1. Personae / Acknowledgments
  2. DOI: 10.1353/pnm.2007.0010
  3. restricted access contents
  1. Anonymous Sources: Finnissy Analysis and the Opening of Chapter Eight of "The History of Photography in Sound"
  2. Richard Beaudoin
  3. pp. 5-27
  4. DOI: 10.1353/pnm.2007.0008
  5. restricted access contents
  1. Composing for Interactive Dance: Paradigms for Perception
  2. John Toenjes
  3. pp. 28-50
  4. DOI: 10.1353/pnm.2007.0004
  5. restricted access contents
  1. Music and Mathematics
  2. Ramesh Gangolli
  3. pp. 51-56
  4. DOI: 10.1353/pnm.2007.0001
  5. restricted access contents
  1. Approaching Musical Actions
  2. John Rahn
  3. pp. 57-75
  4. DOI: 10.1353/pnm.2007.0005
  5. restricted access contents
  1. Mathematics and the Twelve-Tone System: Past, Present, and Future
  2. Robert Morris
  3. pp. 76-107
  4. DOI: 10.1353/pnm.2007.0007
  5. restricted access contents
  1. Reflections on Rochberg and "Postmodernism"
  2. James Wierzbicki
  3. pp. 108-132
  4. DOI: 10.1353/pnm.2007.0002
  5. restricted access contents
  1. Improvisation, Heterophony, Politics, Composition
  2. Christian Wolff, Larry Polansky, Kui Dong, Christian Asplund, Michael Hicks
  3. pp. 133-149
  4. DOI: 10.1353/pnm.2007.0009
  5. restricted access contents
  1. Marcel Duchamp's Musical Secret Boxed in the Tradition of the Real: A New Instrumental Paradigm
  2. Sophie Stévance, Catrina Flint de Médicis
  3. pp. 150-170
  4. DOI: 10.1353/pnm.2007.0000
  5. restricted access contents
  1. Recital Hall of Cruelty: Antonin Artaud, David Tudor, and the 1950s Avant-Garde
  2. Eric Smigel
  3. pp. 171-202
  4. DOI: 10.1353/pnm.2007.0006
  5. restricted access contents
  1. Generating Pitch Material from the Magic Sigils of the Western Esoteric Tradition
  2. Johann F. W. Hasler
  3. pp. 203-243
  4. DOI: 10.1353/pnm.2007.0003
  5. restricted access contents