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Table of Contents

  1. Introduction
  2. Jim Hicks
  3. pp. 192-193
  4. DOI: https://doi.org/10.1353/mar.2018.0026
  5. restricted access
  1. An artist's statement, and: Unto the breach, and: The roots of geometry
  2. Bob Hicok
  3. pp. 194-197
  4. DOI: https://doi.org/10.1353/mar.2018.0027
  5. restricted access
  1. Split Screen
  2. Pete Duval
  3. pp. 198-201
  4. DOI: https://doi.org/10.1353/mar.2018.0028
  5. restricted access
  1. Sound and Fury: Kamila Shamsie's Home Fire
  2. Claire Chambers
  3. pp. 202-219
  4. DOI: https://doi.org/10.1353/mar.2018.0029
  5. restricted access
  1. In Every Room a Different Journey
  2. Ortsion Bartana, Hana Inbar, Robert Manaster
  3. p. 220
  4. DOI: https://doi.org/10.1353/mar.2018.0030
  5. restricted access
  1. "Come See Us at Kolyma!"
  2. Geneviève Piron, Jay Milton
  3. pp. 221-236
  4. DOI: https://doi.org/10.1353/mar.2018.0031
  5. restricted access
  1. The Expat
  2. Mhani Alaoui
  3. pp. 237-244
  4. DOI: https://doi.org/10.1353/mar.2018.0032
  5. restricted access
  1. If I Don't Come Back, Don't Look for Me
  2. Mirfet Piccolo, Anne Milano Appel
  3. pp. 245-252
  4. DOI: https://doi.org/10.1353/mar.2018.0033
  5. restricted access
  1. Down with Negroes!… And Others
  2. Gerald Williams
  3. pp. 253-267
  4. DOI: https://doi.org/10.1353/mar.2018.0034
  5. restricted access
  1. Barter
  2. Peggy O'Brien
  3. p. 268
  4. DOI: https://doi.org/10.1353/mar.2018.0035
  5. restricted access
  1. The Other Woman
  2. Courtney Queeney
  3. p. 269
  4. DOI: https://doi.org/10.1353/mar.2018.0036
  5. restricted access
  1. Sixth Year: Iron
  2. Elizabeth Knapp
  3. p. 270
  4. DOI: https://doi.org/10.1353/mar.2018.0037
  5. restricted access
  1. The President and the Poet
  2. Roger Mills
  3. pp. 271-280
  4. DOI: https://doi.org/10.1353/mar.2018.0038
  5. restricted access
  1. Fiat homo: Redeeming Frost via Nietzsche
  2. Joel Westerdale
  3. pp. 281-288
  4. DOI: https://doi.org/10.1353/mar.2018.0039
  5. restricted access
  1. Art by Panteha Abareshi
  3. pp. 289-296
  4. DOI: https://doi.org/10.1353/mar.2018.0040
  5. restricted access
  1. Some Curious End
  2. Stacy Gnall
  3. p. 297
  4. DOI: https://doi.org/10.1353/mar.2018.0041
  5. restricted access
  1. Self-portrait with Asian Carp and Mississippi
  2. Clayton Adam Clark
  3. pp. 298-299
  4. DOI: https://doi.org/10.1353/mar.2018.0042
  5. restricted access
  1. Iguana Iguana
  2. Rebecca Foust
  3. pp. 300-311
  4. DOI: https://doi.org/10.1353/mar.2018.0043
  5. restricted access
  1. Dreamgirl
  2. Judson Merrill
  3. pp. 312-326
  4. DOI: https://doi.org/10.1353/mar.2018.0044
  5. restricted access
  1. The Melting Children
  2. Max Berwald
  3. pp. 327-332
  4. DOI: https://doi.org/10.1353/mar.2018.0045
  5. restricted access
  1. Seedlings in the Bukhara
  2. Sarah Rose Cadorette
  3. pp. 333-340
  4. DOI: https://doi.org/10.1353/mar.2018.0046
  5. restricted access
  1. At age 10, I showcase my ability at blowing spit bubbles
  2. Andy Sia
  3. p. 341
  4. DOI: https://doi.org/10.1353/mar.2018.0047
  5. restricted access
  1. Impermeable Material Suit
  2. Katie Willingham
  3. pp. 342-343
  4. DOI: https://doi.org/10.1353/mar.2018.0048
  5. restricted access
  1. Therapeutic Recreation
  2. Molly Quinn
  3. pp. 344-351
  4. DOI: https://doi.org/10.1353/mar.2018.0049
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  1. Jersey Bruiser
  2. H.R. Webster
  3. p. 352
  4. DOI: https://doi.org/10.1353/mar.2018.0050
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  1. How It's Done
  2. Dave DeRicco
  3. pp. 353-362
  4. DOI: https://doi.org/10.1353/mar.2018.0051
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  1. Boxes
  2. Charles Swift
  3. pp. 363-373
  4. DOI: https://doi.org/10.1353/mar.2018.0052
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  1. On the Origin of Poetry, and: Notes Toward a Future Suicide
  2. Jonathan Weinert
  3. pp. 374-375
  4. DOI: https://doi.org/10.1353/mar.2018.0053
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  1. Dismal Levels
  2. James Haug
  3. p. 376
  4. DOI: https://doi.org/10.1353/mar.2018.0054
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  1. Notes on Contributors
  3. pp. 379-381
  4. DOI: https://doi.org/10.1353/mar.2018.0055
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