In this Issue

Table of Contents

Anonymous Sources: Finnissy Analysis and the Opening of Chapter Eight of "The History of Photography in Sound"

Richard Beaudoin
pp. 5-27
DOI: https://doi.org/10.1353/pnm.2007.0008
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Composing for Interactive Dance: Paradigms for Perception

John Toenjes
pp. 28-50
DOI: https://doi.org/10.1353/pnm.2007.0004
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Music and Mathematics

Ramesh Gangolli
pp. 51-56
DOI: https://doi.org/10.1353/pnm.2007.0001
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Approaching Musical Actions

John Rahn
pp. 57-75
DOI: https://doi.org/10.1353/pnm.2007.0005
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Mathematics and the Twelve-Tone System: Past, Present, and Future

Robert Morris
pp. 76-107
DOI: https://doi.org/10.1353/pnm.2007.0007
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Reflections on Rochberg and "Postmodernism"

James Wierzbicki
pp. 108-132
DOI: https://doi.org/10.1353/pnm.2007.0002
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Improvisation, Heterophony, Politics, Composition

Christian Wolff, Larry Polansky, Kui Dong, Christian Asplund, Michael Hicks
pp. 133-149
DOI: https://doi.org/10.1353/pnm.2007.0009
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Marcel Duchamp's Musical Secret Boxed in the Tradition of the Real: A New Instrumental Paradigm

Sophie Stévance, Catrina Flint de Médicis
pp. 150-170
DOI: https://doi.org/10.1353/pnm.2007.0000
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Recital Hall of Cruelty: Antonin Artaud, David Tudor, and the 1950s Avant-Garde

Eric Smigel
pp. 171-202
DOI: https://doi.org/10.1353/pnm.2007.0006
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Generating Pitch Material from the Magic Sigils of the Western Esoteric Tradition

Johann F. W. Hasler
pp. 203-243
DOI: https://doi.org/10.1353/pnm.2007.0003
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Personae / Acknowledgments

DOI: https://doi.org/10.1353/pnm.2007.0010
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