1. On Scott’s Russian Shadow: Historicity in The Bride of Lammermoor and Dead Souls
  2. Olga Volkova
  3. pp. 149-170
  4. DOI: 10.1353/srm.2014.0024
  5. free access
  1. Keats’s Ways: The Dark Passages of Mediation and Why He Gives Up Hyperion
  2. Yohei Igarashi
  3. pp. 171-193
  4. DOI: 10.1353/srm.2014.0025
  5. free access
  1. Allusive Pursuits: The Song of Songs in Wordsworth’s “Tintern Abbey”
  2. Sara L. Pearson
  3. pp. 195-216
  4. DOI: 10.1353/srm.2014.0026
  5. free access
  1. The Poetics of the “Charmed Cup” in Felicia Hemans and Letitia Elizabeth Landon
  2. Young-Ok An
  3. pp. 217-238
  4. DOI: 10.1353/srm.2014.0027
  5. free access
  1. Unsexing Petrarch: Charlotte Smith’s Lessons in the Sonnet as a Social Medium
  2. Mary Anne Myers
  3. pp. 239-263
  4. DOI: 10.1353/srm.2014.0028
  5. free access
  1. Romanticism and Caricature by Ian Haywood (review)
  2. Sibylle Erie
  3. pp. 268-271
  4. DOI: 10.1353/srm.2014.0030
  5. free access
  1. Romanticism and the Question of the Stranger by David Simpson (review)
  2. Lily Gurton-Wachter
  3. pp. 271-275
  4. DOI: 10.1353/srm.2014.0031
  5. free access
  1. Sentimental Masculinity and the Rise of History by Mike Goode (review)
  2. James Najarian
  3. pp. 275-278
  4. DOI: 10.1353/srm.2014.0032
  5. free access
  1. Necroromanticism: Traveling to Meet the Dead, 1750—1860 by Paul Westover (review)
  2. Eric Eisner
  3. pp. 278-282
  4. DOI: 10.1353/srm.2014.0033
  5. free access
  1. Wordsworth and the Enlightenment Idea of Pleasure by Rowan Boyson (review)
  2. Michael Pickard
  3. pp. 282-285
  4. DOI: 10.1353/srm.2014.0034
  5. free access
  1. Notes on Contributors
  2. p. 287
  3. DOI: 10.1353/srm.2014.0035
  4. free access