1. Confessions of an Annotation-Note Writer
  2. David Bevington
  3. pp. 7-20
  4. DOI: 10.1353/shq.2017.0001
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  1. Moving Parts: Digital Modeling and the Infrastructures of Shakespeare Editing
  2. Alan Galey, Rebecca Niles
  3. pp. 21-55
  4. DOI: 10.1353/shq.2017.0002
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  1. Editing Shakespeare in Parts
  2. Sonia Massai
  3. pp. 56-79
  4. DOI: 10.1353/shq.2017.0003
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  1. Secret Arts and Public Spectacles: The Parameters of Elizabethan Magic
  2. Stephen Orgel
  3. pp. 80-91
  4. DOI: 10.1353/shq.2017.0004
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  1. Afterword
  2. Eric M. Johnson
  3. p. 92
  4. DOI: 10.1353/shq.2017.0005
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  1. Shakespeare's World of Words ed. by Paul Yachnin (review)
  2. Alysia Kolentsis
  3. pp. 93-95
  4. DOI: 10.1353/shq.2017.0006
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  1. The Year of Lear: Shakespeare in 1606 by James Shapiro (review)
  2. Kelsey Flynn
  3. pp. 96-98
  4. DOI: 10.1353/shq.2017.0012
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  1. The Great William: Writers Reading Shakespeare by Theodore Leinwand (review)
  2. Kenneth Gross
  3. pp. 98-100
  4. DOI: 10.1353/shq.2017.0011
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  1. Lincoln and Shakespeare by Michael Anderegg (review)
  2. John F. Andrews
  3. pp. 100-102
  4. DOI: 10.1353/shq.2017.0007
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  1. Clowning and Authorship in Early Modern Theatre by Richard Preiss (review)
  2. Robert Hornback
  3. pp. 106-108
  4. DOI: 10.1353/shq.2017.0014
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  1. Passionate Playgoing in Early Modern England by Allison P. Hobgood (review)
  2. Tanya Pollard
  3. pp. 108-110
  4. DOI: 10.1353/shq.2017.0008
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  1. The Masters of the Revels and Elizabeth I's Court Theatre by W. R. Streitberger (review)
  2. Paul Whitfield White
  3. pp. 110-111
  4. DOI: 10.1353/shq.2017.0009
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  1. Foreword
  2. Paul Werstine
  3. pp. 1-6
  4. DOI: 10.1353/shq.2017.0000
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  1. Contributors
  2. pp. 112-114
  3. DOI: 10.1353/shq.2017.0015
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