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Table of Contents

  1. “Unlawfully published”: Libels and the Public Sphere in Titus Andronicus
  2. Joseph Mansky
  3. pp. 293-318
  4. DOI: https://doi.org/10.1353/shq.2016.0038
  5. restricted access
  1. King Lear and the Uses of Mortification
  2. Giulio J. Pertile
  3. pp. 319-343
  4. DOI: https://doi.org/10.1353/shq.2016.0039
  5. restricted access
  1. A Scribbled Form: Shakespeare’s Missing Magna Carta
  2. Richard Wilson
  3. pp. 344-370
  4. DOI: https://doi.org/10.1353/shq.2016.0040
  5. restricted access
  1. A Will to Believe: Shakespeare and Religion by David Scott Kastan (review)
  2. Richard C. McCoy
  3. pp. 371-373
  4. DOI: https://doi.org/10.1353/shq.2016.0041
  5. restricted access
  1. The Storm at Sea: Political Aesthetics in the Time of Shakespeare by Christopher Pye (review)
  2. David Hawkes
  3. pp. 373-375
  4. DOI: https://doi.org/10.1353/shq.2016.0042
  5. restricted access
  1. Shakespeare’s Princes of Wales by Marisa R. Cull (review)
  2. Ronald J. Boling
  3. pp. 375-378
  4. DOI: https://doi.org/10.1353/shq.2016.0043
  5. restricted access
  1. Shakespeare in Québec: Nation, Gender, and Adaptation by Jennifer Drouin (review)
  2. Ric Knowles
  3. pp. 378-380
  4. DOI: https://doi.org/10.1353/shq.2016.0044
  5. restricted access
  1. Gender and Song in Early Modern England ed. by Leslie C. Dunn and Katherine R. Larson (review)
  2. Rochelle Smith
  3. pp. 385-388
  4. DOI: https://doi.org/10.1353/shq.2016.0047
  5. restricted access
  1. Women and Shakespeare in the Eighteenth Century by Fiona Ritchie (review)
  2. Tara Ghoshal Wallace
  3. pp. 388-390
  4. DOI: https://doi.org/10.1353/shq.2016.0048
  5. restricted access
  1. Shakespeare, Performance and the Archive by Barbara Hodgdon (review)
  2. Pascale Aebischer
  3. pp. 390-391
  4. DOI: https://doi.org/10.1353/shq.2016.0049
  5. restricted access
  1. Tales from Shakespeare: Creative Collisions by Graham Holderness (review)
  2. Christy Desmet
  3. pp. 392-394
  4. DOI: https://doi.org/10.1353/shq.2016.0050
  5. restricted access
  1. The Cambridge Introduction to Early Modern Drama, 1576–1642 by Julie Sanders (review)
  2. Matthew Steggle
  3. pp. 380-382
  4. DOI: https://doi.org/10.1353/shq.2016.0045
  5. restricted access
  1. Contributors
  2. pp. 395-397
  3. DOI: https://doi.org/10.1353/shq.2016.0051
  4. restricted access