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Table of Contents

  1. Emma’s Depression (review)
  2. Marshall Brown
  3. pp. 3-29
  4. DOI: https://doi.org/10.1353/srm.2014.0036
  5. restricted access
  1. Serpentine Sighs: De Quincey’s Suspiria de Profundis and the Serpentine Line
  2. Miranda Stanyon
  3. pp. 31-58
  4. DOI: https://doi.org/10.1353/srm.2014.0037
  5. restricted access
  1. “A modest virgin hath no choice”: Joanna Baillie’s The Bride and the Staging of Foreclosure
  2. John Robbins
  3. pp. 59-78
  4. DOI: https://doi.org/10.1353/srm.2014.0038
  5. restricted access
  1. “Rehearsing Continually the Part of the Past”: Lamb’s Elia Essays and the Classical Curriculum at Christ’s Hospital
  2. Katie S. Homar
  3. pp. 79-101
  4. DOI: https://doi.org/10.1353/srm.2014.0039
  5. restricted access
  1. “Saved by the historic page”: Charlotte Smith’s Arun River Sonnets
  2. Keith Hasperg
  3. pp. 103-131
  4. DOI: https://doi.org/10.1353/srm.2014.0040
  5. restricted access
  1. William Blake and the Digital Humanities: Collaboration, Participation, and Social Media by Roger Whitson, Jason Whittaker (review)
  2. Laura Mandell
  3. pp. 133-142
  4. DOI: https://doi.org/10.1353/srm.2014.0041
  5. restricted access
  1. Notes on Contributors
  3. pp. 145-146
  4. DOI: https://doi.org/10.1353/srm.2014.0042
  5. restricted access