1. Res Theatralis Histrionica: Acting Coleridge in the Lecture Theater
  2. William Christie
  3. pp. 485-509
  4. DOI: 10.1353/srm.2013.0000
  5. free access
  1. “Ever on the Watch”: Wordsworth’s Attention
  2. Lily Gurton-Wachter
  3. pp. 511-535
  4. DOI: 10.1353/srm.2013.0001
  5. free access
  1. “Truth and Tradition’s Mingled Stream”: Robert Bloomfield’s The Banks of Wye
  2. Andrew Smith
  3. pp. 537-560
  4. DOI: 10.1353/srm.2013.0002
  5. free access
  1. Mediation’s Sleight of Hand: The Two Vectors of the Gothic in Mary Shelley’s Frankenstein
  2. Jonathan Crimmins
  3. pp. 561-583
  4. DOI: 10.1353/srm.2013.0003
  5. free access
  1. Children’s Susceptible Minds: Alicia Lefanu and the “Reasoned Imagination” in Georgian Children’s Literature
  2. Anne Jamison
  3. pp. 585-609
  4. DOI: 10.1353/srm.2013.0004
  5. free access
  1. Elizabeth Inchbald’s Reputation: A Publishing and Reception History by Ben P. Robertson (review)
  2. Shawn Lisa Maurer
  3. pp. 615-619
  4. DOI: 10.1353/srm.2013.0006
  5. free access
  1. Romantic Women Writers, Revolution, and Prophecy: Rebellious Daughters, 1786–1826 by Orianne Smith (review)
  2. Chris Bundock
  3. pp. 619-622
  4. DOI: 10.1353/srm.2013.0007
  5. free access
  1. Romantic Feuds: Transcending the “Age of Personality” by Kim Wheatley (review)
  2. Tom Mole
  3. pp. 622-625
  4. DOI: 10.1353/srm.2013.0008
  5. free access
  1. Secular Mysteries: Stanley Cavell and English Romanticism by Edward T. Duffy (review)
  2. Johanna Winant
  3. pp. 625-628
  4. DOI: 10.1353/srm.2013.0009
  5. free access
  1. Sympathy and India in British Literature, 1770–1830 by Andrew Rudd (review)
  2. Tara McDonald
  3. pp. 629-632
  4. DOI: 10.1353/srm.2013.0010
  5. free access
  1. Notes on Contributors
  2. pp. 633-634
  3. DOI: 10.1353/srm.2013.0011
  4. free access
  1. Contents
  2. pp. 639-641
  3. DOI: 10.1353/srm.2013.0012
  4. free access
  1. Author Index
  2. pp. 643-644
  3. DOI: 10.1353/srm.2013.0013
  4. free access