In this Issue
TDR provides scholarship on performances and their social, economic and political contexts. With an emphasis on the experimental, avant-garde, intercultural and interdisciplinary, it covers dance theatre, performance art, popular entertainment, media, sports, rituals and performance in politics and everyday life.
published by
The MIT Pressviewing issue
Volume 60, Number 4, Winter 2016 (T232)Table of Contents
Provocation
Etc
TDR Comment
pp. 10-13
Articles
pp. 14-21
pp. 22-49
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View China’s Guangchang Wu: The Emergence, Choreography, and Management of Dancing in Public Squares
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China’s Guangchang Wu: The Emergence, Choreography, and Management of Dancing in Public Squares
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pp. 50-67
pp. 68-91
pp. 108-117
pp. 130-142
Critical Acts
Books
pp. 158-159
pp. 160-162
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View The Builders Association: Performance and Media in Contemporary Theater by Shannon Jackson and Marianne Weems (review)
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The Builders Association: Performance and Media in Contemporary Theater by Shannon Jackson and Marianne Weems (review)
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pp. 162-165
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View Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century ed. by Atay Citron, Sharon Aronson-Lehavi, and David Zerbib (review)
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Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century ed. by Atay Citron, Sharon Aronson-Lehavi, and David Zerbib (review)
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pp. 165-167
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View Shapeshifters: Black Girls and the Choreography of Citizenship by Aimee Meredith Cox (review)
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Shapeshifters: Black Girls and the Choreography of Citizenship by Aimee Meredith Cox (review)
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pp. 167-169
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View Arab American Drama, Film and Performance: A Critical Study, 1908 to the Present by Michael Malek Najjar (review)
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Arab American Drama, Film and Performance: A Critical Study, 1908 to the Present by Michael Malek Najjar (review)
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pp. 169-172
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View Brecht on Theatre by Bertolt Brecht, and: Brecht on Performance: Messingkauf and Modelbooks by Bertolt Brecht (review)
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Brecht on Theatre by Bertolt Brecht, and: Brecht on Performance: Messingkauf and Modelbooks by Bertolt Brecht (review)
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pp. 173-174
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View Poverty and Charity in Early Modern Theater and Performance by Robert Henke, and: Skin Acts: Race, Psychoanalysis, and the Black Male Performer by Michelle Ann Stephens, and: Queen for a Day: Transformistas, Beauty Queens, and the Performance of Femininity in Venezuela by Marcia Ochoa (review)
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Poverty and Charity in Early Modern Theater and Performance by Robert Henke, and: Skin Acts: Race, Psychoanalysis, and the Black Male Performer by Michelle Ann Stephens, and: Queen for a Day: Transformistas, Beauty Queens, and the Performance of Femininity in Venezuela by Marcia Ochoa (review)
- Save Poverty and Charity in Early Modern Theater and Performance by Robert Henke, and: Skin Acts: Race, Psychoanalysis, and the Black Male Performer by Michelle Ann Stephens, and: Queen for a Day: Transformistas, Beauty Queens, and the Performance of Femininity in Venezuela by Marcia Ochoa (review)
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| ISSN | 1531-4715 |
|---|---|
| Print ISSN | 1054-2043 |
| Launched on MUSE | 2016-11-23 |
| Open Access | No |
Copyright
Copyright © New York University and the Massachusetts Institute of Technology.
