In this Issue

Table of Contents

Who Knows

Tim Etchells
pp. 2-3
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Artaud and the Pentagon’s “Save the Sperm and Eggs” Program

Joel Schechter
pp. 8-9
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Masquerade for the Wounded

Koffi Kwahulé, Judith G. Miller
pp. 10-38
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Storytellers: The Factory’s Dramaturgy

Katalin Trencsényi
pp. 39-63
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Circling Up with The Assembly: A Theatre Collective Comes of Age

Cindy Rosenthal
pp. 64-95
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The Decision Dilemma: Academic Freedom in the Age of Monsanto

Diana Taylor
pp. 96-109
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Team Vicious: Four Sections and a Coda, or #BlackLivesMatter

Michael J. Morris
pp. 110-135
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Interoperable Performance Research: Promises and Perils of the Semantic Web

Miguel Escobar Varela
pp. 136-147
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Invisibility and Oscillation: The Processes of Looking in Eszter Salamon’s Nvsbl

Victoria Pérez Royo
pp. 148-159
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Message Send Failure: Site-Unspecificity in Plant Theater’s Dreams of Riley’s Friends; or, Why Won’t Riley Respond to My Texts?

T. Nikki Cesare Schotzko
pp. 160-165
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The Audience Is the Message: Blast Theory’s App-Drama Karen

Erin B. Mee
pp. 165-171
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Abstractions of Whiteness in Downtown Los Angeles: Ate9’s Kelev Lavan

Meghan Quinlan
pp. 171-177
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Mapping South Asia through Contemporary Theatre: Essays on the Theatres of India, Pakistan, Bangladesh, Nepal and Sri Lanka ed. by Ashis Sengupta (review)

Claire Pamment
pp. 178-180
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Theatre of the Real by Carol Martin (review)

Alisa Solomon
pp. 180-182
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What a Body Can Do: Technique as Knowledge, Practice as Research by Ben Spatz (review)

Phillip Zarrilli
pp. 182-184
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Learning How to Fall: Art and Culture after September 11 by T. Nikki Cesare Schotzko (review)

Patrick McKelvey
pp. 185-186
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Justice Performed: Courtroom TV Shows and The Theaters of Popular Law by Sarah Kozinn (review)

Michael Asimow
pp. 186-188
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Political Performance in Syria: From the Six-Day War to the Syrian Uprising by Edward Ziter (review)

Rania Jawad
pp. 188-190
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Theatre of Dreams, Theatre of Play: Nō & Kyōgen in Japan ed. by Khanh Trinh, and: Evita, Inevitably: Performing Argentina’s Female Icons Before and After Eva Perón by Jean Graham-Jones, and: The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics by Liang Luo (review)

Whit Emerson
pp. 190-191
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