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Table of Contents

  1. Editorial Comment: Specters, States, and Solidarities
  2. Laura Edmondson
  3. pp. xi-xiv
  4. DOI: https://doi.org/10.1353/tj.2022.0039
  5. restricted access
  1. Neoliberal Transactions: Staging Prostitution in the Mexican Nation
  2. Analola Santana
  3. pp. 129-150
  4. DOI: https://doi.org/10.1353/tj.2022.0041
  5. restricted access
  1. To Be Free of Air: Narrative and Negation in the Alexander Plays
  2. Esther Beth Sullivan
  3. pp. 151-172
  4. DOI: https://doi.org/10.1353/tj.2022.0043
  5. restricted access
  1. Abolition Dramaturgies: Reformance, Waywardness, and the End of the World
  2. Nicholas Fesette
  3. pp. 173-192
  4. DOI: https://doi.org/10.1353/tj.2022.0044
  5. restricted access
  1. Haunting "Presences": A Discourse on Dreams and Dedications in Francis Imbuga's Drama
  2. Charles Kipng'eno Rono
  3. pp. 193-206
  4. DOI: https://doi.org/10.1353/tj.2022.0045
  5. restricted access
  1. On the Benefits of Plague: Polish Fringe Theatre in 2020
  2. Edyta Lorek-Jezińska, Marek Jeziński, Piotr Domeracki
  3. pp. 207-226
  4. DOI: https://doi.org/10.1353/tj.2022.0046
  5. restricted access
  1. Acht Ungleich Eins by Rainer Werner Fassbinder (review)
  2. Jessica Rizzo
  3. pp. 227-229
  4. DOI: https://doi.org/10.1353/tj.2022.0053
  5. restricted access
  1. 100% Hong Kong by Rimini Protokoll (review)
  2. Joanna Mansbridge, Soo Ryon Yoon
  3. pp. 229-231
  4. DOI: https://doi.org/10.1353/tj.2022.0060
  5. restricted access
  1. Bozal by Richard Viqueira (review)
  2. Analola Santana
  3. pp. 231-234
  4. DOI: https://doi.org/10.1353/tj.2022.0035
  5. restricted access
  1. Frida … A Self Portrait by Vanessa Severo (review)
  2. Jenna Tamimi
  3. pp. 234-236
  4. DOI: https://doi.org/10.1353/tj.2022.0033
  5. restricted access
  1. A Great Leap by Lauren Yee (review)
  2. Melissa Lin Sturges
  3. pp. 236-239
  4. DOI: https://doi.org/10.1353/tj.2022.0037
  5. restricted access
  1. Beckett Sa Chreig: Laethanta Sona (Happy Days) by Samuel Beckett (review)
  2. Céline Thobois
  3. pp. 239-241
  4. DOI: https://doi.org/10.1353/tj.2022.0048
  5. restricted access
  1. Wild: A Musical Becoming by Eve Ensler (review)
  2. David Román
  3. pp. 241-244
  4. DOI: https://doi.org/10.1353/tj.2022.0052
  5. restricted access
  1. The Snowy Day: An Opera for all by Joel Thompson (review)
  2. Danielle Ward-Griffin
  3. pp. 244-246
  4. DOI: https://doi.org/10.1353/tj.2022.0034
  5. restricted access
  1. Concerts For Kids: Story Pirates dir. by Brendan O'Grady (review)
  2. Virginia Anderson
  3. pp. 246-248
  4. DOI: https://doi.org/10.1353/tj.2022.0056
  5. restricted access
  1. Party in The Bardo by Laurie Anderson and Jason Moran (review)
  2. Dan Venning
  3. pp. 248-253
  4. DOI: https://doi.org/10.1353/tj.2022.0047
  5. restricted access
  1. Against the Current and into The Light: Performing History and Land In Coast Salish Territories and Vancouver's Stanley Park by Selena Couture (review)
  2. Julie Burelle
  3. pp. 255-256
  4. DOI: https://doi.org/10.1353/tj.2022.0050
  5. restricted access
  1. Performing Ice ed. by Carolyn Philpott et al. (review)
  2. Diana Looser
  3. pp. 256-258
  4. DOI: https://doi.org/10.1353/tj.2022.0058
  5. restricted access
  1. Corporeal Politics: Dancing East Asia ed. by Katherine Mezur and Emily Wilcox (review)
  2. Fangfei Miao
  3. pp. 258-259
  4. DOI: https://doi.org/10.1353/tj.2022.0055
  5. restricted access
  1. The Natural Body in Somatics Dance Training by Doran George (review)
  2. Donna A. Dragon
  3. pp. 259-261
  4. DOI: https://doi.org/10.1353/tj.2022.0054
  5. restricted access
  1. Theatremachine: Tadeusz Kantor in Context ed. by Magda Romanska and Kathleen Cioffi (review)
  2. Mischa Twitchin
  3. pp. 262-263
  4. DOI: https://doi.org/10.1353/tj.2022.0071
  5. restricted access
  1. Women Adapting: Bringing Three Serials of The Roaring Twenties to Stage and Screen by Bethany Wood (review)
  2. Sunny Stalter-Pace
  3. pp. 263-264
  4. DOI: https://doi.org/10.1353/tj.2022.0036
  5. restricted access
  1. Scenes From Bourgeois Life by Nicholas Ridout (review)
  2. Ryan Anthony Hatch
  3. pp. 264-266
  4. DOI: https://doi.org/10.1353/tj.2022.0070
  5. restricted access
  1. Bernard Shaw and The Censors: Fights and Failures, Stage and Screen by Bernard F. Dukore (review)
  2. Audrey McNamara
  3. pp. 267-268
  4. DOI: https://doi.org/10.1353/tj.2022.0051
  5. restricted access
  1. Necroperformance: Cultural Reconstructions of The War Body by Dorota Sajewska (review)
  2. Patrick Scorese
  3. pp. 268-269
  4. DOI: https://doi.org/10.1353/tj.2022.0032
  5. restricted access
  1. Choreographing in Color: Filipinos, Hip-Hop, and The Cultural Politics of Euphemism by J. Lorenzo Perillo (review)
  2. Al Evangelista
  3. pp. 269-270
  4. DOI: https://doi.org/10.1353/tj.2022.0057
  5. restricted access
  1. Rethinking Chinese Socialist Theaters of Reform: Performance Practice and Debate in the Mao Era ed. by Xiaomei Chen et al. (review)
  2. Jen-Hao Walter Hsu
  3. pp. 271-272
  4. DOI: https://doi.org/10.1353/tj.2022.0049
  5. restricted access
  1. Luis Enrique Gutiérrez Ortiz Monasterio: A Playwright with a Contemporary Vision Rooted in Antiquity
  2. Elka Fediuk, Luis Enrique Gutiérrez Ortiz Monasterio, Guillermo Avilés-Rodríguez
  3. pp. E-17-E-26
  4. DOI: https://doi.org/10.1353/tj.2022.0038
  5. restricted access
  1. Luis Enrique Gutiérrez Ortiz Monasterio: dramaturgo de mirada contemporánea con subsuelo de la antigüedad
  2. Luis Enrique Gutiérrez Ortiz Monasterio, Elka Fediuk
  3. pp. E-27-E-36
  4. DOI: https://doi.org/10.1353/tj.2022.0040
  5. restricted access
  1. Director Deena Selenow and Playwright Antoinette Nwandu in Conversation
  2. Deena Selenow, Antoinette Chinonye Nwandu
  3. pp. E-37-E-46
  4. DOI: https://doi.org/10.1353/tj.2022.0042
  5. restricted access