1. "Journeys of Adventure among Its Far-Flung Debris": Three Theories of the Blockbuster Explosion Spectacle
  2. Pansy Duncan
  3. pp. 1-22
  4. DOI: 10.1353/cj.2020.0000
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  1. The Pixelated Afterlife of Nicolás Guillén Landrián: Migratory Forms
  2. Jessica Gordon-Burroughs
  3. pp. 23-42
  4. DOI: 10.1353/cj.2020.0001
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  1. (In)visibilities: Iñárritu's Cinema and the Melodramatic Regime
  2. Juan Sebastián Ospina León
  3. pp. 43-61
  4. DOI: 10.1353/cj.2020.0002
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  1. El Grito de Sunset Park: Cop Watching, Community Organizing, and Video Activism
  2. Christopher Robé
  3. pp. 62-87
  4. DOI: 10.1353/cj.2020.0003
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  1. Sonic Elongation: Creative Audition in Documentary Film
  2. Holly Rogers
  3. pp. 88-113
  4. DOI: 10.1353/cj.2020.0004
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  1. Other Ends of Cinema: Powers of Ten, Exponential Data, and the Archive of Scientific Images
  2. Kyle Stine
  3. pp. 114-137
  4. DOI: 10.1353/cj.2020.0005
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  1. The Unruly Archives of Black Music Videos
  2. Alessandra Raengo, Lauren McLeod Cramer
  3. pp. 138-144
  4. DOI: 10.1353/cj.2020.0006
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  1. Secret Histories and Visual Riffs, or, Miles Davis, Alice Coltrane, and Flying Lotus Go to the Movies
  2. Charles P. "Chip" Linscott
  3. pp. 145-150
  4. DOI: 10.1353/cj.2020.0007
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  1. The Persistence of "Wild Style": Hip-Hop and Music Video Culture at the Intersection of Performance and Provocation
  2. Michele Prettyman
  3. pp. 151-157
  4. DOI: 10.1353/cj.2020.0008
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  1. The Music Film as Essay: Montage as Argument in Kahlil Joseph's Fly Paper and Process
  2. James Tobias
  3. pp. 157-162
  4. DOI: 10.1353/cj.2020.0009
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  1. Intergenerational Pedagogy in Jenn Nkiru's Rebirth is Necessary
  2. Jenny Gunn
  3. pp. 163-168
  4. DOI: 10.1353/cj.2020.0010
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  1. Contributors
  2. p. 169
  3. DOI: 10.1353/cj.2020.0011
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  1. Reel Inequality: Hollywood Actors and Racism by Nancy Wang Yuen (review)
  2. Laura Isabel Serna, Samantha Herndon
  3. pp. 170-174
  4. DOI: 10.1353/cj.2020.0012
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  1. Playing with Feelings: Video Games and Affect by Aubrey Anable (review)
  2. Jennifer Malkowski
  3. pp. 175-179
  4. DOI: 10.1353/cj.2020.0013
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  1. Media U: How the Need to Win Audiences Has Shaped Higher Education by Mark Garrett Cooper and John Marx (review)
  2. Justus Nieland
  3. pp. 180-185
  4. DOI: 10.1353/cj.2020.0014
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  1. More Than Meets the Eye: Special Effects and the Fantastic Transmedia Franchise by Bob Rehak (review)
  2. Aylish Wood
  3. pp. 192-196
  4. DOI: 10.1353/cj.2020.0016
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  1. Contributors
  2. p. 196
  3. DOI: 10.1353/cj.2020.0017
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  1. Forthcoming
  2. p. 206
  3. DOI: 10.1353/cj.2020.0018
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