In this Issue
Film History focuses on the historical development of the motion picture and the social, technological, and economic context in which this has occurred. Its areas of interest range from the technical and entrepreneurial innovations of the early and pre-cinema experiments, through all aspects of the production, distribution, exhibition, and reception of commercial and non-commercial motion pictures.
published by
Indiana University Pressviewing issue
Volume 30, Number 1, Spring 2018Table of Contents
The Cineguf Years: Amateur Cinema and the Shaping of a Film Avant-Garde in Fascist Italy (1934–1943)

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View The Cinema Section of Foto Cine Clube Bandeirante: Ideals and Reality of Amateur Film Production in São Paulo, Brazil
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View Artists as Amateurs: Intersections of Nonprofessional Film Production and Neo-Avant-Garde Experimentation at the Balázs Béla Stúdió in the Early 1970s
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View Making Believe: Screen Performance and Special Effects in Popular Cinema by Lisa Bode (review)
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View Reconstructing Strangelove: Inside Stanley Kubrick's "Nightmare Comedy" by Mick Broderick (review)
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View Showing and Telling: Film Heritage Institutes and Their Performance of Public Accountability by Nico de Klerk (review)
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View Promises of Citizenship: Film Recruitment of African Americans in World War II by Kathleen M. German (review)
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William Faulkner at Twentieth Century-Fox: The Annotated Screenplays by Sarah Gleeson-White (review)

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View Cinema Beyond the City: Small-Town and Rural Film Culture in Europe eds. by Judith Thissen and Clemens Zimmermann (review)
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ISSN | 1553-3905 |
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Print ISSN | 0892-2160 |
Launched on MUSE | 2018-06-23 |
Open Access | No |