1. Introduction: Toward a Global History of Amateur Film Practices and Institutions
  2. Masha Salazkina, Enrique Fibla-Gutierrez
  3. pp. v-xxiii
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  1. A Vernacular National Cinema: Amateur Filmmaking in Catalonia (1932–1936)
  2. Enrique Fibla-Gutierrez
  3. pp. 1-29
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  1. The Cineguf Years: Amateur Cinema and the Shaping of a Film Avant-Garde in Fascist Italy (1934–1943)
  2. Andrea Mariani
  3. pp. 30-57
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  1. "A Recognized Screen": The New York Annual Movie Parties from Parlor to Public
  2. Charles Tepperman
  3. pp. 58-85
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  1. The Cinema Section of Foto Cine Clube Bandeirante: Ideals and Reality of Amateur Film Production in São Paulo, Brazil
  2. Lila Foster
  3. pp. 86-113
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  1. The Little Devil Comes Home: Video, the State, and Amateur Cinema in Iran
  2. Blake Atwood
  3. pp. 138-167
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  1. Translated Original text with Introduction
  2. Masha Salazkina, Enrique Fibla-Gutierrez
  3. pp. 168-182
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  1. Shakespearean Star: Laurence Olivier and National Cinema by Jennifer Barnes (review)
  2. p. 183
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  1. Making Believe: Screen Performance and Special Effects in Popular Cinema by Lisa Bode (review)
  2. p. 184
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  1. Reconstructing Strangelove: Inside Stanley Kubrick's "Nightmare Comedy" by Mick Broderick (review)
  2. p. 185
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  1. Showing and Telling: Film Heritage Institutes and Their Performance of Public Accountability by Nico de Klerk (review)
  2. p. 186
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  1. Promises of Citizenship: Film Recruitment of African Americans in World War II by Kathleen M. German (review)
  2. p. 187
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  1. William Faulkner at Twentieth Century-Fox: The Annotated Screenplays by Sarah Gleeson-White (review)
  2. p. 188
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  1. Film Is Like a Battleground: Sam Fuller's War Movies by Marsha Gordon (review)
  2. p. 189
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  1. Fade In, Crossroads: A History of the Southern Cinema by Robert Jackson (review)
  2. p. 190
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  1. Cinema Beyond the City: Small-Town and Rural Film Culture in Europe eds. by Judith Thissen and Clemens Zimmermann (review)
  2. p. 191
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