The Massachusetts Review

In this Issue

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Introduction
Jim Hicks
pp. 390-391
DOI: https://doi.org/10.1353/mar.2018.0056

The Pugilist
Henry Lyman
pp. 392-393
DOI: https://doi.org/10.1353/mar.2018.0057

from Fifty Beasts to Break Your Heart
Gennarose Nethercott
pp. 394-397
DOI: https://doi.org/10.1353/mar.2018.0058

Autumn
Chen Chen
pp. 398-399
DOI: https://doi.org/10.1353/mar.2018.0059

Morning
Sally Rosen Kindred
p. 400
DOI: https://doi.org/10.1353/mar.2018.0060

from Blitz on Barcelona
C. A. Jordana, Peter Bush
pp. 401-406
DOI: https://doi.org/10.1353/mar.2018.0061

The Desert
Pere Calders, Mara Faye Lethem
pp. 407-424
DOI: https://doi.org/10.1353/mar.2018.0062

from Mother of Milk and Honey
Najat El Hachmi, Peter Bush
pp. 425-435
DOI: https://doi.org/10.1353/mar.2018.0063

Domain: Eukarya
Leah Poole Osowski
pp. 436-437
DOI: https://doi.org/10.1353/mar.2018.0064

Ruben
Gabriella Kuruvilla, Victoria Offredi Poletto, Giovanna Bellesia Contuzzi
pp. 438-446
DOI: https://doi.org/10.1353/mar.2018.0065

Gen XX
Caitlin O'Neil
pp. 447-454
DOI: https://doi.org/10.1353/mar.2018.0066

The Pharmacist's DreamWhere Charles Fourier Meets Gustave Flaubert
Laure Katsaros
pp. 455-467
DOI: https://doi.org/10.1353/mar.2018.0067

All This Fiddle, and: Pensées
Michael Lavers
pp. 468-469
DOI: https://doi.org/10.1353/mar.2018.0068

In the Other Window, and: That Which Is Only Visible When the Wind Brings It
Concha Garci'a, Allison Hutchcraft, Juan Meneses
pp. 470-471
DOI: https://doi.org/10.1353/mar.2018.0069

Departure: Phoenix, United States of America, 2019
M. L. Martin
p. 472
DOI: https://doi.org/10.1353/mar.2018.0070

Hate Is What We Need
Ward Schumaker
pp. 473-484
DOI: https://doi.org/10.1353/mar.2018.0071

Cached
Rosa Lane
p. 485
DOI: https://doi.org/10.1353/mar.2018.0072

Portrait of the Woman as Blood, and: The Blood and the Lamb
Emma Bolden
pp. 486-487
DOI: https://doi.org/10.1353/mar.2018.0073

The Test: Western Civilization
Devon Miller-Duggan
pp. 488-489
DOI: https://doi.org/10.1353/mar.2018.0074

Alone in the Center: Brynhild and Brünnhilde
Robert Crossley
pp. 490-504
DOI: https://doi.org/10.1353/mar.2018.0075

Walking her into the beautiful night
Dennis Finnell
pp. 505-506
DOI: https://doi.org/10.1353/mar.2018.0076

Everything Is Fine
John Baum
pp. 507-524
DOI: https://doi.org/10.1353/mar.2018.0077

Thanksgiving at Mom's, That
Benjamin S. Grossberg
pp. 525-526
DOI: https://doi.org/10.1353/mar.2018.0078

Parade
Laura Willwerth
pp. 527-535
DOI: https://doi.org/10.1353/mar.2018.0079

Ephemeris
Stuart Greenhouse
pp. 536-537
DOI: https://doi.org/10.1353/mar.2018.0080

Journal of a Cyclops
Eric Schlich
pp. 538-551
DOI: https://doi.org/10.1353/mar.2018.0081

Ownership of Sight
Christopher Kondrich
pp. 552-553
DOI: https://doi.org/10.1353/mar.2018.0082

Yesterday I Saw a Small Snake Holding Still
Christopher Citro
p. 554
DOI: https://doi.org/10.1353/mar.2018.0083

Chalice
Michael Hurley
p. 555
DOI: https://doi.org/10.1353/mar.2018.0084

Only Light, All the Time
Mika Seifert
pp. 556-562
DOI: https://doi.org/10.1353/mar.2018.0085

All Ink and Metal
Jill Maio
pp. 563-570
DOI: https://doi.org/10.1353/mar.2018.0086

Welcome to Guardian Angel School
Jody Winer
p. 571
DOI: https://doi.org/10.1353/mar.2018.0087

Notes on Contributors
pp. 572-575
DOI: https://doi.org/10.1353/mar.2018.0088

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