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In this Issue

Table of Contents

  1. Editorial Comment: Installation
  2. Sean Metzger
  3. pp. xi-xvi
  4. DOI: https://doi.org/10.1353/tj.2022.0061
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  1. Theatre as Installation in the Syndemic Architectures of Rimini Protokoll and Battersea Arts Centre
  2. Georgina Guy
  3. pp. 277-301
  4. DOI: https://doi.org/10.1353/tj.2022.0063
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  1. Raiding the Bull in a China Shop
  2. Christine Mok
  3. pp. 303-322
  4. DOI: https://doi.org/10.1353/tj.2022.0065
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  1. Surviving Installations: Examining the Natural in the Museum Space
  2. Catherine K. Kalinoski
  3. pp. 323-337
  4. DOI: https://doi.org/10.1353/tj.2022.0066
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  1. Specters of the Past: An Installation in the Times of Disquiet
  2. Michal Kobialka
  3. pp. 339-362
  4. DOI: https://doi.org/10.1353/tj.2022.0067
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  1. AGHDRA by Arthur Jafa (review)
  2. Gwyneth Shanks
  3. pp. 363-368
  4. DOI: https://doi.org/10.1353/tj.2022.0068
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  1. Black Joy/White Fragility by Joy Mariama Smith (review)
  2. Megan Hoetger
  3. pp. 368-370
  4. DOI: https://doi.org/10.1353/tj.2022.0069
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  1. Telepathic Improvisation (2017) by Pauline Boudry and Renate Lorenz (Boudry/Lorenz) (review)
  2. Farrah O’Shea
  3. pp. 370-372
  4. DOI: https://doi.org/10.1353/tj.2022.0072
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  1. Utopian Hotline by Kayla Asbell et al (review)
  2. Cati Kalinoski
  3. pp. 372-374
  4. DOI: https://doi.org/10.1353/tj.2022.0073
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  1. The Hang by Taylor Mac and Matt Ray (review)
  2. Sean F. Edgecomb
  3. pp. 374-376
  4. DOI: https://doi.org/10.1353/tj.2022.0074
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  1. Not About Race Dance by Gerald Casel (review)
  2. Kate Mattingly
  3. pp. 378-380
  4. DOI: https://doi.org/10.1353/tj.2022.0076
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  1. I Was Sitting on My Patio This Guy Appeared I Thought I Was Hallucinating by Robert Wilson (review)
  2. Loren Ringer
  3. pp. 380-383
  4. DOI: https://doi.org/10.1353/tj.2022.0077
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  1. Dana H by Lucas Hnath, and: Is This a Room by Tina Satter (review)
  2. Barbara Fuchs
  3. pp. 383-387
  4. DOI: https://doi.org/10.1353/tj.2022.0078
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  1. Thinking Through Phenomena: Theatre Phenomenology in Theory and Practice
  2. Andrew Sofer
  3. pp. 389-403
  4. DOI: https://doi.org/10.1353/tj.2022.0079
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  1. Drama and Digital Arts Cultures by David Cameron, Michael Anderson and Rebecca Wotzko (review)
  2. Alicia Corts
  3. pp. 405-406
  4. DOI: https://doi.org/10.1353/tj.2022.0080
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  1. Feeling the Future at Christian End-Time Performances by Jill Stevenson (review)
  2. Stanton B. Garner Jr.
  3. pp. 406-408
  4. DOI: https://doi.org/10.1353/tj.2022.0081
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  1. Shakespeare and East Asia by Alexa Alice Joubin (review)
  2. Yeeyon Im
  3. pp. 408-409
  4. DOI: https://doi.org/10.1353/tj.2022.0082
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  1. The Method: How the Twentieth Century Learned to Act by Isaac Butler (review)
  2. David Krasner
  3. pp. 409-410
  4. DOI: https://doi.org/10.1353/tj.2022.0083
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  1. Mormons, Musical Theater, and Belonging in America by Jake Johnson (review)
  2. David Mason
  3. pp. 411-412
  4. DOI: https://doi.org/10.1353/tj.2022.0084
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  1. Race and Performance After Repetition ed. by Soyica Diggs Colbert, Douglas A. Jones Jr. and Shane Vogel (review)
  2. James McMaster
  3. pp. 412-414
  4. DOI: https://doi.org/10.1353/tj.2022.0085
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  1. Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev ed. by Dassia N. Posner, Kevin Bartig and Maria De Simone (review)
  2. Anna Muza
  3. pp. 414-415
  4. DOI: https://doi.org/10.1353/tj.2022.0086
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  1. Notes on the African Burial Ground National Monument, New York City
  2. Erich Kessel Jr.
  3. pp. E-47-E-57
  4. DOI: https://doi.org/10.1353/tj.2022.0059
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  1. Boring! The Performative Invisibility and Non-theatricality of Asian Americans in Higher Education
  2. Daphne P. Lei
  3. pp. E-59-E-71
  4. DOI: https://doi.org/10.1353/tj.2022.0062
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  1. The Space of an Encounter: An Interview with Sharon Hayes
  2. Gwyneth Shanks, Sharon Hayes
  3. pp. E-73-E-83
  4. DOI: https://doi.org/10.1353/tj.2022.0064
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