1. Writing at the Edge of Time
  2. Bonnie Marranca
  3. pp. 1-2
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  1. Experimental Theatre Then and Now
  2. Sam Shepard
  3. pp. 3-4
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  1. Copy, Transform, Combine
  2. Anne Bogart
  3. pp. 5-10
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  1. The First Non-Human Action Artist: Charlotte Moorman and Nam June Paik in Robot Opera
  2. Sophie Landres
  3. pp. 11-25
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  1. Afternoon at the Villa Panza
  2. Bonnie Marranca
  3. pp. 26-30
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  1. Spider Music
  2. David Rothenberg, Tomás Saraceno
  3. pp. 31-36
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  1. Death in Silhouette
  2. Benjamin Gillespie
  3. pp. 37-42
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  1. 3-D Opera
  2. Ellen Pearlman
  3. pp. 43-46
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  1. Elegy for the Anthropocene
  2. Jessica Rizzo
  3. pp. 47-53
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  1. The Eyes of the City
  2. Richard Sandler
  3. pp. 54-60
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  1. Gendered Bodies: Bruce Nauman Meets Meredith Monk
  2. Michael Maizels
  3. pp. 61-73
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  1. Jefferson Pinder and the Art of Black Endurance
  2. Isaiah Matthew Wooden
  3. pp. 74-82
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  1. Philosophical Tales
  2. Piet Defraeye
  3. pp. 83-86
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  1. The Last Tragedy
  2. Pieter De Buysser, Piet Defraeye, Mike Devos
  3. pp. 87-93
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  1. Engaging Media in Performance
  2. David Owen
  3. pp. 94-97
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  1. Imagined Theatres: Writing for a Theoretical Stage ed. by Daniel Sack (review)
  2. Melanie Bennett
  3. pp. 98-99
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  1. Trisha Brown: Choreography as Visual Art 1962–1987 by Susan Rosenberg (review)
  2. Iréne Hultman
  3. pp. 100-101
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