In this Issue

Table of Contents

Guest Editors’ Introduction

Sally Bick, Dana Gorzelany-Mostak
pp. 413-417
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Representational Bind: Why Campaign Music Often Fails

Justin Patch
pp. 418-427
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Politics as Musiticking

Brian Barone
pp. 428-434
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Do You Hear the People Sing?: Theater and Theatricality in the Trump Campaign

Naomi Graber
pp. 435-445
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The Unconventional Music of the Democratic and Republican National Conventions of 2016

James Deaville
pp. 446-466
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Hearing Jackie Evancho in the Age of Donald Trump

Dana Gorzelany-Mostak
pp. 467-477
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Party Politics: Ideology and Musical Performance at Donald Trump’s Inaugural Celebration

Dan Blim
pp. 478-489
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The Copyright Conflict between Musicians and Political Campaigns Spins Around Again

Danwill D. Schwender
pp. 490-500
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Tracking the Pitch: A Roundtable on Campaign Advertising in 2016

James Deaville, Glenn W. Richardson Jr., Travis Ridout, Michael Kennedy, Elissa Harbert, Travis Gosa
pp. 501-516
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Hearing across Party Lines: Music in U.S. Presidential Commercials

Joanna Love
pp. 517-523
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Teaching the 2016 Campaign through the Art of Parody

Kassie Kelly, Dana Gorzelany-Mostak
pp. 524-530
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Trax on the Trail in the Interdisciplinary Liberal Arts Classroom

Laura Moore Pruett, Anne Boxberger Flaherty
pp. 531-536
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Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music by Kirsten Dyck, and: Trendy Fascism: White Power Music and the Future of Democracy by Nancy S. Love (review)

Timothy Engles
pp. 537-545
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Stephen Sondheim and the Reinvention of the American Musical by Robert L. McLaughlin (review)

Stephen Banfield
pp. 545-548
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Depression Folk: Grassroots Music and Left-Wing Politics in 1930s America by Ronald D. Cohen (review)

Mark Davidson
pp. 548-552
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