Issue Cover

From: American Music

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restricted access   Volume 35, Number 4, Winter 2017

Table of Contents

Special Issue: Music and the 2016 U.S. Presidential Campaign

Guest Editors: Sally Bick and Dana Gorzelany-Mostak

Guest Editors’ Introduction

pp. 413-417
Sally Bick, Dana Gorzelany-Mostak
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Colloquy

Representational Bind: Why Campaign Music Often Fails

pp. 418-427
Justin Patch
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Politics as Musiticking

pp. 428-434
Brian Barone
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Do You Hear the People Sing?: Theater and Theatricality in the Trump Campaign

pp. 435-445
Naomi Graber
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The Unconventional Music of the Democratic and Republican National Conventions of 2016

pp. 446-466
James Deaville
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Hearing Jackie Evancho in the Age of Donald Trump

pp. 467-477
Dana Gorzelany-Mostak
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Party Politics: Ideology and Musical Performance at Donald Trump’s Inaugural Celebration

pp. 478-489
Dan Blim
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The Copyright Conflict between Musicians and Political Campaigns Spins Around Again

pp. 490-500
Danwill D. Schwender
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Roundtable

Tracking the Pitch: A Roundtable on Campaign Advertising in 2016

pp. 501-516
James Deaville, Glenn W. Richardson Jr., Travis Ridout, Michael Kennedy, Elissa Harbert, Travis Gosa
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Pedagogy

Hearing across Party Lines: Music in U.S. Presidential Commercials

pp. 517-523
Joanna Love
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Teaching the 2016 Campaign through the Art of Parody

pp. 524-530
Kassie Kelly, Dana Gorzelany-Mostak
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Trax on the Trail in the Interdisciplinary Liberal Arts Classroom

pp. 531-536
Laura Moore Pruett, Anne Boxberger Flaherty
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Book Reviews

Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music by Kirsten Dyck, and: Trendy Fascism: White Power Music and the Future of Democracy by Nancy S. Love (review)

pp. 537-545
Timothy Engles
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Stephen Sondheim and the Reinvention of the American Musical by Robert L. McLaughlin (review)

pp. 545-548
Stephen Banfield
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Depression Folk: Grassroots Music and Left-Wing Politics in 1930s America by Ronald D. Cohen (review)

pp. 548-552
Mark Davidson
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