In this Issue

Table of Contents

Writing at the Edge of Time

Bonnie Marranca
pp. 1-2
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Experimental Theatre Then and Now

Sam Shepard
pp. 3-4
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Copy, Transform, Combine

Anne Bogart
pp. 5-10
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The First Non-Human Action Artist: Charlotte Moorman and Nam June Paik in Robot Opera

Sophie Landres
pp. 11-25
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Afternoon at the Villa Panza

Bonnie Marranca
pp. 26-30
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Spider Music

David Rothenberg, Tomás Saraceno
pp. 31-36
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Art & Performance Notes

Death in Silhouette

Benjamin Gillespie
pp. 37-42
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3-D Opera

Ellen Pearlman
pp. 43-46
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Elegy for the Anthropocene

Jessica Rizzo
pp. 47-53
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The Eyes of the City

Richard Sandler
pp. 54-60
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Gendered Bodies: Bruce Nauman Meets Meredith Monk

Michael Maizels
pp. 61-73
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Jefferson Pinder and the Art of Black Endurance

Isaiah Matthew Wooden
pp. 74-82
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Play

Philosophical Tales

Piet Defraeye
pp. 83-86
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The Last Tragedy

Pieter De Buysser, Piet Defraeye, Mike Devos
pp. 87-93
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Books & Company

Engaging Media in Performance

David Owen
pp. 94-97
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Short Reviews

Imagined Theatres: Writing for a Theoretical Stage ed. by Daniel Sack (review)

Melanie Bennett
pp. 98-99
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Trisha Brown: Choreography as Visual Art 1962–1987 by Susan Rosenberg (review)

Iréne Hultman
pp. 100-101
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