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In this Issue

Table of Contents

  1. Image
  3. p. 1
  4. restricted access
  1. Rebirth
  2. Kia Labeija
  3. pp. 2-3
  4. restricted access
  1. Announcements
  2. Richard Schechner, Mariellen R. Sandford
  3. pp. 8-9
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  1. Errata
  3. p. 9
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  1. Social Performance Studies: An Evolving Process of Endless Dualities
  2. William Huizhu Sun
  3. pp. 14-21
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  1. China’s Guangchang Wu: The Emergence, Choreography, and Management of Dancing in Public Squares
  2. Chiayi Seetoo, Haoping Zou
  3. pp. 22-49
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  1. Social Circus: The Cultural Politics of Embodying “Social Transformation”
  2. Jennifer Beth Spiegel
  3. pp. 50-67
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  1. Theatre, Community, and Development: The Performance Activism of the Castillo Theatre
  2. Dan Friedman
  3. pp. 68-91
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  1. Towards a New Cutting Edge: Where Avantgarde Meets Community Art
  2. Eugene van Erven
  3. pp. 92-107
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  1. Social Performance Training in China: Moving from a Monologue Culture to a Dialogue Culture
  2. Yongwen Peng
  3. pp. 108-117
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  1. A Sociological Consideration of Prayer and Agency
  2. Anna Sun
  3. pp. 118-129
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  1. Performance and Politics: President Obama’s Dramatic Reelection in 2012
  2. Jeffrey C. Alexander
  3. pp. 130-142
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  1. Sara (the smuggler): Choreographing a Transparent Archive
  2. Megan V. Nicely
  3. pp. 143-148
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  1. Opera and the Folds of Time in the Prototype Festival
  2. Gelsey Bell
  3. pp. 149-157
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  1. The Illuminated Theatre: Studies on the Suffering of Images by Joe Kelleher (review)
  2. Theron Schmidt
  3. pp. 158-159
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  1. The Builders Association: Performance and Media in Contemporary Theater by Shannon Jackson and Marianne Weems (review)
  2. Steve Luber
  3. pp. 160-162
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  1. Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century ed. by Atay Citron, Sharon Aronson-Lehavi, and David Zerbib (review)
  2. Paul Rae
  3. pp. 162-165
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  1. Shapeshifters: Black Girls and the Choreography of Citizenship by Aimee Meredith Cox (review)
  2. Danielle Bainbridge
  3. pp. 165-167
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  1. Arab American Drama, Film and Performance: A Critical Study, 1908 to the Present by Michael Malek Najjar (review)
  2. Edward Ziter
  3. pp. 167-169
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  1. Brecht on Theatre by Bertolt Brecht, and: Brecht on Performance: Messingkauf and Modelbooks by Bertolt Brecht (review)
  2. José Enrique Macián
  3. pp. 169-172
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  1. Poverty and Charity in Early Modern Theater and Performance by Robert Henke, and: Skin Acts: Race, Psychoanalysis, and the Black Male Performer by Michelle Ann Stephens, and: Queen for a Day: Transformistas, Beauty Queens, and the Performance of Femininity in Venezuela by Marcia Ochoa (review)
  2. Keary Watts
  3. pp. 173-174
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  1. Practical Jobs for Utopian Artists: (From the “Imaginary Activism” Series)
  2. Guillermo Gómez-Peña, Emma Tramposch
  3. pp. 10-13
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