1. Editor's Note
  2. Eero Laine
  3. pp. 11-12
  4. DOI: 10.1353/dtc.2021.0039
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  1. Postmortem: On Process and Collaborative Editing
  2. Kevin Brown, Felipe Cervera, Kyoko Iwaki, Eero Laine, Kristof van Baarle
  3. pp. 13-21
  4. DOI: 10.1353/dtc.2021.0038
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  1. From Site to Self: Immersion, Audience Research, and Polyvocality
  2. Kelsey Blair, Kelsey Jacobson, Scott Mealey, Jenny Salisbury
  3. pp. 75-93
  4. DOI: 10.1353/dtc.2021.0034
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  1. Collaboratively Emergent Composition: Long-Form Improvisation and the Quest to Recover Upton Abbey
  2. Gretchen Busl, David Charles, Marianne DiQuattro
  3. pp. 95-116
  4. DOI: 10.1353/dtc.2021.0035
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  1. An Elephant's Exquisite Corpse: Spectral Matters in Lynn Nottage's Mlima's Tale
  2. Natalia Duong, Rishika Mehrishi, Joshua Williams
  3. pp. 117-136
  4. DOI: 10.1353/dtc.2021.0033
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  1. Valha11a: Agency and Genre in Emergent Virtual Larp
  2. Amanda Rose Villarreal, Bella Poynton, Gaby Martineau
  3. pp. 137-157
  4. DOI: 10.1353/dtc.2021.0032
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  1. Enabling the Ongoing Life of Therapeutic Theatre: A Case Study of Positively Shameless
  2. Shabari Rao, Shilpa Waghmare, Maitri Gopalakrishna
  3. pp. 161-169
  4. DOI: 10.1353/dtc.2021.0031
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  1. Oral History Performance as Interdisciplinary Collaboration
  2. Maria Beach, Alex J. Bishop, Tanya Finchum, Julie Pearson Little Thunder
  3. pp. 171-181
  4. DOI: 10.1353/dtc.2021.0030
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  1. Collaborating on Togetherness and Futurity in Disability Arts
  2. Kelsie Acton, Christiane Czymoch, Tony McCaffrey
  3. pp. 195-211
  4. DOI: 10.1353/dtc.2021.0028
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  1. Scholarly Grappling: Collaborative 'Work' in the Study of Professional Wrestling
  2. Benjamin Litherland, Tom Phillips, Claire Warden
  3. pp. 213-228
  4. DOI: 10.1353/dtc.2021.0040
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  1. Theory for Theatre Studies: Sound by Susan Bennett (review)
  2. Rebecca Collins
  3. pp. 234-236
  4. DOI: 10.1353/dtc.2021.0042
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  1. Performing Queer Modernism by Penny Farfan (review)
  2. Liz Fairchild
  3. pp. 237-239
  4. DOI: 10.1353/dtc.2021.0043
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  1. Theater of State: A Dramaturgy of the United Nations by James R. Ball III (review)
  2. Patrick Maley
  3. pp. 239-241
  4. DOI: 10.1353/dtc.2021.0044
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  1. Irish on the Move: Performing Mobility in American Variety Theatre by Michelle Granshaw (review)
  2. Eleanor Owicki
  3. pp. 242-244
  4. DOI: 10.1353/dtc.2021.0045
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  1. War as Performance: Conflicts in Iraq and Political Theatricality by Lindsey Mantoan (review)
  2. Phillip Zapkin
  3. pp. 244-246
  4. DOI: 10.1353/dtc.2021.0046
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  1. List of Books Received
  2. pp. 247-253
  3. DOI: 10.1353/dtc.2021.0047
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