1. The Severed Eye: Sight, Sound, and Gender in Blue Velvet
  2. Nolan Boyd
  3. pp. 1-22
  4. DOI: 10.1353/cj.2020.0027
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  1. Under the Standard: MGM, AT&T, and the Academy's Regulation of Power
  2. Eric Dienstfrey
  3. pp. 23-45
  4. DOI: 10.1353/cj.2020.0028
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  1. Capturing Flow: The Growth of the Old-Time-Radio Collecting Culture in the United States during the 1970s
  2. Eleanor Patterson
  3. pp. 46-68
  4. DOI: 10.1353/cj.2020.0029
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  1. Haunted Television: Trauma and the Specter in the Archive
  2. Helen Wheatley
  3. pp. 69-89
  4. DOI: 10.1353/cj.2020.0030
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  1. How John Ford's West Was Framed: Landscape and Geography in the Monument Valley Films
  2. Booth Wilson
  3. pp. 90-113
  4. DOI: 10.1353/cj.2020.0031
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  1. Artifice, Fantasy, and Exaggeration: The Boundless Limitations of Puppets
  2. Sean Macdonald
  3. pp. 114-118
  4. DOI: 10.1353/cj.2020.0032
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  1. On the Distinguishing Characteristics of Puppet Films
  2. Jin Xi, Sean Macdonald
  3. pp. 119-131
  4. DOI: 10.1353/cj.2020.0033
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  1. Imagining Global Video: The Challenge of Netflix
  2. Ramon Lobato, Amanda D. Lotz
  3. pp. 132-136
  4. DOI: 10.1353/cj.2020.0034
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  1. Luis Miguel: La serie, Class-Based Collective Memory, and Streaming Television in Mexico
  2. Juan Llamas-Rodriguez
  3. pp. 137-143
  4. DOI: 10.1353/cj.2020.0035
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  1. Black Ships? Locating Netflix in Taiwan and Japan
  2. Yu-Kei Tse
  3. pp. 143-148
  4. DOI: 10.1353/cj.2020.0036
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  1. Global Portals in National Markets: Branding Netflix in Israel
  2. Michael L. Wayne
  3. pp. 149-153
  4. DOI: 10.1353/cj.2020.0037
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  1. From Netflix to Movistar+: How Subscription Video-on-Demand Services Have Transformed Spanish TV Production
  2. Deborah Castro, Concepción Cascajosa
  3. pp. 154-160
  4. DOI: 10.1353/cj.2020.0019
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  1. Contributors
  2. pp. 160-161
  3. DOI: 10.1353/cj.2020.0020
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  1. Runaway Hollywood: Internalizing Postwar Production and Location Shooting by Daniel Steinhart (review)
  2. Kate Fortmueller
  3. pp. 162-166
  4. DOI: 10.1353/cj.2020.0021
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  1. Unwatchable ed. by Nicholas Baer et al. (review)
  2. Tanya Horeck
  3. pp. 166-169
  4. DOI: 10.1353/cj.2020.0022
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  1. Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson (review)
  2. Martin L. Johnson
  3. pp. 170-173
  4. DOI: 10.1353/cj.2020.0023
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  1. Double Negative: The Black Image and Popular Culture by Racquel J. Gates (review)
  2. Brandy Monk-Payton
  3. pp. 174-178
  4. DOI: 10.1353/cj.2020.0024
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  1. Making Radio: Early Radio Production and the Rise of Modern Sound Culture by Shawn VanCour (review)
  2. Alexander T. Russo
  3. pp. 178-182
  4. DOI: 10.1353/cj.2020.0025
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  1. Contributors
  2. p. 182
  3. DOI: 10.1353/cj.2020.0026
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