter
  3. p. 393
  4. DOI: https://doi.org/10.1353/mar.2022.0055
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  1. Notes on Contributors
  2. pp. 394-397
  3. DOI: https://doi.org/10.1353/mar.2022.0056
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