1. Guest Editors’ Introduction
  2. Sally Bick, Dana Gorzelany-Mostak
  3. pp. 413-417
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  1. Representational Bind: Why Campaign Music Often Fails
  2. Justin Patch
  3. pp. 418-427
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  1. Politics as Musiticking
  2. Brian Barone
  3. pp. 428-434
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  1. Do You Hear the People Sing?: Theater and Theatricality in the Trump Campaign
  2. Naomi Graber
  3. pp. 435-445
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  1. The Unconventional Music of the Democratic and Republican National Conventions of 2016
  2. James Deaville
  3. pp. 446-466
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  1. Hearing Jackie Evancho in the Age of Donald Trump
  2. Dana Gorzelany-Mostak
  3. pp. 467-477
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  1. Party Politics: Ideology and Musical Performance at Donald Trump’s Inaugural Celebration
  2. Dan Blim
  3. pp. 478-489
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  1. The Copyright Conflict between Musicians and Political Campaigns Spins Around Again
  2. Danwill D. Schwender
  3. pp. 490-500
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  1. Tracking the Pitch: A Roundtable on Campaign Advertising in 2016
  2. James Deaville, Glenn W. Richardson Jr., Travis Ridout, Michael Kennedy, Elissa Harbert, Travis Gosa
  3. pp. 501-516
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  1. Hearing across Party Lines: Music in U.S. Presidential Commercials
  2. Joanna Love
  3. pp. 517-523
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  1. Teaching the 2016 Campaign through the Art of Parody
  2. Kassie Kelly, Dana Gorzelany-Mostak
  3. pp. 524-530
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  1. Trax on the Trail in the Interdisciplinary Liberal Arts Classroom
  2. Laura Moore Pruett, Anne Boxberger Flaherty
  3. pp. 531-536
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  1. Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music by Kirsten Dyck, and: Trendy Fascism: White Power Music and the Future of Democracy by Nancy S. Love (review)
  2. Timothy Engles
  3. pp. 537-545
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  1. Stephen Sondheim and the Reinvention of the American Musical by Robert L. McLaughlin (review)
  2. Stephen Banfield
  3. pp. 545-548
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  1. Depression Folk: Grassroots Music and Left-Wing Politics in 1930s America by Ronald D. Cohen (review)
  2. Mark Davidson
  3. pp. 548-552
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