+ MUSE Alert

In this Issue

Table of Contents

  1. The Theater or the Schoolhouse?: The Social Center, the Model Picture Show, and the Logic of Counterattractions
  2. Martin L. Johnson
  3. pp. 1-31
  4. DOI: https://doi.org/10.2979/filmhistory.29.4.01
  5. restricted access
  1. On Deadline and Reviewed in Pieces: The Miracle of Morgan’s Creek and the Production Code Administration
  2. Michael Slowik
  3. pp. 32-58
  4. DOI: https://doi.org/10.2979/filmhistory.29.4.02
  5. restricted access
  1. Defining Homosexual Love Stories: Pat Rocco, Categorization, and the Legitimation of Gay Narrative Film
  2. Bryan Wuest
  3. pp. 59-88
  4. DOI: https://doi.org/10.2979/filmhistory.29.4.03
  5. restricted access
  1. Picturing “the Tightest Little Tyranny in the Caribbean”: The March of Time and a 1936 United States–Dominican Diplomatic Crisis
  2. Naida García-Crespo
  3. pp. 89-111
  4. restricted access
  1. Not a Betting Man: Stanford, Muybridge, and the Palo Alto Wager Myth
  2. Allain Daigle
  3. pp. 112-130
  4. DOI: https://doi.org/10.2979/filmhistory.29.4.05
  5. restricted access
  1. Brandon Films’ World Film Festival Brochure, circa 1962
  2. Tanya Goldman
  3. pp. 131-156
  4. DOI: https://doi.org/10.2979/filmhistory.29.4.06
  5. restricted access
  1. Motion Pictures: A Problem to Be Co-operatively Solved
  2. Martin L. Johnson
  3. pp. 157-166
  4. DOI: https://doi.org/10.2979/filmhistory.29.4.07
  5. restricted access
  1. Recent Books in Film History
  3. pp. 167-175
  4. restricted access