In this Issue
American Music publishes articles on American composers, performers, publishers, institutions, events, and the music industry, as well as book and recording reviews, bibliographies, and discographies. Article topics have included the lyricism of Charles Ives, Henry Cowell's "sliding tones," Bernstein's Trouble in Tahiti, Henry Brant's "Spatial Music," the reception and transformation of pop icons such as Presley and Sinatra, and the history and analysis of blues, jazz, folk music, and mixed and emerging musical styles.
published by
University of Illinois Pressviewing issue
Volume 35, Number 4, Winter 2017Table of Contents

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View Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music by Kirsten Dyck, and: Trendy Fascism: White Power Music and the Future of Democracy by Nancy S. Love (review)
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Download Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music by Kirsten Dyck, and: Trendy Fascism: White Power Music and the Future of Democracy by Nancy S. Love (review)
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View Stephen Sondheim and the Reinvention of the American Musical by Robert L. McLaughlin (review)
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View Depression Folk: Grassroots Music and Left-Wing Politics in 1930s America by Ronald D. Cohen (review)
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ISSN | 1945-2349 |
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Print ISSN | 0734-4392 |
Launched on MUSE | 2018-05-01 |
Open Access | No |