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In this Issue

Table of Contents

  1. Editor's Note
  2. Eero Laine
  3. pp. 11-12
  4. DOI: https://doi.org/10.1353/dtc.2021.0039
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  1. Postmortem: On Process and Collaborative Editing
  2. Kevin Brown, Felipe Cervera, Kyoko Iwaki, Eero Laine, Kristof van Baarle
  3. pp. 13-21
  4. DOI: https://doi.org/10.1353/dtc.2021.0038
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  1. Marxist Keywords for Performance
  2. Jaswinder Blackwell-Pal, Michael Shane Boyle, Ash Dilks, Caoimhe Mader McGuinness, Olive Mckeon, Lisa Moravec, Alessandro Simari, Clio Unger, Martin Young
  3. pp. 25-53
  4. DOI: https://doi.org/10.1353/dtc.2021.0037
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  1. Politics and Poetics of Syncretism: Case Studies of the Bonbibi Cult, the Mappila Teyyam Performances, and Three Poems of the Bhakti Tradition from the Indian Subcontinent
  2. Akhila Vimal C, Dipanjali Deka, Poulomi Das
  3. pp. 55-73
  4. DOI: https://doi.org/10.1353/dtc.2021.0036
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  1. From Site to Self: Immersion, Audience Research, and Polyvocality
  2. Kelsey Blair, Kelsey Jacobson, Scott Mealey, Jenny Salisbury
  3. pp. 75-93
  4. DOI: https://doi.org/10.1353/dtc.2021.0034
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  1. Collaboratively Emergent Composition: Long-Form Improvisation and the Quest to Recover Upton Abbey
  2. Gretchen Busl, David Charles, Marianne DiQuattro
  3. pp. 95-116
  4. DOI: https://doi.org/10.1353/dtc.2021.0035
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  1. An Elephant's Exquisite Corpse: Spectral Matters in Lynn Nottage's Mlima's Tale
  2. Natalia Duong, Rishika Mehrishi, Joshua Williams
  3. pp. 117-136
  4. DOI: https://doi.org/10.1353/dtc.2021.0033
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  1. Valha11a: Agency and Genre in Emergent Virtual Larp
  2. Amanda Rose Villarreal, Bella Poynton, Gaby Martineau
  3. pp. 137-157
  4. DOI: https://doi.org/10.1353/dtc.2021.0032
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  1. Enabling the Ongoing Life of Therapeutic Theatre: A Case Study of Positively Shameless
  2. Shabari Rao, Shilpa Waghmare, Maitri Gopalakrishna
  3. pp. 161-169
  4. DOI: https://doi.org/10.1353/dtc.2021.0031
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  1. Oral History Performance as Interdisciplinary Collaboration
  2. Maria Beach, Alex J. Bishop, Tanya Finchum, Julie Pearson Little Thunder
  3. pp. 171-181
  4. DOI: https://doi.org/10.1353/dtc.2021.0030
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  1. Large-Scale Collaborative Research Projects in Theatre and Performance Studies: Resources, Politics, and Ethics in the Margins of Europe during the COVID-19 Pandemic
  2. Rüstem Ertuğ Altınay, İlyas Deniz Çınar, Jale Karabekir, Gamze Tosun, Şeyda Nur Yıldırım
  3. pp. 183-191
  4. DOI: https://doi.org/10.1353/dtc.2021.0029
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  1. Collaborating on Togetherness and Futurity in Disability Arts
  2. Kelsie Acton, Christiane Czymoch, Tony McCaffrey
  3. pp. 195-211
  4. DOI: https://doi.org/10.1353/dtc.2021.0028
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  1. Scholarly Grappling: Collaborative 'Work' in the Study of Professional Wrestling
  2. Benjamin Litherland, Tom Phillips, Claire Warden
  3. pp. 213-228
  4. DOI: https://doi.org/10.1353/dtc.2021.0040
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  1. Acting Chekhov in Translation: 4 Plays, 100 Ways by Robin Beth Levenson, and: Modern Theatre in Russia: Tradition Building and Transmission Process by Stefan Aquilina (review)
  2. James M. Brandon
  3. pp. 231-234
  4. DOI: https://doi.org/10.1353/dtc.2021.0041
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  1. Theory for Theatre Studies: Sound by Susan Bennett (review)
  2. Rebecca Collins
  3. pp. 234-236
  4. DOI: https://doi.org/10.1353/dtc.2021.0042
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  1. Performing Queer Modernism by Penny Farfan (review)
  2. Liz Fairchild
  3. pp. 237-239
  4. DOI: https://doi.org/10.1353/dtc.2021.0043
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  1. Theater of State: A Dramaturgy of the United Nations by James R. Ball III (review)
  2. Patrick Maley
  3. pp. 239-241
  4. DOI: https://doi.org/10.1353/dtc.2021.0044
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  1. Irish on the Move: Performing Mobility in American Variety Theatre by Michelle Granshaw (review)
  2. Eleanor Owicki
  3. pp. 242-244
  4. DOI: https://doi.org/10.1353/dtc.2021.0045
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  1. War as Performance: Conflicts in Iraq and Political Theatricality by Lindsey Mantoan (review)
  2. Phillip Zapkin
  3. pp. 244-246
  4. DOI: https://doi.org/10.1353/dtc.2021.0046
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  1. List of Books Received
  3. pp. 247-253
  4. DOI: https://doi.org/10.1353/dtc.2021.0047
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  1. Correction Notice
  3. Originally published: Volume 37, Number 1, Fall 2022
  4. p. vi
  5. DOI: https://doi.org/10.1353/dtc.2022.0025
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