1. Editor's Introduction: Special Issue on Silent Film Music
  2. Gayle Magee
  3. pp. 1-2
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  1. Movies at the Met? Space and Meaning in Early Film Screenings
  2. Erin M. Brooks
  3. pp. 3-45
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  1. Grand Ideas and Second Thoughts: Lessons from George Colburn's Personal Score to Antony and Cleopatra (Cines-Kleine, 1914)
  2. James M. Doering
  3. pp. 46-69
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  1. Silent Westerns: Hugo Riesenfeld's Compiled Score for The Covered Wagon (1923)
  2. Mariana Whitmer
  3. pp. 70-101
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  1. Scoring The Vanishing American (1925) in the American West
  2. Allison Robbins
  3. pp. 102-132
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