In this Issue

Table of Contents

Introduction: Toward a Global History of Amateur Film Practices and Institutions

Masha Salazkina, Enrique Fibla-Gutierrez
pp. v-xxiii
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A Vernacular National Cinema: Amateur Filmmaking in Catalonia (1932–1936)

Enrique Fibla-Gutierrez
pp. 1-29
DOI: https://doi.org/10.2979/filmhistory.30.1.02
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The Cineguf Years: Amateur Cinema and the Shaping of a Film Avant-Garde in Fascist Italy (1934–1943)

Andrea Mariani
pp. 30-57
DOI: https://doi.org/10.2979/filmhistory.30.1.03
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"A Recognized Screen": The New York Annual Movie Parties from Parlor to Public

Charles Tepperman
pp. 58-85
DOI: https://doi.org/10.2979/filmhistory.30.1.04
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The Cinema Section of Foto Cine Clube Bandeirante: Ideals and Reality of Amateur Film Production in São Paulo, Brazil

Lila Foster
pp. 86-113
DOI: https://doi.org/10.2979/filmhistory.30.1.05
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Artists as Amateurs: Intersections of Nonprofessional Film Production and Neo-Avant-Garde Experimentation at the Balázs Béla Stúdió in the Early 1970s

Sonja Simonyi
pp. 114-137
DOI: https://doi.org/10.2979/filmhistory.30.1.06
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The Little Devil Comes Home: Video, the State, and Amateur Cinema in Iran

Blake Atwood
pp. 138-167
DOI: https://doi.org/10.2979/filmhistory.30.1.07
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Translated Original text with Introduction

Masha Salazkina, Enrique Fibla-Gutierrez
pp. 168-182
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Shakespearean Star: Laurence Olivier and National Cinema by Jennifer Barnes (review)

p. 183
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Making Believe: Screen Performance and Special Effects in Popular Cinema by Lisa Bode (review)

p. 184
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Reconstructing Strangelove: Inside Stanley Kubrick's "Nightmare Comedy" by Mick Broderick (review)

p. 185
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Showing and Telling: Film Heritage Institutes and Their Performance of Public Accountability by Nico de Klerk (review)

p. 186
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Promises of Citizenship: Film Recruitment of African Americans in World War II by Kathleen M. German (review)

p. 187
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William Faulkner at Twentieth Century-Fox: The Annotated Screenplays by Sarah Gleeson-White (review)

p. 188
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Film Is Like a Battleground: Sam Fuller's War Movies by Marsha Gordon (review)

p. 189
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Fade In, Crossroads: A History of the Southern Cinema by Robert Jackson (review)

p. 190
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Cinema Beyond the City: Small-Town and Rural Film Culture in Europe eds. by Judith Thissen and Clemens Zimmermann (review)

p. 191
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