1. Editorial Comment: Feminist Methodologies at Play
  2. Sean Metzger, Vabianna Santos
  3. pp. ix-xiii
  4. DOI: 10.1353/tj.2022.0000
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  1. We're All in This Together: Digital Performances and Socially Distanced Spectatorship
  2. Dani Snyder-Young
  3. pp. 1-15
  4. DOI: 10.1353/tj.2022.0001
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  1. Being a Modrzejewska's Fangirl: Female Fandom and Celebrity in Nineteenth-Century Polish Theatre
  2. Agata Łuksza
  3. pp. 17-40
  4. DOI: 10.1353/tj.2022.0002
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  1. What Is Wanda but Witches Persevering? Palimpsests of American Witches in WandaVision
  2. Jane Barnette
  3. pp. 41-57
  4. DOI: 10.1353/tj.2022.0003
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  1. Dancing Shay-Shay: Katherine Dunham, Marcus Garvey, and Jamaican Decolonization
  2. Amanda Reid
  3. pp. 59-75
  4. DOI: 10.1353/tj.2022.0004
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  1. Six by Toby Marlow and Lucy Moss (review)
  2. Horacio Sierra
  3. pp. 77-79
  4. DOI: 10.1353/tj.2022.0005
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  1. Sloppy Bonnie: A Roadkill Musical for the Modern Chick by Krista Knight and Barry Brinegar (review)
  2. Diana Grisanti
  3. pp. 79-80
  4. DOI: 10.1353/tj.2022.0006
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  1. The Plague by Albert Camus (review)
  2. Yizhou Huang
  3. pp. 81-82
  4. DOI: 10.1353/tj.2022.0007
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  1. Jitney by August Wilson, and: Twelfth Night by William Shakespeare (review)
  2. Leah Lowe
  3. pp. 82-86
  4. DOI: 10.1353/tj.2022.0008
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  1. The Watering Hole by Lynn Nottage and Miranda Haymon (review)
  2. Danielle Drees
  3. pp. 87-90
  4. DOI: 10.1353/tj.2022.0009
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  1. Crave by Sarah Kane (review)
  2. Alex Ferrone
  3. pp. 90-91
  4. DOI: 10.1353/tj.2022.0010
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  1. Welcome to the Shiva House by Benjamin Behrend and Logan Gabrielle Schulman (review)
  2. Michael Valdez
  3. pp. 92-93
  4. DOI: 10.1353/tj.2022.0011
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  1. Under the Sycamores by Les Hunter (review)
  2. Eric S. Kildow
  3. pp. 93-95
  4. DOI: 10.1353/tj.2022.0012
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  1. Women of Ciudad Juárez by Cristina Michaus (review)
  2. Martha Herrera-Lasso González
  3. pp. 95-98
  4. DOI: 10.1353/tj.2022.0013
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  1. Where We Belong by Madeline Sayet (review)
  2. Robin Alfriend Kello
  3. pp. 98-100
  4. DOI: 10.1353/tj.2022.0014
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  1. The Passion of Mary Cardwell Dawson by Sandra Seaton (review)
  2. Joseph A. Heissan JR.
  3. pp. 100-102
  4. DOI: 10.1353/tj.2022.0015
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  1. South Africa's National Arts Festival (review)
  2. Bryan Schmidt
  3. pp. 102-108
  4. DOI: 10.1353/tj.2022.0016
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  1. Sistuhs in the Struggle: an Oral History of Black Arts Movement Theater and Performance by La Donna L. Forsgren (review)
  2. Isaiah Matthew Wooden
  3. pp. 109-110
  4. DOI: 10.1353/tj.2022.0017
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  1. Staging Lives in Latin American Theater: Bodies, Objects, Archives by Paola S. Hernández (review)
  2. Analola Santana
  3. pp. 110-111
  4. DOI: 10.1353/tj.2022.0018
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  1. ¡Presente! the Politics of Presence by Diana Taylor (review)
  2. Paola S. Hernández
  3. pp. 111-112
  4. DOI: 10.1353/tj.2022.0019
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  1. Translocas: The Politics of Puerto Rican Drag and Trans Performance by Lawrence La Fountain-Stokes (review)
  2. Enzo E. Vasquez Toral
  3. pp. 113-114
  4. DOI: 10.1353/tj.2022.0020
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  1. Performances of Suffering in Latin American Migration: Heroes, Martyrs and Saints by Ana Elena Puga and Víctor M. Espinosa (review)
  2. Gail A. Bulman
  3. pp. 114-115
  4. DOI: 10.1353/tj.2022.0021
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  1. Performing the Progressive Era: Immigration, Urban Life, and Nationalism on Stage ed. by Max Shulman and J. Chris Westgate (review)
  2. Jonathan Chambers
  3. pp. 116-117
  4. DOI: 10.1353/tj.2022.0022
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  1. Performance in the Zócalo: Constructing History, Race, and Identity in Mexico's Central Square from the Colonial Era to the Present by Ana Martínez (review)
  2. Jacqueline E. Bixler
  3. pp. 117-118
  4. DOI: 10.1353/tj.2022.0023
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  1. Avant-Garde Nationalism at the Dublin Gate Theatre, 1928–1940 by Ruud van den Beuken (review)
  2. Matthew Franks
  3. pp. 118-119
  4. DOI: 10.1353/tj.2022.0024
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  1. Earth Matters on Stage: Ecology and Environment in American Theater by Theresa J. May (review)
  2. Morgan Grambo
  3. pp. 120-121
  4. DOI: 10.1353/tj.2022.0025
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  1. Playing Real: Mimesis, Media, and Mischief by Lindsay Brandon Hunter (review)
  2. Nick Salvato
  3. pp. 121-122
  4. DOI: 10.1353/tj.2022.0026
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  1. Stage Business and the Neoliberal Theatre of London by Alex Ferrone (review)
  2. Alessandro Simari
  3. pp. 122-124
  4. DOI: 10.1353/tj.2022.0027
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  1. Marking Modern Movement: Dance and Gender in the Visual Imagery of the Weimar Republic by Susan Funkenstein (review)
  2. Meagan K. Tripp
  3. pp. 124-126
  4. DOI: 10.1353/tj.2022.0028
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  1. Performing Quarantined Isolation in the Spring of 2020
  2. Dani Snyder-Young
  3. pp. E-1-E-3
  4. DOI: 10.1353/tj.2022.0029
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  1. Black Caribbean Pleasure Dances and the Ethnographic Imagination
  2. Amanda Reid
  3. pp. E-5-E-8
  4. DOI: 10.1353/tj.2022.0030
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  1. A New Language of the Future: A Conversation with Himali Singh Soin
  2. Clara Wilch
  3. pp. E-9-E-16
  4. DOI: 10.1353/tj.2022.0031
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