In this Issue

Table of Contents

Editor's Note

Eero Laine
pp. 11-12
DOI: https://doi.org/10.1353/dtc.2021.0039
free access

Postmortem: On Process and Collaborative Editing

Kevin Brown, Felipe Cervera, Kyoko Iwaki, Eero Laine, Kristof van Baarle
pp. 13-21
DOI: https://doi.org/10.1353/dtc.2021.0038
free access

Marxist Keywords for Performance

Jaswinder Blackwell-Pal, Michael Shane Boyle, Ash Dilks, Caoimhe Mader McGuinness, Olive Mckeon, Lisa Moravec, Alessandro Simari, Clio Unger, Martin Young
pp. 25-53
DOI: https://doi.org/10.1353/dtc.2021.0037
free access

Politics and Poetics of Syncretism: Case Studies of the Bonbibi Cult, the Mappila Teyyam Performances, and Three Poems of the Bhakti Tradition from the Indian Subcontinent

Akhila Vimal C, Dipanjali Deka, Poulomi Das
pp. 55-73
DOI: https://doi.org/10.1353/dtc.2021.0036
free access

From Site to Self: Immersion, Audience Research, and Polyvocality

Kelsey Blair, Kelsey Jacobson, Scott Mealey, Jenny Salisbury
pp. 75-93
DOI: https://doi.org/10.1353/dtc.2021.0034
free access

Collaboratively Emergent Composition: Long-Form Improvisation and the Quest to Recover Upton Abbey

Gretchen Busl, David Charles, Marianne DiQuattro
pp. 95-116
DOI: https://doi.org/10.1353/dtc.2021.0035
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An Elephant's Exquisite Corpse: Spectral Matters in Lynn Nottage's Mlima's Tale

Natalia Duong, Rishika Mehrishi, Joshua Williams
pp. 117-136
DOI: https://doi.org/10.1353/dtc.2021.0033
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Valha11a: Agency and Genre in Emergent Virtual Larp

Amanda Rose Villarreal, Bella Poynton, Gaby Martineau
pp. 137-157
DOI: https://doi.org/10.1353/dtc.2021.0032
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Enabling the Ongoing Life of Therapeutic Theatre: A Case Study of Positively Shameless

Shabari Rao, Shilpa Waghmare, Maitri Gopalakrishna
pp. 161-169
DOI: https://doi.org/10.1353/dtc.2021.0031
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Oral History Performance as Interdisciplinary Collaboration

Maria Beach, Alex J. Bishop, Tanya Finchum, Julie Pearson Little Thunder
pp. 171-181
DOI: https://doi.org/10.1353/dtc.2021.0030
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Large-Scale Collaborative Research Projects in Theatre and Performance Studies: Resources, Politics, and Ethics in the Margins of Europe during the COVID-19 Pandemic

Rüstem Ertuğ Altınay, İlyas Deniz Çınar, Jale Karabekir, Gamze Tosun, Şeyda Nur Yıldırım
pp. 183-191
DOI: https://doi.org/10.1353/dtc.2021.0029
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Collaborating on Togetherness and Futurity in Disability Arts

Kelsie Acton, Christiane Czymoch, Tony McCaffrey
pp. 195-211
DOI: https://doi.org/10.1353/dtc.2021.0028
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Scholarly Grappling: Collaborative 'Work' in the Study of Professional Wrestling

Benjamin Litherland, Tom Phillips, Claire Warden
pp. 213-228
DOI: https://doi.org/10.1353/dtc.2021.0040
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Acting Chekhov in Translation: 4 Plays, 100 Ways by Robin Beth Levenson, and: Modern Theatre in Russia: Tradition Building and Transmission Process by Stefan Aquilina (review)

James M. Brandon
pp. 231-234
DOI: https://doi.org/10.1353/dtc.2021.0041
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Theory for Theatre Studies: Sound by Susan Bennett (review)

Rebecca Collins
pp. 234-236
DOI: https://doi.org/10.1353/dtc.2021.0042
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Performing Queer Modernism by Penny Farfan (review)

Liz Fairchild
pp. 237-239
DOI: https://doi.org/10.1353/dtc.2021.0043
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Theater of State: A Dramaturgy of the United Nations by James R. Ball III (review)

Patrick Maley
pp. 239-241
DOI: https://doi.org/10.1353/dtc.2021.0044
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Irish on the Move: Performing Mobility in American Variety Theatre by Michelle Granshaw (review)

Eleanor Owicki
pp. 242-244
DOI: https://doi.org/10.1353/dtc.2021.0045
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War as Performance: Conflicts in Iraq and Political Theatricality by Lindsey Mantoan (review)

Phillip Zapkin
pp. 244-246
DOI: https://doi.org/10.1353/dtc.2021.0046
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List of Books Received

pp. 247-253
DOI: https://doi.org/10.1353/dtc.2021.0047
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Correction Notice

Originally published: Volume 37, Number 1, Fall 2022
p. vi
DOI: https://doi.org/10.1353/dtc.2022.0025
restricted access