1. The Spy Who Ought to Love Me: Se, jie and the Melodrama of Shame Nationalism
  2. Jason G. Coe
  3. pp. 8-31
  4. DOI: 10.1353/cj.2020.0039
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  1. Neither Nosferatu nor Chaplin: FEKS's Overcoat and Eccentrism's Protagonist
  2. Maria Corrigan
  3. pp. 32-53
  4. DOI: 10.1353/cj.2020.0040
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  1. Financialized Hollywood: Institutional Investment, Venture Capital, and Private Equity in the Film and Television Industry
  2. Andrew deWaard
  3. pp. 54-84
  4. DOI: 10.1353/cj.2020.0041
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  1. Josey Faz: Traces of a Tejana in Chicana/o Film History
  2. Mirasol Enríquez
  3. pp. 85-106
  4. DOI: 10.1353/cj.2020.0042
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  1. Press Agents of Change: Early Hollywood and the "New Publicity"
  2. Peter Lester
  3. pp. 107-128
  4. DOI: 10.1353/cj.2020.0043
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  1. Politics Is Everybody's Business: Resurrecting Faye Emerson, America's Forgotten First Lady of Television
  2. Maureen Mauk
  3. pp. 129-152
  4. DOI: 10.1353/cj.2020.0044
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  1. Introduction
  2. Tessa Dwyer, Jennifer O'Meara
  3. pp. 153-155
  4. DOI: 10.1353/cj.2020.0045
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  1. Re-sounding Trump's Voice (My Precious)
  2. Jaimie Baron
  3. pp. 156-160
  4. DOI: 10.1353/cj.2020.0046
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  1. Remixing Actresses' Voices on the You Must Remember This Podcast
  2. Jennifer O'Meara
  3. pp. 161-166
  4. DOI: 10.1353/cj.2020.0047
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  1. In Praise of the Poor Voice
  2. Pooja Rangan
  3. pp. 167-172
  4. DOI: 10.1353/cj.2020.0048
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  1. The Voices of Irish Identity: A Taxonomy of Cinematic Accents
  2. Nicholas O'Riordan
  3. pp. 173-177
  4. DOI: 10.1353/cj.2020.0055
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  1. Subtitles as Revoicing: Film Festivals and the Globalization of Film
  2. Antoine Damiens
  3. pp. 178-183
  4. DOI: 10.1353/cj.2020.0056
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  1. The Liberation Politics of Live Translation: Global South Cinemas in Soviet Tashkent
  2. Elena Razlogova
  3. pp. 183-188
  4. DOI: 10.1353/cj.2020.0057
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  1. Contributors
  2. p. 189
  3. DOI: 10.1353/cj.2020.0058
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  1. Futurs de l'obsolescence: Essai sur la restauration du film d'artiste by Enrico Camporesi (review)
  2. Erika Balsom
  3. pp. 190-194
  4. DOI: 10.1353/cj.2020.0049
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  1. Adaptations in the Franchise Era: 2001–16 by Kyle Meikle (review)
  2. Seda Öz
  3. pp. 200-204
  4. DOI: 10.1353/cj.2020.0051
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  1. The Cinema of Things: Globalization and the Posthuman Object by Elizabeth Ezra (review)
  2. Jocelyn Szczepaniak-Gillece
  3. pp. 209-213
  4. DOI: 10.1353/cj.2020.0053
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  1. Contributors
  2. p. 214
  3. DOI: 10.1353/cj.2020.0054
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