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In this Issue

Table of Contents

From the Editor

  1. Shakespeare Quarterly's New Digital Space
  2. Gail Kern Paster
  3. pp. 399-400
  4. DOI: https://doi.org/10.1353/shq.2016.0052
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Foreword

  1. #Bard: "And noble offices thou mayst effect of mediation"
  2. Douglas M. Lanier
  3. pp. 401-407
  4. DOI: https://doi.org/10.1353/shq.2016.0053
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Essays

  1. "A whole theater of others": Amateur Acting and Immersive Spectatorship in the Digital Shakespeare Game Play the Knave
  2. Gina Bloom, Sawyer Kemp, Nicholas Toothman, Evan Buswell
  3. pp. 408-430
  4. DOI: https://doi.org/10.1353/shq.2016.0054
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  1. Essentializing Shakespeare in the Shakespeare Aftermath: Dmitry Krymov's Midsummer Night's Dream (As You Like It), Matías Piñeiro's Viola, and Annie Dorsen's Piece of Work: A Machine-Made Hamlet
  2. Thomas Cartelli
  3. pp. 431-456
  4. DOI: https://doi.org/10.1353/shq.2016.0055
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  1. The Shakespeare Cinemacast: Coriolanus
  2. Michael D. Friedman
  3. pp. 457-480
  4. DOI: https://doi.org/10.1353/shq.2016.0056
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  1. Intermediating the Book Beautiful: Shakespeare at the Doves Press
  2. Sujata Iyengar
  3. pp. 481-502
  4. DOI: https://doi.org/10.1353/shq.2016.0057
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  1. Ana and Mia: Ophelia on the Web
  2. Remedios Perni
  3. pp. 503-514
  4. DOI: https://doi.org/10.1353/shq.2016.0058
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Book Reviews

  1. The Media Players: Shakespeare, Middleton, Jonson, and the Idea of News by Stephen Wittek (review)
  2. Sheila T. Cavanagh
  3. pp. 515-516
  4. DOI: https://doi.org/10.1353/shq.2016.0059
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  1. Shakespeare and Ecocritical Theory by Gabriel Egan, and: Shakespeare and Ecology by Randall Martin, and: Shakespeare and the Natural World by Tom MacFaul (review)
  2. Rebecca Totaro
  3. pp. 517-520
  4. DOI: https://doi.org/10.1353/shq.2016.0060
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  1. This Distracted Globe: Worldmaking in Early Modern Literature ed. by Marcie Frank, Jonathan Goldberg, and Karen Newman (review)
  2. James M. Bromley
  3. pp. 520-522
  4. DOI: https://doi.org/10.1353/shq.2016.0063
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  1. Practicing the City: Early Modern London on Stage by Nina Levine, and: Sensory Experience and the Metropolis on the Jacobean Stage (1603–1625) by Hristomir A. Stanev (review)
  2. Anita Gilman Sherman
  3. pp. 522-524
  4. DOI: https://doi.org/10.1353/shq.2016.0061
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  1. Renaissance Posthumanism ed. by Joseph Campana and Scott Maisano, and: Shakespeare's Extremes: Wild Man, Monster, Beast by Jiménez Heffernan (review)
  2. Karen Raber
  3. pp. 525-527
  4. DOI: https://doi.org/10.1353/shq.2016.0062
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  1. Shakespeare and the Power of the Face ed. by James A. Knapp (review)
  2. Coppélia Kahn
  3. pp. 527-529
  4. DOI: https://doi.org/10.1353/shq.2016.0065
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  1. The Reformation of Emotions in the Age of Shakespeare by Steven Mullaney (review)
  2. Allison P. Hobgood
  3. pp. 529-531
  4. DOI: https://doi.org/10.1353/shq.2016.0064
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  1. Recipes for Thought: Knowledge and Taste in the Early Modern English Kitchen by Wendy Wall (review)
  2. Rebecca Laroche
  3. pp. 531-533
  4. DOI: https://doi.org/10.1353/shq.2016.0069
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  1. The Reader in the Book: A Study of Spaces and Traces by Stephen Orgel (review)
  2. Jean-Christophe Mayer
  3. pp. 533-534
  4. DOI: https://doi.org/10.1353/shq.2016.0070
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  1. The Poetics of Piracy: Emulating Spain in English Literature by Barbara Fuchs (review)
  2. Clara Calvo
  3. pp. 535-537
  4. DOI: https://doi.org/10.1353/shq.2016.0066
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  1. Shakespeare and Classical Antiquity by Colin Burrow (review)
  2. Nicholas Moschovakis
  3. pp. 537-541
  4. DOI: https://doi.org/10.1353/shq.2016.0067
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  1. Free Will: Art and Power on Shakespeare's Stage by Richard Wilson (review)
  2. Amir Khan
  3. pp. 541-542
  4. DOI: https://doi.org/10.1353/shq.2016.0068
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  1. Contributors
  3. pp. 543-547
  4. DOI: https://doi.org/10.1353/shq.2016.0071
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  1. Volume 67 Contents
  3. pp. 549-553
  4. DOI: https://doi.org/10.1353/shq.2016.0072
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