In this Issue

Table of Contents

The Theater or the Schoolhouse?: The Social Center, the Model Picture Show, and the Logic of Counterattractions

Martin L. Johnson
pp. 1-31
DOI: https://doi.org/10.2979/filmhistory.29.4.01
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On Deadline and Reviewed in Pieces: The Miracle of Morgan’s Creek and the Production Code Administration

Michael Slowik
pp. 32-58
DOI: https://doi.org/10.2979/filmhistory.29.4.02
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Defining Homosexual Love Stories: Pat Rocco, Categorization, and the Legitimation of Gay Narrative Film

Bryan Wuest
pp. 59-88
DOI: https://doi.org/10.2979/filmhistory.29.4.03
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Picturing “the Tightest Little Tyranny in the Caribbean”: The March of Time and a 1936 United States–Dominican Diplomatic Crisis

Naida García-Crespo
pp. 89-111
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Not a Betting Man: Stanford, Muybridge, and the Palo Alto Wager Myth

Allain Daigle
pp. 112-130
DOI: https://doi.org/10.2979/filmhistory.29.4.05
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Ephemerata

Brandon Films’ World Film Festival Brochure, circa 1962

Tanya Goldman
pp. 131-156
DOI: https://doi.org/10.2979/filmhistory.29.4.06
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Added Attractions

Motion Pictures: A Problem to Be Co-operatively Solved

Martin L. Johnson
pp. 157-166
DOI: https://doi.org/10.2979/filmhistory.29.4.07
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Recent Books in Film History

pp. 167-175
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