In this Issue
Formerly Performing Arts Journal, through volume 19, no. 3, September 1997 (E-ISSN: 1086-3281, Print ISSN: 0735-8393).
Under continuous editorship since its founding in 1976, PAJ has been an influential voice in the arts for twenty-six years. Now in an updated format and design, PAJ offers extended coverage of the visual arts (such as video, installations, photography, and multimedia performance), in addition to reviews of new works in theatre, dance, film, and opera. Issues include artists' writings, essays, interviews and dialogues, historical documentation, performance texts and plays, reports on performance abroad, and book reviews.
published by
The MIT Pressviewing issue
Volume 40, Number 2, May 2018 (PAJ 119)Table of Contents
- Richard III in the Era of Trump
- pp. 1-12
- Thinking/Drawing/Dancing
- pp. 25-27
- Drawing Clarification
- pp. 34-37
- Self-Portraiture/Self-Prompt
- pp. 38-41
- Drawing the Language of Dance
- pp. 42-45
- What's My Line?
- pp. 46-49
- Process Notation
- pp. 50-53
- Movement Engineer
- pp. 66-71
- Atlas of the Gesture
- pp. 72-77
- Scorched Earth
- pp. 90-93
- Black Political Breathwork
- pp. 94-97
- Memory Divided
- p. 107
- Reconsidering Archives and Performance
- pp. 133-137
Previous Issue
Additional Information
ISSN
1537-9477
Print ISSN
1520-281X
Launched on MUSE
2018-05-12
Open Access
No
Copyright
Copyright © Performing Arts Journal, Inc and its authors.
