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Table of Contents

  1. Correction Notice
  2. p. vii
  3. DOI: https://doi.org/10.1353/dtc.2022.0000
  4. restricted access
  1. Editor's Note
  2. Michelle Liu Carriger
  3. pp. x-xi
  4. DOI: https://doi.org/10.1353/dtc.2022.0001
  5. restricted access
  1. Generational Palimpsests: Adapting Restoration Comedy in Erin Shields's The Millennial Malcontent
  2. Michelle MacArthur
  3. pp. 51-72
  4. DOI: https://doi.org/10.1353/dtc.2022.0004
  5. restricted access
  1. Recognition and Reversal in the Plays of Lauren Gunderson: A Dialogue with the Playwright
  2. Holly L. Derr, Lauren Gunderson
  3. pp. 73-84
  4. DOI: https://doi.org/10.1353/dtc.2022.0005
  5. restricted access
  1. The Winter Garden: Sarah Ruhl's In the Next Room and the Dialectic Deconstruction of Separate Spheres
  2. Phillip Zapkin
  3. pp. 85-104
  4. DOI: https://doi.org/10.1353/dtc.2022.0006
  5. restricted access
  1. Working Backstage: A Cultural History and Ethnography of Technical Theatre Labor by Christin Essin (review)
  2. David Bisaha
  3. pp. 107-109
  4. DOI: https://doi.org/10.1353/dtc.2022.0007
  5. restricted access
  1. Race and Performance After Repetition ed. by Soyica Diggs Colbert et al. (review)
  2. Ariel Nereson
  3. pp. 109-111
  4. DOI: https://doi.org/10.1353/dtc.2022.0008
  5. restricted access
  1. Theatre of the Sphere: The Vibrant Being by Luis Valdez (review)
  2. Dennis Sloan
  3. pp. 111-113
  4. DOI: https://doi.org/10.1353/dtc.2022.0009
  5. restricted access
  1. The Actor and His Body, 4th Edition by Litz Pisk (review)
  2. Erick Wolfe
  3. pp. 113-115
  4. DOI: https://doi.org/10.1353/dtc.2022.0010
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  1. List of Books Received
  2. pp. 116-122
  3. DOI: https://doi.org/10.1353/dtc.2022.0011
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