In this Issue

Table of Contents

Editorial Comment: Installation

Sean Metzger
pp. xi-xvi
DOI: https://doi.org/10.1353/tj.2022.0061
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Theatre as Installation in the Syndemic Architectures of Rimini Protokoll and Battersea Arts Centre

Georgina Guy
pp. 277-301
DOI: https://doi.org/10.1353/tj.2022.0063
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Raiding the Bull in a China Shop

Christine Mok
pp. 303-322
DOI: https://doi.org/10.1353/tj.2022.0065
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Surviving Installations: Examining the Natural in the Museum Space

Catherine K. Kalinoski
pp. 323-337
DOI: https://doi.org/10.1353/tj.2022.0066
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Specters of the Past: An Installation in the Times of Disquiet

Michal Kobialka
pp. 339-362
DOI: https://doi.org/10.1353/tj.2022.0067
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AGHDRA by Arthur Jafa (review)

Gwyneth Shanks
pp. 363-368
DOI: https://doi.org/10.1353/tj.2022.0068
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Black Joy/White Fragility by Joy Mariama Smith (review)

Megan Hoetger
pp. 368-370
DOI: https://doi.org/10.1353/tj.2022.0069
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Telepathic Improvisation (2017) by Pauline Boudry and Renate Lorenz (Boudry/Lorenz) (review)

Farrah O’Shea
pp. 370-372
DOI: https://doi.org/10.1353/tj.2022.0072
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Utopian Hotline by Kayla Asbell et al (review)

Cati Kalinoski
pp. 372-374
DOI: https://doi.org/10.1353/tj.2022.0073
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The Hang by Taylor Mac and Matt Ray (review)

Sean F. Edgecomb
pp. 374-376
DOI: https://doi.org/10.1353/tj.2022.0074
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Carla Rossi and Pepper Pepper are Gloop: An Evening of Spectacularly Unhinged Drag from Two Portland Favorites by Carla Rossi and Pepper Pepper (review)

Kate Bredeson
pp. 376-378
DOI: https://doi.org/10.1353/tj.2022.0075
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Not About Race Dance by Gerald Casel (review)

Kate Mattingly
pp. 378-380
DOI: https://doi.org/10.1353/tj.2022.0076
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I Was Sitting on My Patio This Guy Appeared I Thought I Was Hallucinating by Robert Wilson (review)

Loren Ringer
pp. 380-383
DOI: https://doi.org/10.1353/tj.2022.0077
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Dana H by Lucas Hnath, and: Is This a Room by Tina Satter (review)

Barbara Fuchs
pp. 383-387
DOI: https://doi.org/10.1353/tj.2022.0078
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Thinking Through Phenomena: Theatre Phenomenology in Theory and Practice

Andrew Sofer
pp. 389-403
DOI: https://doi.org/10.1353/tj.2022.0079
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Drama and Digital Arts Cultures by David Cameron, Michael Anderson and Rebecca Wotzko (review)

Alicia Corts
pp. 405-406
DOI: https://doi.org/10.1353/tj.2022.0080
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Feeling the Future at Christian End-Time Performances by Jill Stevenson (review)

Stanton B. Garner Jr.
pp. 406-408
DOI: https://doi.org/10.1353/tj.2022.0081
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Shakespeare and East Asia by Alexa Alice Joubin (review)

Yeeyon Im
pp. 408-409
DOI: https://doi.org/10.1353/tj.2022.0082
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The Method: How the Twentieth Century Learned to Act by Isaac Butler (review)

David Krasner
pp. 409-410
DOI: https://doi.org/10.1353/tj.2022.0083
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Mormons, Musical Theater, and Belonging in America by Jake Johnson (review)

David Mason
pp. 411-412
DOI: https://doi.org/10.1353/tj.2022.0084
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Race and Performance After Repetition ed. by Soyica Diggs Colbert, Douglas A. Jones Jr. and Shane Vogel (review)

James McMaster
pp. 412-414
DOI: https://doi.org/10.1353/tj.2022.0085
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Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev ed. by Dassia N. Posner, Kevin Bartig and Maria De Simone (review)

Anna Muza
pp. 414-415
DOI: https://doi.org/10.1353/tj.2022.0086
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Notes on the African Burial Ground National Monument, New York City

Erich Kessel Jr.
pp. E-47-E-57
DOI: https://doi.org/10.1353/tj.2022.0059
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Boring! The Performative Invisibility and Non-theatricality of Asian Americans in Higher Education

Daphne P. Lei
pp. E-59-E-71
DOI: https://doi.org/10.1353/tj.2022.0062
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The Space of an Encounter: An Interview with Sharon Hayes

Gwyneth Shanks, Sharon Hayes
pp. E-73-E-83
DOI: https://doi.org/10.1353/tj.2022.0064
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