1. Personae / Acknowledgments
  2. DOI: 10.1353/pnm.2008.0016
  3. restricted access contents
  1. Objectivity and Intersubjectivity in Pauline Oliveros's "Sonic Meditations"
  2. Stephen Miles
  3. pp. 4-38
  4. DOI: 10.1353/pnm.2008.0019
  5. restricted access contents
  1. The Politics of Collaborative Performance in the Music of Pauline Oliveros
  2. Barbara Rose Lange
  3. pp. 39-60
  4. DOI: 10.1353/pnm.2008.0010
  5. restricted access contents
  1. Musical Research through Young Bodies
  2. Mirio Cosottini, Michelle Bobko
  3. pp. 61-74
  4. DOI: 10.1353/pnm.2008.0017
  5. restricted access contents
  1. Interview with Adachi Tomomi
  2. Adachi Tomomi, Scott Gleason
  3. pp. 75-90
  4. DOI: 10.1353/pnm.2008.0011
  5. restricted access contents
  1. Uniform Triadic Transformations and the Twelve-Tone Music of Webern
  2. Julian Hook, Jack Douthett
  3. pp. 91-151
  4. DOI: 10.1353/pnm.2008.0013
  5. restricted access contents
  1. Modular Music
  2. James Saunders
  3. pp. 152-193
  4. DOI: 10.1353/pnm.2008.0015
  5. restricted access contents
  1. Cultural Production as Self-Surveillance: Making the Right Impression
  2. Gordon Downie
  3. pp. 194-224
  4. DOI: 10.1353/pnm.2008.0018
  5. restricted access contents
  1. Object, Space, and Fragility in Luigi Nono's "Das atmende Klarsein"
  2. Peter Ivan Edwards
  3. pp. 225-243
  4. DOI: 10.1353/pnm.2008.0008
  5. restricted access contents